Название | The Women’s History of the World |
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Автор произведения | Rosalind Miles |
Жанр | Социология |
Серия | |
Издательство | Социология |
Год выпуска | 0 |
isbn | 9780007571970 |
Because group protection was so important a part of man’s work, it is essential to question the accepted division by sex of emotional labour, in which all tender and caring feelings are attributed to women, leaving men outside the circle of the camp-fire as great hairy brutes existing only to fight or fuck. In reality the first men, like the first women, only became human when they learned how to care for others. A skeleton discovered in the Shanidar caves of what is now Iraq tells an interesting story, according to anthropologist John Stewart:
The man . . . had been crippled by a useless right arm, which had been amputated in life just above the elbow. He was old, perhaps forty in Neanderthal years, which might be the equivalent of eighty today, and he suffered from arthritis. He was also blind in the left eye, as indicated by the bone scar tissue on the left side of the face. It is obvious that such a cripple must have been extensively helped by his companions . . . the fact that his family had both the will and ability to support a technically useless member of the society says much for their highly developed social sense.35
Whatever became of ‘man the hunter striding brutally into the future’?36 Isn’t he beginning to sound like a real human being?
This is not to say that the women of prehistory were not subjected to violence, even death. A female victim of a cannibalistic murder which took place between 150,000 and 200,000 years ago was discovered at Ehringsdorf in Germany. She was an early Neanderthaler who had been clubbed to death with a stone axe. After death her head was separated from her body, and the base of her skull opened to extract the brains. Near her lay the remains of a ten-year-old child who had died at the same time.37
Nor was prehistory any stranger to sexual violence. An extraordinary bone carving in the shape of a knife from Isturitz in the Basses-Pyrénées shows a harpooned bison graphically vomiting blood as it wallows in its death throes. On the other side of the blade a woman similarly harpooned crawls forward on her hands and knees while a male figure crouches lecherously behind her, clearly intent on sexual penetration from the rear, although the droop of her breasts and the swelling of her belly show that she is pregnant. In a bizarre definition of primitive man’s idea of foreplay, the French anthropologist G-H Luquet interprets this gruesome object as a ‘love charm’!38
But interestingly, women of primitive societies are often far less subjugated than a modern, particularly a Western, observer might expect. Far from being broken-down slaves to their men’s drives and needs, women in early societies often had a better chance of freedom, dignity and significance than many of their female descendants in more ‘advanced’ societies. The key lies in the nature of the tribe’s relation to its surroundings. Where sheer subsistence is a struggle and survival is the order of the day, women’s equality is very marked. Women in these cultures play too vital a role to be kept down or out of action, and their knowledge and experience are a cherished tribal resource. As the major food providers, holding the secret of survival, women have, and know they have, freedom, power and status.
Men in hunter/gatherer societies do not command or exploit women’s labour. They do not appropriate or control their produce, nor prevent their free movement. They exert little or no control over women’s bodies or those of their children, making no fetish of virginity or chastity, and making no demands of women’s sexual exclusivity. The common stock of the group’s knowledge is not reserved for men only, nor is female creativity repressed or denied. Today’s ‘civilized’ sisters of these ‘primitive’ women could with some justice look wistfully at this substantial array of the basic rights of women.
And there is more. Evidence from existing Stone Age cultures conclusively shows that women can take on the roles of counsellors, wise women, leaders, story-tellers, doctors, magicians and law-givers.39 Additionally, they never forfeit their own unique power based on woman’s special magic of fertility and birth, with all the mana attendant upon that. All the prehistoric evidence confirms women’s special status as women within the tribe. Among numerous representations of women performing religious rituals, a rock painting from Tanzoumaitak, Tassili N’Ajjer, shows two women dancing ceremonially among a flock of goats, richly ornamented with necklaces, bracelets and bead head-dresses, while in one of the most famous of prehistoric paintings the so-called ‘White Lady’ of the Drakensberg Mountain caves of South Africa leads men and women in a ritual tribal dance.40
From the very first, then, the role of the first women was wider, their contribution to human evolution immeasurably more significant, than has ever been accepted. Dawn woman, with her mother and grandmother, her sisters and her aunts, and even with a little help from her hunting man, managed to accomplish almost everything that subsequently made homo think himself sapiens. There is every sign that man himself recognized this. In universal images ranging from the very awakening of European consciousness to the Aboriginal ‘Dreamtime’ myths on the other side of the world, woman commands the sacred rituals and is party to the most secret mysteries of tribal life.
For woman, with her inexplicable moon-rhythms and power of creating new life, was the most sacred mystery of the tribe. So miraculous, so powerful, she had to be more than man – more than human. As primitive man began to think symbolically, there was only one explanation. Woman was the primary symbol, the greatest entity of all – a goddess, no less.
The Great Goddess is the incarnation of the Feminine Self that unfolds in the history of mankind as well as in the history of every individual woman.
ERICH NEUMANN, The Great Mother
The Mother of songs, the Mother of our whole seed, bore us in the beginning. She is the Mother of all races of men, and all tribes. She is the Mother of the thunder, of the rivers, of the trees and of the grain. She is the only Mother we have, and She alone is the Mother of all things. She alone.
SONG OF THE KAYABA INDIANS OF COLOMBIA
Around 2300 B.C., the chief priest of Sumeria composed a hymn in praise of God. This celebration of the omnipotent deity, ‘The Exaltation of Inanna’, is a song of extraordinary power and passion, and it has come down to history as the world’s first known poem. But it has another claim to world attention – both the first God and this first known priest-poet were female.
For in the beginning, as humankind emerged from the darkness of prehistory, God was a woman.1 And what a woman! The Sumerian inhabitants of what is now Iraq worshipped her in hymns of fearless eroticism, giving thanks for her tangled locks, her ‘lap of honey’, her rich vulva ‘like a boat of heaven’ – as well as for the natural bounty that she ‘pours forth from her womb’ so generously that every lettuce was to be honoured as ‘the Lady’s’ pubic hair. But the Supreme Being was more than a provider of carnal delights. Equally relished and revered were her war-like rages – to her first priest-poet Enheduanna she was ‘a dragon, destroying by fire and flood’ and ‘filling rivers with blood’. Enheduanna herself enjoyed temporal power as the daughter of Sargon I. But it was in her role as chief ‘moon-minister to the Most High’ that her true authority lay. For as poet, priest and prophet of Inanna, Enheduanna was the voice of a deity whose power and worship spanned the whole world and was as old as time itself, the first divinity, the Great Mother.2
The power and centrality of the first woman-God is one of the best-kept secrets of history. We think today of a number of goddesses, all with different names – Isis, Juno, Demeter – and have forgotten what, 5000 years ago, every schoolgirl knew; no matter what name or guise she took, there was only one God and her name was woman. The Roman lawyer Lucius Apuleius was skilfully recycling the whole compendium of contemporary clichés in his portrait of ‘the Goddess’ as she spoke to him in a vision: