Mortal Fear. Greg Iles

her scream died. I tried a little humor. “Hello, Jenny, we’re from DonorNet. I’ll bet you didn’t think we made house calls.”

       She tried to fight us in the bedroom, making for a dresser (in which I later found a pistol). Kali brought her down with a knife slash to the thigh. Lots of blood, but essentially a superficial wound. It will have no effect on her role in the procedure.

       Kali helped her dress, then forced her to give us her car keys. Jenny didn’t whine or beg, like some. She was trying to think of a way out.

      I drove her car to the airstrip, Kali guarding her in the backseat. At the plane I’d planned to inject a mild sedative, but despite my reassurances the patient would not submit. I was forced to shoot her with a Ketamine dart. I also had to leave her car at the runway. Eventually it will be found. But there is no record of our landing. No note. No trace of our passing. Another question mark for the police.

      Kali has the controls now. My dark Shakti shepherds me through the stars. We hurtle into history at two hundred miles per hour. The patient lies bound behind us, silent as death, as blissfully unaware of the contribution she will make as the monkey that gave Salk his poliomyelitis vaccine.

      I’ve been thinking that I should present an edited version of these letters as an addendum to my official findings, or perhaps they belong with my curriculum vitae. Shocking to the unprepared mind. I suppose, but highly edifying for the medical historian.

      But enough of that.

      Things are where they are, and,

      as fate has willed,

      So shall they be fulfilled.

       EIGHT

      “It’s that damned nigger contractor,” says Bob Anderson.

      “Robert, not in front of Holly,” scolds Margaret, his wife.

      Bob Anderson is my father-in-law. He points across his Mexican tile patio toward a small girl child splashing in the shallow end of the swimming pool.

      “She can’t hear me, Marg. And no matter how you cut it, it all comes back to that nigger contractor.”

      Patrick Graham, my brother-in-law, rolls his eyes at me while carefully making sure I am the only one who can see him. Patrick and I went to school together and are exactly the same age. An oncologist in Jackson, Mississippi, he is married to Erin, my wife’s younger sister. His rolling eyes sum up a feeling too complex for words, one common to our generation of Southerners. They say, We may not like it but there’s nothing we can do about it except argue, and it’s not worth arguing about with our father-in-law because he won’t ever change no matter what.

      “It” being racism, of course.

      “What are you jabbering about, Daddy?” Drewe asks.

      My wife is wearing a yellow sundress and standing over the wrought-iron table that holds the remains of the barbecued ribs we just devoured. Erin excluded, of course. My wife’s sister is a strict vegetarian, which in Mississippi still rates up there with being a Hare Krishna. This get-together is a biweekly family ritual, Sunday dinner at the inlaws’, who live twenty miles from Rain, on the outskirts of Yazoo City. We do it rain or shine, and today it’s shine: ninety-six degrees in the shade.

      “Don’t get him started, honey,” my mother-in-law says wearily. Margaret Anderson has taken refuge from the heat beneath a wide-brimmed straw hat.

      “I’m talking about my new office, baby,” Bob tells Drewe, ignoring Margaret.

      Bob Anderson is a veterinarian and an institution in this part of the Delta. His practice thrives, but that is not what pays for the columned Greek Revival house that towers over the patio we are sitting on. In the last twenty years, Bob has invested with unerring instinct in every scheme that made any money in the Delta, most notably catfish farming. Money from all over the world pours into Mississippi in exchange for farm-raised catfish—enough money to put the long-maligned catfish in the same league with cotton. A not insignificant portion of that money pours into Bob Anderson’s pockets. He is a short man but seems tall, even to those who have known him for years. Though he is balding, his forearms are thick and hairy. He walks with a self-assured, forward-leaning tilt, his chin cocked back with a military air. He is a natural hand with all things mechanical. Carpenter work, motors, welding, plumbing, a half dozen sports. It’s easy to imagine him with one strong arm buried up to the shoulder in the womb of a mare, a wide grin on his sweaty face. Bob Anderson is a racist; he is also a good father, a faithful husband, and a dead shot with a rifle.

      “I took bids on my building,” he says, looking back over his shirtless shoulder at Drewe. “All the local boys made their plays, o’course, first-class job like that. And all their bids were close to even. Then I get a bid from this nigger out of Jackson, name of Boyte. His bid was eight thousand less than the lowest of the local boys.”

      “Did you take it?” Patrick asks.

      Erin Graham—Patrick’s wife—turns from her perch at poolside. She has been sitting with her tanned back to us, her long legs dangling in the water, watching her three-year-old daughter with an eagle eye. Erin’s dark eyes glower at her father, but Bob pretends not to notice.

      “Not yet,” he says. “See, the local boys somehow got wind of what the nigger bid—”

      “Somehow?” Drewe echoes, expressing her suspicion that her father told his cronies about their minority competition.

      “Anyhow,” Bob plows on, “it turns out the reason this nigger can afford to bid so low is that he’s getting some kind of cheap money from the government. Some kind of incentive—read handout—which naturally ain’t available to your white contractors. Now I ask you, is that fair? I’m all for letting the nigger compete right alongside Jack and Nub, but for the government to use our tax money to help him undercut hardworking men like that—”

      “Are you sure the black contractor’s getting government help?” Drewe asks.

      “Hell yes, I’m sure. Nub told me himself.”

      “So what are you going to do?” asks Patrick, as if he really cares, which I know he does not.

      “What can I do?” Bob says haplessly. “I’ve got to give it to the nigger, don’t I?”

      “DADDY, THAT IS ENOUGH!”

      Patrick and I look up, startled by the shrill voice. Erin has stood up beside the pool and she is pointing a long finger at her father. “You may do and say as you wish at your house any time you wish—except when my daughter is present. Holly will not grow up handicapped by the prejudices of this state.”

      Bob looks at Patrick and me and rolls his eyes, which from long experience we sons-in-law have no trouble translating as, What do you expect from a girl who ran off to New York City when she turned eighteen and lived among Yankees?

      “Calm down, honey,” Bob says. “To you he’s an African American. Five years ago he was black, before that a Negro, before that colored. How am I supposed to keep up? To me he’s a nigger. His own friends call him nigger. What’s the difference? Holly won’t remember any of this in five minutes anyway.”

      To be fair, Bob Anderson would never use this kind of language in mixed company—mixed racial company—or in front of whites he did not know and feel comfortable with. Unless, of course, someone made him mad. To Bob Anderson, “politically correct” means you salute the flag, work your butt off, pay your taxes, pray in school, and you by God go when Uncle Sam calls you, no questions asked. I could ridicule his views, but I won’t. Guys like Bob Anderson fought and died for this country years before I was born. Guys like Bob Anderson liberated Nordhausen and