Daniel Deronda. Джордж Элиот

and, as it happened, uniting their highest advantages in the prospects of that Henleigh Mallinger Grandcourt who is at present more of an acquaintance to us than either Sir Hugo or his nephew Daniel Deronda.

      In Sir Hugo's youthful portrait with rolled collar and high cravat, Sir Thomas Lawrence had done justice to the agreeable alacrity of expression and sanguine temperament still to be seen in the original, but had done something more than justice in slightly lengthening the nose, which was in reality shorter than might have been expected in a Mallinger. Happily the appropriate nose of the family reappeared in his younger brother, and was to be seen in all its refined regularity in his nephew Mallinger Grandcourt. But in the nephew Daniel Deronda the family faces of various types, seen on the walls of the gallery; found no reflex. Still he was handsomer than any of them, and when he was thirteen might have served as model for any painter who wanted to image the most memorable of boys: you could hardly have seen his face thoroughly meeting yours without believing that human creatures had done nobly in times past, and might do more nobly in time to come. The finest childlike faces have this consecrating power, and make us shudder anew at all the grossness and basely-wrought griefs of the world, lest they should enter here and defile.

      But at this moment on the grass among the rose-petals, Daniel Deronda was making a first acquaintance with those griefs. A new idea had entered his mind, and was beginning to change the aspect of his habitual feelings as happy careless voyagers are changed with the sky suddenly threatened and the thought of danger arises. He sat perfectly still with his back to the tutor, while his face expressed rapid inward transition. The deep blush, which had come when he first started up, gradually subsided; but his features kept that indescribable look of subdued activity which often accompanies a new mental survey of familiar facts. He had not lived with other boys, and his mind showed the same blending of child's ignorance with surprising knowledge which is oftener seen in bright girls. Having read Shakespeare as well as a great deal of history, he could have talked with the wisdom of a bookish child about men who were born out of wedlock and were held unfortunate in consequence, being under disadvantages which required them to be a sort of heroes if they were to work themselves up to an equal standing with their legally born brothers. But he had never brought such knowledge into any association with his own lot, which had been too easy for him ever to think about it—until this moment when there had darted into his mind with the magic of quick comparison, the possibility that here was the secret of his own birth, and that the man whom he called uncle was really his father. Some children, even younger than Daniel, have known the first arrival of care, like an ominous irremovable guest in their tender lives, on the discovery that their parents, whom they had imagined able to buy everything, were poor and in hard money troubles. Daniel felt the presence of a new guest who seemed to come with an enigmatic veiled face, and to carry dimly-conjectured, dreaded revelations. The ardor which he had given to the imaginary world in his books suddenly rushed toward his own history and spent its pictorial energy there, explaining what he knew, representing the unknown. The uncle whom he loved very dearly took the aspect of a father who held secrets about him—who had done him a wrong—yes, a wrong: and what had become of his mother, for whom he must have been taken away?—Secrets about which he, Daniel, could never inquire; for to speak or to be spoken to about these new thoughts seemed like falling flakes of fire to his imagination. Those who have known an impassioned childhood will understand this dread of utterance about any shame connected with their parents. The impetuous advent of new images took possession of him with the force of fact for the first time told, and left him no immediate power for the reflection that he might be trembling at a fiction of his own. The terrible sense of collision between a strong rush of feeling and the dread of its betrayal, found relief at length in big slow tears, which fell without restraint until the voice of Mr. Fraser was heard saying:

      "Daniel, do you see that you are sitting on the bent pages of your book?"

      Daniel immediately moved the book without turning round, and after holding it before him for an instant, rose with it and walked away into the open grounds, where he could dry his tears unobserved. The first shock of suggestion past, he could remember that he had no certainty how things really had been, and that he had been making conjectures about his own history, as he had often made stories about Pericles or Columbus, just to fill up the blanks before they became famous. Only there came back certain facts which had an obstinate reality,—almost like the fragments of a bridge, telling you unmistakably how the arches lay. And again there came a mood in which his conjectures seemed like a doubt of religion, to be banished as an offense, and a mean prying after what he was not meant to know; for there was hardly a delicacy of feeling this lad was not capable of. But the summing-up of all his fluctuating experience at this epoch was, that a secret impression had come to him which had given him something like a new sense in relation to all the elements of his life. And the idea that others probably knew things concerning which they did not choose to mention, set up in him a premature reserve which helped to intensify his inward experience. His ears open now to words which before that July day would have passed by him unnoted; and round every trivial incident which imagination could connect with his suspicions, a newly-roused set of feelings were ready to cluster themselves.

      One such incident a month later wrought itself deeply into his life. Daniel had not only one of those thrilling boy voices which seem to bring an idyllic heaven and earth before our eyes, but a fine musical instinct, and had early made out accompaniments for himself on the piano, while he sang from memory. Since then he had had some teaching, and Sir Hugo, who delighted in the boy, used to ask for his music in the presence of guests. One morning after he had been singing "Sweet Echo" before a small party of gentlemen whom the rain had kept in the house, the baronet, passing from a smiling remark to his next neighbor said:

      "Come here, Dan!"

      The boy came forward with unusual reluctance. He wore an embroidered holland blouse which set off the rich coloring of his head and throat, and the resistant gravity about his mouth and eyes as he was being smiled upon, made their beauty the more impressive. Every one was admiring him.

      "What do you say to being a great singer? Should you like to be adored by the world and take the house by storm; like Mario and Tamberlik?"

      Daniel reddened instantaneously, but there was a just perceptible interval before he answered with angry decision—

      "No; I should hate it!"

      "Well, well, well!" said Sir Hugo, with surprised kindliness intended to be soothing. But Daniel turned away quickly, left the room, and going to his own chamber threw himself on the broad window-sill, which was a favorite retreat of his when he had nothing particular to do. Here he could see the rain gradually subsiding with gleams through the parting clouds which lit up a great reach of the park, where the old oaks stood apart from each other, and the bordering wood was pierced with a green glade which met the eastern sky. This was a scene which had always been part of his home—part of the dignified ease which had been a matter of course in his life. And his ardent clinging nature had appropriated it all with affection. He knew a great deal of what it was to be a gentleman by inheritance, and without thinking much about himself—for he was a boy of active perceptions and easily forgot his own existence in that of Robert Bruce—he had never supposed that he could be shut out from such a lot, or have a very different part in the world from that of the uncle who petted him. It is possible (though not greatly believed in at present) to be fond of poverty and take it for a bride, to prefer scoured deal, red quarries and whitewash for one's private surroundings, to delight in no splendor but what has open doors for the whole nation, and to glory in having no privileges except such as nature insists on; and noblemen have been known to run away from elaborate ease and the option of idleness, that they might bind themselves for small pay to hard-handed labor. But Daniel's tastes were altogether in keeping with his nurture: his disposition was one in which everyday scenes and habits beget not ennui or rebellion, but delight, affection, aptitudes; and now the lad had been stung to the quick by the idea that his uncle—perhaps his father—thought of a career for him which was totally unlike his own, and which he knew very well was not thought of among possible destinations for the sons of English gentlemen. He had often stayed in London with Sir Hugo, who to indulge the boy's ear had carried him to the opera to hear the great tenors, so that the image of a singer taking the house by storm was very vivid to him; but now, spite of his musical gift, he set himself bitterly against the notion of being