The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Complete. Giacomo Casanova

will not sing before. Besides, as he does not expect us, he is not likely to have invited any person curious to speak to me. We will go without giving him notice of our coming, without being expected, and as if we wanted to pay him a friendly visit. He told us that he would be at his country-house, and Caudagna knows where it is.”

      Her reasons were a mixture of prudence and of love, two feelings which are seldom blended together. My answer was to kiss her with as much admiration as tenderness, and the next day at four o’clock in the afternoon we paid our visit to M. Dubois. We were much surprised, for we found him alone with a very pretty girl, whom he presented to us as his niece.

      “I am delighted to see you,” he said, “but as I did not expect to see you I altered my arrangements, and instead of the dinner I had intended to give I have invited my friends to supper. I hope you will not refuse me the honour of your company. The two virtuosi will soon be here.”

      We were compelled to accept his invitation.

      “Will there be many guests?” I enquired.

      “You will find yourselves in the midst of people worthy of you,” he answered, triumphantly. “I am only sorry that I have not invited any ladies.”

      This polite remark, which was intended for Henriette, made her drop him a curtsy, which she accompanied with a smile. I was pleased to read contentment on her countenance, but, alas! she was concealing the painful anxiety which she felt acutely. Her noble mind refused to shew any uneasiness, and I could not guess her inmost thoughts because I had no idea that she had anything to fear.

      I should have thought and acted differently if I had known all her history. Instead of remaining in Parma I should have gone with her to London, and I know now that she would have been delighted to go there.

      The two artists arrived soon afterwards; they were the ‘primo cantatore’ Laschi, and the ‘prima donna’ Baglioni, then a very pretty woman. The other guests soon followed; all of them were Frenchmen and Spaniards of a certain age. No introductions took place, and I read the tact of the witty hunchback in the omission, but as all the guests were men used to the manners of the court, that neglect of etiquette did not prevent them from paying every honour to my lovely friend, who received their compliments with that ease and good breeding which are known only in France, and even there only in the highest society, with the exception, however, of a few French provinces in which the nobility, wrongly called good society, shew rather too openly the haughtiness which is characteristic of that class.

      The concert began by a magnificent symphony, after which Laschi and Baglioni sang a duet with great talent and much taste. They were followed by a pupil of the celebrated Vandini, who played a concerto on the violoncello, and was warmly applauded.

      The applause had not yet ceased when Henriette, leaving her seat, went up to the young artist, and told him, with modest confidence, as she took the violoncello from him, that she could bring out the beautiful tone of the instrument still better. I was struck with amazement. She took the young man’s seat, placed the violoncello between her knees, and begged the leader of the orchestra to begin the concerto again. The deepest silence prevailed. I was trembling all over, and almost fainting. Fortunately every look was fixed upon Henriette, and nobody thought of me. Nor was she looking towards me, she would not have then ventured even one glance, for she would have lost courage, if she had raised her beautiful eyes to my face. However, not seeing her disposing herself to play, I was beginning to imagine that she had only been indulging in a jest, when she suddenly made the strings resound. My heart was beating with such force that I thought I should drop down dead.

      But let the reader imagine my situation when, the concerto being over, well-merited applause burst from every part of the room! The rapid change from extreme fear to excessive pleasure brought on an excitement which was like a violent fever. The applause did not seem to have any effect upon Henriette, who, without raising her eyes from the notes which she saw for the first time, played six pieces with the greatest perfection. As she rose from her seat, she did not thank the guests for their applause, but, addressing the young artist with affability, she told him, with a sweet smile, that she had never played on a finer instrument. Then, curtsying to the audience, she said,

      “I entreat your forgiveness for a movement of vanity which has made me encroach on your patience for half an hour.”

      The nobility and grace of this remark completely upset me, and I ran out to weep like a child, in the garden where no one could see me.

      “Who is she, this Henriette?” I said to myself, my heart beating, and my eyes swimming with tears of emotion, “what is this treasure I have in my possession?”

      My happiness was so immense that I felt myself unworthy of it.

      Lost in these thoughts which enhanced the pleasure of any tears, I should have stayed for a long time in the garden if Dubois had not come out to look for me. He felt anxious about me, owing to my sudden disappearance, and I quieted him by saying that a slight giddiness had compelled me to come out to breathe the fresh air.

      Before re-entering the room, I had time to dry my tears, but my eyelids were still red. Henriette, however, was the only one to take notice of it, and she said to me,

      “I know, my darling, why you went into the garden”

      She knew me so well that she could easily guess the impression made on my heart by the evening’s occurrence.

      Dubois had invited the most amiable noblemen of the court, and his supper was dainty and well arranged. I was seated opposite Henriette who was, as a matter of course, monopolizing the general attention, but she would have met with the same success if she had been surrounded by a circle of ladies whom she would certainly have thrown into the shade by her beauty, her wit, and the distinction of her manners. She was the charm of that supper by the animation she imparted to the conversation. M. Dubois said nothing, but he was proud to have such a lovely guest in his house. She contrived to say a few gracious words to everyone, and was shrewd enough never to utter something witty without making me take a share in it. On my side, I openly shewed my submissiveness, my deference, and my respect for that divinity, but it was all in vain. She wanted everybody to know that I was her lord and master. She might have been taken for my wife, but my behaviour to her rendered such a supposition improbable.

      The conversation having fallen on the respective merits of the French and Spanish nations, Dubois was foolish enough to ask Henriette to which she gave preference.

      It would have been difficult to ask a more indiscreet question, considering that the company was composed almost entirely of Frenchmen and Spaniards in about equal proportion. Yet my Henriette turned the difficulty so cleverly that the Frenchmen would have liked to be Spaniards, and ‘vice versa’. Dubois, nothing daunted, begged her to say what she thought of the Italians. The question made me tremble. A certain M. de la Combe, who was seated near me, shook his head in token of disapprobation, but Henriette did not try to elude the question.

      “What can I say about the Italians,” she answered, “I know only one? If I am to judge them all from that one my judgment must certainly be most favourable to them, but one single example is not sufficient to establish the rule.”

      It was impossible to give a better answer, but as my readers may well imagine, I did not appear to have heard it, and being anxious to prevent any more indiscreet questions from Dubois I turned the conversation into a different channel.

      The subject of music was discussed, and a Spaniard asked Henriette whether she could play any other instrument besides the violoncello.

      “No,” she answered, “I never felt any inclination for any other. I learned the violoncello at the convent to please my mother, who can play it pretty well, and without an order from my father, sanctioned by the bishop, the abbess would never have given me permission to practise it.”

      “What objection could the abbess make?”

      “That devout spouse of our Lord pretended that I could not play that instrument without assuming an indecent position.”

      At this the Spanish guests bit their lips, but the Frenchmen laughed heartily, and did not spare their epigrams against the over-particular abbess.

      After