Название | The Women’s History of the World |
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Автор произведения | Rosalind Miles |
Жанр | Социология |
Серия | |
Издательство | Социология |
Год выпуска | 0 |
isbn | 9780007571970 |
Not infrequently women’s resistance to masculine control was expressed directly, even violently, as the Roman senators found to their cost in 215 B.C., when to curb inflation they passed a law forbidding women to own more than half an ounce of gold, wear multi-coloured dresses or ride in a two-horse carriage. As the word spread, crowds of rioting women filled the Capitol and raged through every street of the city, and neither the rebukes of the magistrates nor the threats of their husbands could make them return quietly to their homes. Despite the fierce opposition of the notorious anti-feminist Cato, the law was repealed in what must have been one of the earliest victories for sisterhood and solidarity.
For in the game of domination and subordination, women have not always been the losers: the annals of nineteenth-century explorers were rich in accounts of primitive African tribes where the women had fought off the challenge of the phallus and continued to rule the men. Most of these have now vanished, like the Balonda tribe of whom Livingstone noted that the husband was so subjected to his wife that he dared do nothing without her approval. Yet even today records continue to document tribes like that of the cannibal Munduguma of the Yuat River of the South Seas, whose women are as ferocious as their head-hunting men, and who particularly detest having children. This age-old resistance to the traditional wifely role is echoed in a Manus proverb of the same region: ‘Copulation is so revolting that the only husband you can bear is the one whose advances you can hardly feel.’35
As this suggests, women did not fall easily into the subservient supporting role for which the lords of every known phallocracy have insisted they are ‘naturally’ fitted. Many and varied in fact have been the ways that women have found to subvert and convert the power of men, asserting their own autonomy and control as they did so. For the new political systems of male domination were not monolithic nor uniform; there were plenty of cracks through which an enterprising female might slip. In addition, the phallus supreme might count himself king of infinite space, but in real life, willy-nilly, men had to marry and father females. Taken together these factors provided a number of bases from which women could operate in much the same way as men:
Women could win membership of the ruling élite.
This classic route to power derived from access to the men who wielded it, in a direct reversal of the previous rule of the matriarchies. One of the clearest indications of its scope comes from the impressive careers of ‘the Julias’, a powerful female dynasty of two sisters and two daughters who ruled in Rome during the third century A.D. The elder sister, Julia Domna, first struck into Roman power politics when she married the Emperor Severus. After her death in 217, her younger sister Julia Maesa took over, marrying her two daughters, also Julias, with such skill that they became the mothers of the next two emperors, through whom the three women ruled with great effect until 235. Another mistress of this game was the Byzantine Empress Pulcheria (A.D. 399–453). Made regent for her weak-minded brother when she was only fifteen, Pulcheria later fought off a challenge to her supremacy from her brother’s wife, and after his death ruled in her own right, supported by her husband, the tough General Marcian: husband in name only, Marcian was never allowed to break his wife’s vow of chastity which after her death enabled her to be canonized as a saint.
Women could excel in political skill.
As Pulcheria’s story shows, women learned very early on how to operate the machinery of power, how to manoeuvre successfully within frameworks which may have constricted their actions but never prevented them from achieving their deeper goals. So the magnificent Theodora, one-time bear-keeper, circus artiste and courtesan who fulfilled every Cinderella fantasy when she married the Prince Justinian, heir to the Byzantine Empire in A.D. 525, proposed her measures to the Councils of State, ‘always apologizing for taking the liberty to talk, being a woman’.36 Yet from behind this façade Theodora pushed through legislation which gave women rights of property, inheritance and divorce, while at her own expense she bought the freedom of girls who had been sold into prostitution, and banished pimps and brothel-keepers from the land.
Unlike Theodora, who used her borrowed power with magisterial altruism, other women displayed an appetite for realpolitik in its cruellest forms. The Roman empresses Drusilla Livia (c.55 B.C.–A.D. 29) and Valeria Messalina (A.D. 22–48) were among many who engaged in endless violent intrigues, including the free use of poison on any obstacles to their designs. Poison was also one of the weapons of the legendary beauty Zenobia. This Scythian warrior queen routed the Roman army, went on to capture Egypt and Asia Minor, and, when finally defeated by the Romans, escaped death by seducing a Roman senator. She later married him, and lived on into a gracious retirement until her death in A.D. 274.
Unquestionably though, the female Bluebeard of dynastic power games must be Fredegund, the Frankish queen who died in A.D. 597. Beginning as a servant at the royal court, she became the mistress of the king, whom she induced to repudiate one wife and murder another. When the sister of the dead queen, Brunhild, became her mortal enemy as a result, Fredegund engineered the death of Brunhild’s husband and plunged the two kingdoms into forty years of war. Fredegund’s later victims included all her stepchildren, her husband the king, and finally her old enemy Queen Brunhild, whom she subjected to public humiliation and atrocious torture in the face of the army for three days before Brunhild’s death put an end to her sport: after which she died at last peacefully in her own bed.
Personal achievement was always possible.
The work of many gifted women known to history by name is a salutary reminder that, as the majority of the human race, women have always commanded over half of the sum total of human intelligence and creativity. From the poet Sappho, who in the sixth century B.C. was the first to use the lyric to write subjectively and explore the range of female experience, to the Chinese polymath Pan Chao (Ban Zhao), who flourished around A.D. 100 as historian, poet, astronomer, mathematician and educationalist, the range is startling. In every field, women too numerous to list were involved in developing knowledge, and contributing to the welfare of their societies as they did so: the Roman Fabiola established a hospital where she worked both as nurse and doctor, becoming the first known woman surgeon before she died in A.D. 399.37 In various fields, too, women emerged not simply as respected authorities, but as the founding mothers of later tradition: Cleopatra, ‘the alchemist of Alexandria’, an early chemist and scholar, was the author of a classic text Chrysopeia (Gold-making), which was still in use in Europe in the Middle Ages, while the Chinese artist Wei Fu-Jen, working like Cleopatra in the third century A.D., is still honoured today as China’s greatest calligrapher and founder of the whole school of the art of writing.
Not all women everywhere were destined to make their mark on history. This does not mean, however, that they were inevitably lost in the great silence of the past. Folk stories from all cultures preserve accounts of the heroines of ordinary life who tamed brutal or stupid husbands, outwitted rapacious lords, schemed for their children and lived to rejoice in their children’s children. Occasionally these tales have a peculiarly personal ring, like the Chinese folk tale of the early T’ang dynasty (A.D. 618–907), in which the little heroine, desperate for education, is presented as setting out for her first day’s schooling disguised as a boy, ‘as happy as a bird freed from its cage’. Even more poignant is the earlier story, ‘Seeking her Husband at the Great Wall’ (c. 200 B.C.), which tells of a wife who succeeded in making a long and terrible journey in order to find her husband, surviving every danger and disaster in vain, since her beloved had been dead all along.38
For there was love between men and women; the new lords of creation