Emma. Alexander Smith McCall

       Copyright

      The Borough Press

      An imprint of HarperCollinsPublishers Ltd

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published by HarperCollinsPublishers 2014

      Copyright © Alexander McCall Smith 2014

      Cover illustration © Iain McIntosh 2014

      Cover layout design © HarperCollinsPublishers Ltd 2015

      Alexander McCall Smith asserts the moral right to be identified as the author of this work.

      A catalogue record for this book is available from the British Library.

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780007553884

      Ebook Edition © June 2015 ISBN: 9780007553877

      Version: 2016-08-25

       Dedication

      For my daughters, Lucy and Emily

      Contents

       Cover

       Title Page

      Copyright

      Dedication

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

       Chapter 8

       Chapter 9

       Chapter 10

       Chapter 11

       Chapter 12

       Chapter 13

       Chapter 14

       Chapter 15

       Chapter 16

       Chapter 17

       Chapter 18

       Chapter 19

       Chapter 20

       Chapter 21

       About the Author

       Also by Alexander McCall Smith

       About the Publisher

       1

      Emma Woodhouse’s father was brought into this world, blinking and confused, on one of those final nail-biting days of the Cuban Missile Crisis. It was a time of sustained anxiety for anybody who read a newspaper or listened to the news on the radio, and that included his mother, Mrs Florence Woodhouse, who was anxious at the best of times and even more so at the worst. What was the point of continuing the human race when nuclear self-immolation seemed to be such a real and imminent possibility? That was the question that occurred to Florence as she was admitted to the delivery ward of a small country hospital in Norfolk. American air bases lay not far away, making that part of England a prime target; their bombers, she had heard, were on the runway, ready to take off on missions that would bring about an end that would be as swift as it was awful, a matter of sudden blinding light, of dust and of darkness. Quite understandably, though, she had other, more pressing concerns at the time, and did not come up with an answer to her own question. Or perhaps her response was the act of giving birth itself, and the embracing, through tears of joy, of the small bundle of humanity presented to her by the midwife.

      There are plenty of theories – not all of them supported by evidence – that the mother’s state of mind during pregnancy may affect the personality of the infant. There are also those who believe that playing Mozart to unborn children will lead to greater musicality, or reciting poetry through the mother’s stomach will increase the chances of having linguistically gifted children. That anxiety may be transmitted from mother to unborn baby is an altogether more believable claim, and indeed Henry Woodhouse appeared to be proof of this. From an early age he showed himself to be a fretful child, unwilling to take the risks that other boys delighted in and always interested in the results when his mother took his temperature with the clinical thermometer given to her by the district nurse.

      ‘Is it normal?’ was one the first sentences he uttered after he had begun to speak.

      ‘Absolutely normal,’ his mother would reply. ‘Ninety-eight point four. See.’

      This disappointed him, and he always showed satisfaction when a doubtful reading required the insertion of the mercury bulb under his tongue a second time.

      In due course this anxiety took the form of dietary fads, one after another, involving the rejection of various common foodstuffs (wheat, dairy products, and so on) and the enthusiastic embracing of rather more esoteric fare (royal jelly and malt biscuits being early favourites). These fads tended not to last long; by the time he was eighteen and ready to go to university, he was prepared to eat a normal vegetarian diet, provided it was supplemented by a pharmacopoeia of vitamin pills, omega oils, and assorted enzymes.

      ‘My son’, said his mother with a certain pride, ‘is a valetudinarian.’

      That sent her friends to the dictionary, which gave her additional satisfaction. To dispatch one’s friends to a dictionary from time to time is one of the more sophisticated pleasures of life, but it is one that must be indulged in sparingly: to do it too often may result in accusations of having swallowed one’s own dictionary, which is not a compliment, whichever way one looks at it.

      Henry Woodhouse – known to most as Mr Woodhouse – did not follow the career that had been expected of generations of young Woodhouses. While his father had assumed that his son would farm – in an entirely gentlemanly way – the six hundred acres that surrounded their house, Hartfield, the young man had other plans for himself.

      ‘I know what you expect,’ he said. ‘I know we’ve been here for the last four hundred years …’

      ‘Four hundred and eighteen,’ interjected his father.

      ‘Four hundred and