The Day I Died. Polly Courtney

got money. Like, twenty, maybe twenty-five pounds a night? I’m desperate! I wouldn’t tell anyone. D’you think maybe—’

      The woman smiled and held up her hand. ‘Calm down, Jo. Let’s call it fifteen.’

       Chapter Four

      ‘Cornflakes or toast? That’s all there is, I’m afraid.’ Mrs Phillips looked at her expectantly from behind the kitchen counter.

      ‘Toast, please,’ Jo replied in a daze. Her head felt heavy. It was half-past six and she had slept badly, despite her exhaustion and the comfortable bed. Her mind had been racing with anxious, panicky thoughts that became less and less rational as the night wore on. Then at two a.m., having finally drifted off, she had woken with a jolt, her breathing shallow, covered in sweat, her pulse racing. The nausea had taken hold as she lay there willing her brain to shut down, ebbing and flowing for what seemed like hours. Sometime around dawn she must have dozed off again, only to be woken by the sound of birds and a blocked nose, which, on later inspection, turned out to be a nosebleed.

      The landlady started ferrying jams and spreads onto the table and arranging them in an arc around her guest. Jo mumbled her gratitude, distracted by the incredible number of cat replicas that covered every shelf and surface in the room.

      ‘You like cats, then.’

      There were china cats, furry miniature cats, cat teapots, cat postcards…Even the woman’s slippers were shaped like cats.

      Mrs Phillips looked up and smiled. ‘Very observant. Yes. I’d get a real one if I knew it wouldn’t outlive me.’ She whipped the toast from under the grill and slid it onto a plate. ‘There you go. Gone are the days when a full fry-up came as standard, I’m afraid…Mind you, the marmalade’s home-made.’

      Accepting the slightly burned toast, Jo’s eye was drawn to the stack of newspapers on the table–presumably copies that would later be sold in the shop. Her stomach flipped as she considered the possibility that the explosion she’d run from the day before might warrant coverage.

      ‘Pick a channel.’ The landlady pushed the remote control over and nodded at the small TV. ‘I like to see my news in print, but you probably prefer the television.’ She started flicking through the first of the papers.

      Jo scrolled through the stations in search of some news, eventually settling for a mindless chat show. She buttered her toast, trying to guess Mrs Phillips’ age. Physically, she looked quite old, maybe seventy, but her mannerisms belonged to a younger woman. She was lithe and full of energy.

      ‘So, what brought you to Radley?’ She aligned the pages of the first newspaper and moved on to the second.

      Jo jiggled her head, implying that she had too much toast in her mouth to talk. A bus. A night bus on its way to the depot. She couldn’t tell the truth, and she’d already told Mrs Phillips about the job at Trev’s Teashop. Nobody would move to Radley in order to work in a place like that.

      ‘A friend,’ she said finally. ‘I, er, wanted to get out of London for a bit–change of scene, you know.’ She took another bite to buy herself some time. ‘Um…my mate offered to put me up for a while, so I found myself a job–the job at the teashop–and then…’

      ‘Then you fell out with your friend,’ finished the woman, nodding. ‘And this friend–was it…a male friend, by any chance?’ She raised an eyebrow.

      Jo looked at her. With a surge of relief, she realised that Mrs Phillips had assumed the most plausible story of all: that Jo had just split up with the boyfriend who she’d been planning to live with. She nodded.

      ‘I see. Ooh, kettle’s boiled. Tea or coffee?’

      Jo opted for coffee, relieved. Mrs Phillips was a perceptive woman, she thought. And nosy, too. Jo knew she’d have to stay on the ball to avoid getting caught out by her own lies.

      ‘Have you always been a waitress? I’ll leave you to add milk and sugar.’

      Jo stuffed a large piece of toast in her mouth and made a winding gesture with her hand. Why hadn’t she thought about this? She should have invented a background. Sooner or later, people would start asking–of course they would. And she had to stick to a story. She’d already told Trevor her parents weren’t English–what other nonsense would she come up with?

      ‘No,’ she said, still chewing. For some reason, she could only think of one possible career path that involved part-time waitressing, and she wasn’t sure it would stick.

      Eventually, it was time to swallow.

      ‘I’m an actress.’

      ‘Goodness! Really? Would I have seen you in anything? What sort of acting?’

      Jo shrugged modestly. ‘It’s just minor parts, mainly–nothing big.’ She was trying to remember the name of a low-budget film or series that would seem plausible for a small-time actress. Nothing sprang to mind.

      ‘Go on,’ the woman goaded excitedly. ‘Try me. I might’ve seen you in something.’

      Jo shook her head. This really was testing her acting skills. ‘No, really–it’s been mainly screenplays and short films, like…’ She thought frantically, trying to make up a name that sounded like a title but wasn’t likely to be one already. ‘The Goose,’ she said finally.

      Mrs Phillips was still looking at her expectantly.

      ‘And…’ God, this was hard, ‘Jim’s…Secret…House.’ Jo poured some milk into her coffee and stirred it ferociously. She could feel her cheeks burning.

      ‘Hmm, I’m not sure I know them,’ Mrs Phillips said tactfully.

      Jo sipped her coffee and reached for the remote control, hoping that the TV would stave off any more questions.

      ‘Never anything worth watching in the mornings,’ the old lady commented woefully. Jo wondered whether she was like this when she was on her own, or whether this endless chatter was simply her way of making up for her ten-year break from hospitality.

      As if to prove Mrs Phillips’ point, one of the presenters got up from his multicoloured couch and started enthusiastically demonstrating some sort of home steam-cleaning machine. Jo flicked to another channel, where a red cartoon character with a hook on its head was pushing a wheelbarrow across the screen.

      She had nearly given up on finding anything informative when her grip suddenly tightened on the remote control. She stared at the TV in horror.

      ‘…don’t know any more about the motive behind the explosion, but police tell us they’re pursuing multiple lines of enquiry.’

      The reporter pressed on his earpiece as the studio presenter asked him another question. Jo’s eyes were fixed on the screen. She couldn’t even blink. A strip of red and white police tape fluttered in the breeze behind the reporter’s head but other than that, the scene hadn’t changed since yesterday morning. She could even see the spot on the pavement where the paramedic had left her to wait. One word was echoing round and round in her head: motive. Someone had wanted the explosion to happen. It had been some sort of bomb.

      ‘Very little is known about the guests or staff present on the night of the explosion, so the death toll isn’t clear. But we understand that at least fourteen people are missing, feared dead, and there are twenty-one seriously injured in hospital.’

      The camera panned back to the studio.

      ‘Thank you, Jamie, reporting from the scene of the Buffalo Club blast in Mayfair, London. And now, the renowned Turner Prize has created fresh controversy, this time not over a pickled cow but a pickled egg…’

      Jo stopped listening and looked down at her coffee. Mrs Phillips scooped up the newspapers and