Mortal Fear. Greg Iles

Daddy, I’m serious!” she snaps, her tanned cheeks quivering. “Holly’s like a sponge and you know it!”

      Bob’s face glows pink. He half rises from his reclining lawn chair. “You hear that, Margaret? Your daughter just took the Lord’s name in vain, and she’s on me for calling a spade a spade! I think any civilized person would agree that blasphemy is far worse than saying nigger now and again!”

      Margaret Anderson snores beneath her straw hat.

      “No it’s not, Daddy,” Drewe says softly from the table. “But you’ll never understand why.”

      I am enthralled by the continuing role reversal Erin and Drewe have been undergoing since they were kids. When they were teenagers, it was Drewe who almost daily pushed her father to the point that he locked her in her room or thrashed her with his belt. She constantly tested her limits, proving only that she was as stubborn as he was. Erin was a creature of equanimity, slipping through life with no resistance at all. Yet now that Erin is a mother, it is she who faces down Bob without fear or second thoughts.

      As a child Drewe was a tomboy, curious, competitive, and tough. After puberty, she began to soften into a more feminine figure at the same time her intelligence put her at the top of her ninth-grade class. To prevent the inevitable taunts of being “too good” for everyone else, Drewe evolved a unique strategy. She became the wildest girl in the class. Or at least she seemed to. And one of her most convincing moves in this game of social survival was dating the wildest boy in her class—me. And so it was that I alone knew her secret. While the other girls were perpetually awed by the craziness of some of the things Drewe did, I knew, for example, that on those occasions when we managed to spend nearly all night together in bed, she stopped our passionate groping well short of “going all the way.” Yet she was perfectly content to let her friends think otherwise. And in the whirlwind of our relationship, no one seemed to notice that she maintained a 99.4 average in all subjects.

      Erin was just as deceptive, but she took the opposite tack. A year behind Drewe, she effortlessly convinced every parent and teacher within thirty miles that she was a perfect angel while actually having sex with any guy who took her fancy, from clean-cut quarterbacks to pot-smoking cowboy rebels. Her grades were middling at best, but on the other hand, they were irrelevant.

      Erin’s secret was her looks.

      I gaze past Patrick and Bob: Erin has finally turned back toward the shimmering pool. I am now looking at what was once described as the finest ass in the state of Mississippi, and it still manages to make the one-piece bathing suit that covers it seem more revealing than a thong bikini. Even now, I am convinced that this thirty-two-year-old mother could give any high school senior a run for her money.

      During 1979, Erin Anderson’s face appeared on the covers of six national magazines. Four days after she graduated from high school, she left Rain, Mississippi, for New York with five hundred dollars and the name of a modeling agent in her purse. Two months later she had signed a contract with the Ford agency. In quick succession came runway work, the six magazine covers, some TV spots. Then came a brief hiatus, and after that it was the inner pages of the magazines. Another hiatus, then mostly they used her hands, feet, breasts, and hair.

      No tragic accident had disfigured her face. If looks alone were the criterion, Erin would still be gazing out from the racks at the supermarket checkout instead of gathering up her child from the shallow end of her parents’ swimming pool. Erin’s problems were inside her head, not outside.

      But first the exterior. Where Drewe is fair, Erin is dark. I lay that at the feet of genetics. Bob Anderson came from Scots-English blood, Margaret Cajun French. Drewe got her father’s genes, Erin her mother’s. And the differences hold true right down the line. Drewe’s hair is thick, auburn, and slightly curly. Erin’s is fine and straight and so brown it is almost black. Drewe’s eyes are green and bright with quick intelligence; Erin’s are almond-shaped, as black and deep as smoldering Louisiana bottomland. Drew has a pert nose, while Erin’s is long and straight with catlike flared nostrils. And where Drewe’s lips are pink, like brush strokes on a Royal Doulton figurine, Erin’s are full and brown, her upper lip dusted with fine tawny down. Both girls are somewhere around five foot nine, but Erin is long.

      I don’t mean to shortchange my wife. Any man with functioning retinas would call Drewe a beauty. She is also demure—except while working—and her strength and smarts give an edge to her elegance. She is a doctor, after all. Erin is a former model turned jet-set girlfriend turned housewife. But as I watch Erin leading her child by the hand to the wrought-iron table, the physical difference comes clear: Drewe is feminine; Erin is feline.

      This is a difficult art, watching another woman without your wife noticing. You look with unrestricted freedom for the early part of your life, then suddenly you have to learn to conceal your interest. The battle is hopeless, like a physicist trying to train iron filings not to follow a magnet. But with Erin, I have had lots of practice.

      Since I dated Drewe in high school, Erin and I were almost natural enemies. We constantly razzed each other, behaving as if related ourselves. I grew adept at ignoring her stunning legs as we hung around the pool in the summers. But sometimes ignoring her was impossible.

      Once, at a high school lake party, some of the seniors got drunk enough to start skinny-dipping. Dusk was falling, and a few of the girls felt safe enough or bold enough to slip off their suits in the growing shadows and dive off the pier into the silver water.

      When Drewe saw this, she silently stood up, threw her “wild” act to the winds, and started walking back toward the car. She obviously had no intention of stripping nude in front of strangers, no matter how drunk they might be. Besides, her coolness quotient was secure. She didn’t look back at me, but I knew she expected me to follow. And I meant to. But as I stood up, I heard a voice say softly: “Harper.”

      I turned around to see Erin standing behind me. She wore the bottom half of a bikini, but her brown-nippled breasts were exposed. With her eyes locked on mine, she hooked a finger in the side of her suit and stepped lazily out of it.

      She was glorious. And she knew it. I stood blinking in the dusk, trying to take in what I was seeing. Looking back now, I realize that trying to see—truly see—a naked woman in her entirety is like trying to take in the carnage at a traffic accident. Your brain simply cannot process all the input being channeled like floodwater through your eyes. I saw bits of her: collarbones like sculpted braces inside a guitar, her flat brown oiled belly, beaded with pearls of lake water descending to a stark tan line where a lighter brownness descended again to the rough black triangle blurring the wide cleft between her thighs. And always her eyes. How long did I stare? Five seconds? Ten? I heard a long, reverent whistle from the water below the pier. Then Erin’s gaze floated above my shoulder and she simply stepped off the pier and dropped into the lake. When I turned around and looked up to the house, I saw no one. But after I reached the car, Drewe remained silent all the way back to Rain.

      “Uncle Harrrrp—”

      Startled, I look away from Erin and into the face of Holly, her daughter. “What is it, punkin?”

      “Where’s your git-tar?”

      Bob chuckles.

      “I didn’t bring it today.”

      “Play me a sawng,” commands the three-year-old.

      “I can’t. I guess I could sing one a cappella. What do you want to hear?”

      “Blackbirdie!” she squeals, laughing. She means “Blackbird,” by Paul McCartney. Sometimes Patrick whistles birdcalls while I play the song, which drives Holly into fits of laughter.

      “Sorry, Scooter,” I say. “I need the git-tar for that one. What’s your second choice?”

      “BARNEY!” she screeches.

      “Christ,” whispers Patrick. “I thought she got over Barney last year.”

      “Uh, Marg?” Bob says softly. “Didn’t you tell me ol’ Barney got killed in a car wreck