Not A Sound. Heather Gudenkauf

and find a local channel. I rarely watch TV and when I do, it’s mainly to catch up on what’s happening beyond the walls of my house and practice my speech reading. I pull a pillow from the love seat, set it on the hardwood floor and sit as close to the television screen as I can. Stitch realizes that he gets the entire sofa to himself and climbs up and stretches his limbs across the cushions.

      The bland sitcom I’m watching goes to a commercial and a breaking news banner fills the screen. The newscasters’ faces are serious and I’m sure the story is going to be about Gwen. The closed caption ribbon scrolls across the bottom of the screen. Though I try to focus on the speakers’ faces I still have to rely heavily on the captioning.

      “A woman paddle boarding on the Five Mines River with her dog made a grisly discovery this Halloween morning,” the newscaster begins. “We take you now to KFMI reporter Mallory Richmond at the Five Mines Marina for a live update on this very disturbing situation.”

      “That’s right,” the reporter says as she looks intently into the camera, “early this morning, a deaf woman and her service dog were paddle boarding just a few miles south of this very location when they stumbled upon the dead body of a yet to be identified woman floating in Five Mines.” Behind her an American flag, illuminated by floodlights, whips wildly in the wind but somehow her perfectly straight blond hair remains in place. The screen flips to a video of an ambulance parked as close to the dock as possible, its back doors open wide.

      Eagerly, I read the words crawling across the television screen. “Police spent the better part of the day at the actual crime scene collecting evidence. Officials aren’t saying much but did confirm that the woman’s remains were transported by a Department of Natural Resources boat and transferred to this awaiting ambulance, as you can see in the video.” I watch as the DNR boat appears on screen and slowly makes its way to the dock.

      As the boat comes closer I immediately recognize Jake with his broad shoulders and sandy hair. The DNR officer who was the first to arrive on the scene is steering the boat. His eyes widen when he realizes that a television camera is pointing directly at them. Jake, as calm as ever, simply ignores the reporters and busies himself with grabbing onto the dock to help guide the boat as close to the shore and ambulance as possible. Two EMTs dressed in their navy blue uniforms emerge from the ambulance, pull a stretcher from the rear, unfold the wheels and roll it down the dock.

      The camera switches back to the reporter, who nods grimly into the camera, and I focus on her lips. “Police Detective Jake Schroeder, whom you saw in this video, had no comment, but sources close to the investigation have told me that the police department is looking at all missing person’s cases.”

      The reporter signed off and the newscaster in the studio was speaking again. “Join us tonight for the ten o’clock news with more updates on this story along with the disturbing 9-1-1 call made by the woman who discovered the victim’s body.”

      I groan, causing Stitch to heave himself from the couch and come and investigate. Even if they bleep out my name, if the news station plays the recording of the 9-1-1 tape all my friends and former colleagues will know it was me who made the call. I think it’s safe to say that I’m the only deaf woman who owns a dog, paddle boards and lives on the banks of Five Mines. Stitch’s ears perk up and he nudges my leg with his nose. I turn to look at what has caught his attention. The light on the phone is flashing and I hope it’s Jake to tell me they caught the person who killed Gwen.

      I reach for the receiver. “Hello,” I say and watch the telephone display in anticipation.

      “I just saw the news.”

      “Jake?” I ask.

      “No, it’s David. I just saw the news. You found her? The dead woman? Jesus, Amelia. Do they know who she is?”

      I hesitate. I know I’m not supposed to say anything just yet. “I can’t...” But this is David I’m talking to. How can I keep this from him? David knew Gwen too—she worked at the same hospital, she filled in on the ob-gyn floor from time to time. “It’s Gwen Locke, David, she was just identified, but it’s not released to the public yet.”

      The screen is still for a moment. “That’s horrible. Are they sure it’s Gwen?”

      “Yeah, I found her. It was awful.” Tears creep into the corners of my eyes and I angrily swipe them away. I’ve cried too many times to David, begging him to forgive me, to take me back, only to be rejected over and over. I hate appearing weak in front of him.

      “Jesus, Amelia, are you okay?”

      “I’m fine.” I’m surprised, touched even, that David would think to ask how I’m doing. He hasn’t done that in a very long time. I try to remember his voice, the warm timbre that greeted me each day when he came home from the hospital, his soft laugh that made me laugh too. Suddenly I’m almost unbearably homesick for the old house. So much so that I almost tell David that I’m terrified of staying here in this house by myself even though that’s not exactly the truth.

      I miss the sunny kitchen where Nora and I would make cinnamon rolls and monkey bread for Sunday morning breakfasts. I miss the front porch where on summer afternoons I would sit on the wooden swing reading books and drinking iced tea while Nora colored and sipped lemonade. I miss waking up in my old bed, my limbs entwined with my husband’s. “I’m fine,” I repeat, more for my benefit than for David’s.

      “Do they know who did it?” he asks.

      “No, not yet. But there was a boat, right around the time I found her.”

      “You saw it?” David asks. “Amelia, what if they saw you?”

      “No, no,” I hurry to explain. “I didn’t see it, I just felt it. The wake knocked me down.”

      “Thank God for that,” David says, and again I’m pleasantly surprised with David’s concern for me but there’s no way I’m going to let him know I care.

      “Is Nora around?” I change the subject. “Can I talk to her?”

      “She’s here. You can talk to her. Just don’t say anything about...you know. She doesn’t know about any of this and I don’t want to upset her.”

      “Of course I won’t say anything.” I’m indignant. Why in the world would I tell a seven-year-old about a corpse that I discovered? I wait impatiently for Nora to get on the line. Talking to her is the highlight of my days. Our conversations are never frequent or long enough.

      “Hello?”

      “Hi, Nora,” I say. “How was trick-or-treating?”

      Nora goes on to tell me about her Frida Kahlo costume. “Daddy helped me find the perfect outfit and his friend helped me put real flowers in my hair.”

      I feel like someone has sucker punched me in the gut. “What friend?” I try to ask casually but I can barely choke out the words.

      “Helen,” Nora says but rushes on. “But I had to tell everyone who I was, except some old lady. She knew exactly who I was dressed up as. She said my unibrow looked real.” Nora loves art and would check out piles of books about artists from the library. That, and she had a magnificent art teacher in school who made sure that even the youngest of students were exposed to the great artists.

      “Did Helen go trick-or-treating with you?” I ask.

      “No, she had to go to work. She’s a nurse like you.” Way to mix things up, David, I think. David could date any woman in Mathias and he has to pick another nurse. I scan my memory for any nurses named Helen that I might know, but come up blank.

      Nora goes on to describe her day at school. How she loves her homeroom teacher but that her music teacher is kind of grouchy. She talks about the new boy in her class that makes fun of her freckles and she mentions the math test that she missed four questions on.

      Sometimes I hate this phone and wonder if I’d be better off not having it at all. All I have are the printed words of the conversation—I can’t hear the emotion