The Women’s History of the World. Rosalind Miles

Holy Shiva, Divine Linganaut,

      Heavenly Root, Celestial Penis, Phallus Lord, thy radiant lingam is so large that neither Brahma nor Vishnu can reckon its extent.

      HINDU PRAYER

       He let fly an arrow, it pierced her belly,

      Her inner parts he clove, he split her heart, He destroyed her life, He felled her body and stood triumphant upon it.

      King Marduk overthrows the Great Mother in the Babylonian Epic of Creation, c. 2000 B.C.

      Men look to destroy every quality in a woman that will give her the powers of a male, for she is in their eyes already armed with the power that brought them forth.

      NORMAN MAILER

      ‘In the beginning,’ writes Marilyn French, ‘was the Mother.’ That mother, as her ‘children’ saw her, is still with us today – her outsize breasts, bulging belly and buttocks, flaring vulva and tree-trunk thighs survive in the familiar figurines found in their tens of thousands in Europe alone. Against this massive, elemental force the human male cut a poor figure indeed. Every myth, every song in praise of the Great Goddess stressed by contrast the littleness of man, often in caustically satiric terms – the illustrated Papyrus of Tameniu of the twenty-first Egyptian dynasty (1102–952 B.C.) shows her naked, over-arching the whole world, flaunting her star-spangled breasts, belly and pubic zone, while the boy-god Geb, flat on the ground, reaches up to her in vain with a phallus that although exaggerated, plainly is not man enough for the occasion. Nor was this the limit of the sexual humiliations the Great Mother would exact. Among the Winnepagos of Canada, a brave who dreamed of the Goddess, even once, knew himself singled out for a terrible fate, that of becoming cinaedi, a homosexual compelled to wear women’s garb and to submit in every way to the sexual demands of other males. There are countless similar examples from widely different cultures of the Goddess’s dreaded and inexorable power: as Robert Graves explains, ‘under the Great Mother, woman was the dominant sex and man her frightened victim.’¹

      For when all meaning, all magic, all life lay with woman, man had no function, no significance at all. ‘The baby, the blood, the yelling, the dancing, all that concerns the women,’ declared an Australian Aboriginal: ‘men have nothing to do but copulate.’ Into this vacuum, as consciousness deepened, came envy, the ‘uterus-envy of female-protest within men awed by the apparently exclusive female power of creation of new life’. Resentful of the women’s monopoly of all nature’s rhythms, men were driven to invent their own. In origin, however, these male-centred rituals consisted of no more than attempts to mimic the biological action of women’s bodies, a debt openly acknowledged by many still-surviving Stone Age cultures: ‘in the beginning we had nothing . . . we took these things from the women.’²

      Typical of numerous such imitations worldwide was the hideous Aztec rite of dressing a sacrificing priest in the skin of his human sacrifice. He would then ‘burst from the bleeding human skin as the germinating shoot from the husk of the grain’, becoming both the new life and the one who gives birth by the power of his magic.³ More horrific still was the fate that befell every boy initiate in the Aranda tribe of Australia:

      . . . the ritual surgeon seizes the boy’s penis, inserts a long thin bone deep into the urethra, and slashes at the penis again and again with a small piece of flint used as a scalpel. He cuts through the layers of flesh until he reaches the bone, and the penis splits open like a boiled frankfurter.⁴

      This hideous ceremony, christened ‘sub-incision’ by the white settlers, tormented their civilized minds – what possible purpose could it serve? Had they understood Aranda, all would have been clear. The Aboriginal word for ‘split penis’ derives from the term for the vagina, and the title ‘possessor of a vulva’ is the honorific bestowed on all boys who undergo the ordeal. Later rituals also included the regular re-opening of the wound to demonstrate that the initiate could now ‘menstruate’.⁵

      It was, in Margaret Mead’s words, ‘as if men can only become men by taking over the functions that women perform naturally.’⁶ For Jung, the secret of all male initiation rituals lay in ‘going through the mother again’, embracing the fear, the pain and the blood in order to be born anew not as a child but as a man and a hero. ‘Through the mother’, though, does not imply any sympathetic identification with the female. On the contrary, the key element is the takeover of birth as a male mystery, the first ‘weapon in the men’s struggle to shake off the feminine domination created by the matriarchy’.⁷ This struggle of men not merely to imitate and outdo, but to usurp women’s power of creating new life took place on every level; Zeus giving birth to Athene from his head is a classic reversal of the primal creation myth that finds a parallel in many other mythologies. It was nothing less than a revolution: of the weak against the strong, of the oppressed against their oppression, of value structures and habits of thought.

      And human thought was itself progressing along lines that eased the way towards the domination of males. As human beings crossed the mental threshold between interpreting events in symbolic and magical terms, and the dawning realization of cause and effect, man’s part in the making of babies became clear. Now women’s rhythms were seen to be human, not divine, and the knowledge that man determined pregnancy completed the revolution that his resentment and resistance had already set in train. Historian Jean Markdale sums it up:

      When man began to assert that he was essential to fertilization, the old mental attitudes suddenly collapsed. This was a very important revolution in man’s history, and it is astonishing that it is not rated equally with the wheel, agriculture, and the use of metals . . . As the male had been cheated for centuries . . . equality was not enough. He now understood the full implications of his power, and was going to dominate . . .⁸

      And what better weapon of dominance was there to hand but the phallus? As man began to carve out some meaning for himself to set against woman’s eternal, innate potency, what would serve his turn better than man’s best friend, his penis. In its fragile human form, prey to unbidden arousal, stubborn refusal and unpredictable deflation, it could not challenge women’s unfailing power of birth. But elevated above reality into symbol, transformed into ‘phallus’ and enshrined in materials known to be proof against detumescence like metal and stone, it would do very well.

      At a stroke, then, the power was there at man’s bidding. Now he was transformed from an unregarded afterthought of creation whose manhood held no magic for any except himself, to the whole secret and origin of the Great Mother’s life force. The power was not hers, but his. His was the sacred organ of generation; and the phallus, not the uterus, was the source of all that lived. Power to the phallus became the imperative (to, from, by, in and of the phallus); and so a new religion was born.

      This is not to suggest that the penis and its symbolic equivalent the phallus were unknown to these early societies before the discovery of biological paternity began to sweep the world around the beginnings of the Iron Age, some 3500 years ago. Phallic emblems made their appearance in the earliest recorded living sites, and from the time of the ‘Neolithic Revolution’ (around 9000–8000 B.C. in the Near East), they occur in impressive size and profusion. At Grimes Grave in Norfolk, England, for example, an altar discovered in the bowels of the abandoned Neolithic flint mine workings bore a cup, seven deer anders, and a mighty phallus carved in chalk, all set out as offerings to the figure of the Great Goddess reared up before it. For whatever their proportions (and some of the lovingly wrought models in clay or stone display a truly impressive capacity for wishful thinking), these emblems were only fashioned as part of the worship of the Goddess, and were not sacred in themselves.

      Paradoxically then, it was the Great Goddess herself who first established the cult of the phallus. In the myth of Isis, whose worship spread from the Near East throughout Asia and into Europe, the Goddess ordered a wooden lingam of Osiris to be set up in her temple at Thebes. Subsequently the worship of the Goddess involved making offerings to her of phallic emblems or tokens; the women of Egypt carried images of Osiris in their sacred processions, each one equipped with a movable phallus ‘of disproportionate magnitude’, according to one disgruntled observer, while a similar