Remarkable Creatures. Tracy Chevalier

and kitchen on the ground floor, with two bedrooms above as well as a room in the eaves for our servant, Bessy. Louise and I shared one room, giving Margaret the other, for she complained when we stayed up late reading – Louise her botany books, I my works on natural history. There was not enough room in the cottage to fit our mother’s piano or sofa or mahogany dining table. We had to leave them behind in London and buy smaller, plainer furniture in nearby Axminster, and a tiny piano in Exeter. The physical reduction of space and furnishings mirrored our own contraction, from a substantial family with several servants and plenty of visitors, to a reduced household with one servant to cook and clean, in a town with many fewer families whom we could socialise with.

      We soon grew used to our new home, however. Indeed, after a time our old London house seemed too big. Its high ceilings and huge windows had made it hard to heat, and its dimensions had been larger than a person truly required; the grandeur false if you were not grand yourself. Morley Cottage was a lady’s home, the size of a lady’s character and expectations. Of course, we never had a man live there and so it is easy to think that way, but I believe a man of our position in society would have been uncomfortable. John was whenever he visited; he was always bumping his head on the beams, tripping over uneven door sills, ducking his head to look out of the low windows, wavering on the steep stairs. Only the hearth in the kitchen was bigger than the grates in Bloomsbury.

      We also grew used to the smaller social circle of Lyme. It is a solitary place — the nearest city of any size is Exeter, twenty-five miles to the west. As a result its residents, while conforming to the social expectations of the time, are peculiar and unpredictable. They can be small-minded, yet tolerant as well. It is not surprising that there are several Dissenting sects in the town. Of course the main church, St Michaels, is still the Church of England, but there are other chapels too that serve those who question the traditional doctrine: Methodists, Baptists, Quakers, Congregationalists.

      I found a few new friends in Lyme, but it was more the stubborn spirit of the place as a whole that appealed to me rather than specific people – until I got to know Mary Anning, that is. To the town we Philpots were for years considered London transplants, to be viewed with some suspicion and a little indulgence too. We were not well off – £150 per annum does not allow three spinsters many treats – but we were certainly better off than many in Lyme, and our background as educated Londoners from a solicitor’s family brought us a degree of respect. That we all three were without men I am sure gave people plenty of mirth, but at least they aimed their smirks at our backs rather than our faces.

      Although Morley Cottage was unremarkable, it did offer stupendous views of Lyme Bay and the string of eastern hills along the coast, punctuated by the highest peak, Golden Cap, and ending, on clear days, with the Isle of Portland lurking off land like a crocodile, submerged but for its long flat head. I often rose early and sat at the window with my tea, watching the sun rise and give Golden Cap its name, and the sight softened the sting I still felt at having moved to this remote, shabby watering hole on England’s southwest coast, far from the busy, vital world of London. When the sun drenched the hills I felt I could accept and even benefit from our isolation here. When it was cloudy, however, blowing a gale or simply a monotonous grey, I despaired.

      We had not long been installed in Morley Cottage before I grew certain that fossils were to be my passion. For I had to find a passion: I was twenty-five years old, unlikely ever to marry, and in need of a hobby to fill my days. It is so tedious being a lady sometimes.

      My sisters had already claimed their territories. Louise was on her hands and knees in the Silver Street garden, pulling up hydrangeas, which she thought vulgar. Margaret was indulging her love of cards and dancing at Lyme’s Assembly Rooms. She persuaded Louise and me to go with her whenever she could, though she soon found younger accomplices. There is nothing to put off potential suitors more than old spinster sisters in the background, making dry remarks behind their gloves. Margaret had just turned nineteen, and still had great hopes for her prospects at the Assembly Rooms, though she did complain of the provincial quality of the dancing and frocks.

      For myself, it took only the early discovery of a golden ammonite, glittering on the beach between Lyme and Charmouth, for me to succumb to the seductive thrill of finding unexpected treasure. I began frequenting the beaches more and more, though at the time few women took an interest in fossils. It was seen as an unladylike pursuit, dirty and mysterious. I didn’t mind. There was no one I wanted to impress with my femininity.

      Certainly fossils are a peculiar pleasure. They do not appeal to everyone, for they are the remains of creatures. If you think on it too much, you would wonder at holding in your hands a long dead body. Then too, they are not of this world, but from a past very difficult to imagine. That is why I am drawn to them, but also why I prefer to collect fossilised fish, with their striking patterns of scales and fins, for they resemble fish we eat every Friday, and so seem more a part of the present.

      It was fossils that first brought me in contact with Mary Anning and her family. I had hardly collected a handful of specimens before I decided I needed a cabinet in which to display them properly. I have always been the organiser amongst the Philpots – the arranger of Louise’s flowers in vases, the one to set out the china Margaret brought from London. This need to put things in order led me to Richard Anning’s cellar workshop in Cockmoile Square at the bottom of the town. Square is far too grand a word for the tiny open space about the size of a good family’s drawing room. Though just around the corner from the town’s main square, where fashionable folk went, Cockmoile Square was made up of shabby houses where tradesmen lived and worked. One corner of the square held the town’s tiny gaol, with stocks sitting out front.

      Though Richard Anning had been recommended to me as a decent cabinet maker, I would soon have been drawn there anyway, if only to compare my fossils to those at the table young Mary Anning tended outside the workshop. She was a tall, lean child, with the hard limbs of a girl used to working rather than playing with her dollies. She had a rather plain, flat face, made interesting by bold brown eyes like pebbles. As I approached, she was sifting through a basket of specimens, picking out pieces of ammonites and tossing them into different bowls as if playing a game. Even at that early age she was able to tell apart the various types of ammonites by comparing the suture lines around their spiralled bodies. She glanced up from her sorting, her look spirited and full of curiosity. “You want to buy curies, ma’am? We got some nice ones here. Look, here’s a pretty sea lily, only a crown.” She held up a beautiful piece of crinoid, its long fronds spread out indeed like a lily. I do not like lilies. I find their sweet scent too cloying, and prefer sharper scents: I have Bessy dry my sheets on the rosemary bush in Morley Cottage’s garden, while she hangs my sisters’ over lavender. “Do you like it, ma’am – miss?” Mary persisted.

      I flinched. Was it so very obvious that I was not married? Of course it was. For one thing, I had no husband with me, looking after and indulging me. But there was something else about married women that I noticed, their solid smugness at not having to worry about the course of their future. Married women were set like jelly in a mould, whereas spinsters like me were formless and unpredictable.

      I patted my basket. “I have my own fossils, thank you. I am here to see your father. Is he in?” Mary nodded towards steps that led down to an open door. I ducked into a dim, filthy room crammed with wood and stone, the floor covered with shavings and gritty dust. It smelled so strongly of varnish that I almost backed out, but I could not, for Richard Anning was staring at me, his sharp, shapely nose pinning me to the spot like a dart. I never like people who lead with their noses: they pull everything to the centre of their faces, and I feel trapped by their concentration.

      He was a lithe man of medium height, with dark, lustrous hair and a strong jaw. His eyes were the kind of dark blue that hides things. It always annoyed me how handsome he was, given his harsh, teasing nature and his sometimes rough manners. He did not pass on his looks to his daughter, who might have had more use for them.

      He was perched over a small cabinet with glass doors, holding a brush coated with varnish. I took against Richard Anning from the start because he did not even set down the brush, and barely glanced at my specimens as I described what I wanted. “A guinea,” he announced.

      It was an outrageous figure for a specimen