Бесславные ублюдки, бешеные псы. Вселенная Квентина Тарантино. Александр Павлов

The man and his movies. London: HarperCollins, 1995.

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      Clarkson W. Quentin Tarantino: shooting from the hip. London: Piatkus Books, 1995.

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      Вместе с тем надо понимать, что в ней есть катастрофические ошибки перевода. Так, сценариста и режиссера Шейна Блэка переводчик принял за девушку.

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      Barnes A., Hearn M. Tarantino: A to Zed. London: Batsford, 1996.

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      Woods P. Quentin Tarantino: The Film Geek Files. London: Plexus, 2000.

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      Mcintosh A. The Quentin Tarantino Handbook: Everything You Need To Know About Quentin Tarantino. Aspley: Emereo Publishing, 2016.

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      Levy E. Cinema of outsiders: Cinema of Outsiders: The Rise of American Independent Film. New York: New York University Press, 1999.

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      Newman M. Z. Indie: An American Film Culture. New York: Columbia University Press, 2011.

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      Andrew G. Stranger than Paradise: maverick film-makers in recent American cinema. London: Prion, 1998.

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      . Sconce J. Smart Cinema // Contemporary American Cinema / Williams L. R., Hammond M. (eds.). London: Cinema Open University Press, 2006.

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      Kermode M. Quentin Tarantino // Contemporary American Cinema / Williams L. R., Hammond M. (eds.). London: Cinema Open University Press, 2006.

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      Mayshark J. F. Post-pop Cinema: The Search for Meaning in New American Film. Westport: Praeger Publishers, 2007. Р. 5.

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      Mayshark J. F. Op. cit. Р. 79.

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      Fraiman S. Cool Men and the Second Sex. New York: Columbia University Press, 2003.

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      Onderdonk T. Tarantino’s deadly homosocial // New Hollywood violence / Schneider S. (ed.). Manchester: Manchester University Press, 2004. P. 287.

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      Woisnitza M. Messing Up World War II-Exploitation: The Challenges of Role-Play in Quentin Tarantino’s Inglourious Basterds // Nazisploitation! The Nazi Image in Lowbrow Cinema and Culture / D. H. Magilow, E. Bridges, K. T. Vander Lugt (еds.). New York; London: The Continuum, 2012.

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      McGee P. Bad history and the logics of blockbuster cinema: Titanic, Gangs of New York, Australia, Inglourious basterds. New York: Palgrave Macmillan, 2012.

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      Quentin Tarantino and Philosophy: How to Philosophize with a Pair of Pliers and a Blowtorch / Greene R. K., Mohammad S. (eds). Chicago: Open Court, 2007.

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      Botting F., Wilson S. The Tarantinian Ethics. London: Sage, 2001.

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      Gallafent E. Quentin Tarantino. Р. 123.

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      Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema / Dassanowsky R. Von (ed.). New York – London – New Delhi – Sydney: Bloomsbury, 2012.

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      Herzog T. «What shall the history books read?» The Debate over Inglourious Basterds and the Limits of Representation // Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema / Dassanowsky R. Von (ed.). New York – London – New Delhi – Sydney: Bloomsbury, 2012.

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      Quentin Tarantino’s Django Unchained: The Continuation of Metacinema / Speck O. C. (ed.). New York – London – New Delhi – Sydney: Bloomsbury, 2014.

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      Speck O. C. Is Tarantino serious? The Twofold Image of the Auteur and the State of Exception // Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema / Dassanowsky R. Von (ed.). New York – London – New Delhi – Sydney: Bloomsbury, 2012.

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      Speck O. C. Introduction: A Southern State of Exception // Quentin Tarantino’s Django Unchained: The Continuation of Metacinema / Speck O. C. (ed.). New York – London – New Delhi – Sydney: Bloomsbury, 2014.

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      Holm D. K. Quentin Tarantino. The Pocket Essential Guide. Harpenden: Oldcastle Books, 2004. Р. 139–154.

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      Page E. Quintessential Tarantino. London – New York: Marion Boyars, 2005.

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      Nama A. Race on the QT: blackness and the films of Quentin Tarantino. Austin: University of Texas Press, 2015.

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      См.: Nama A. Black Space: Imagining Race in Science Fiction Film. Austin: University of Texas Press, 2008; Nama A. Super Black: American Pop Culture and Black Superheroes. Austin: University of Texas Press, 2011.

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      Critical Approaches to the Films of M. Night Shyamalan: Spoiler Warnings / Weinstock J. A. (ed.). New York: Palgrave, 2010; The Works of Tim Burton: Margins to Mainstream / Weinstock J. A. (ed.). New York: Palgrave, 2013.

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      Davis M. D. Quentin Tarantino’s Post-Modern King on His Porcelain Trone // Studies in Popular Culture. 1997. Vol. 20. No. 1 (October). Р. 65–74; Dawson L. Revenge and the Family Romance in Tarantino’s «Kill Bill» // Mosaic: An Interdisciplinary Critical Journal. 2014. Vol. 47. No. 2 (June). P. 121–134; Harrington A. Is Quentin Tarantino Calvin Candie? The Essence of Exploitation in Django Unchained // Black Camera. 2016. Vol. 7. No. 2 (Spring). Р. 79–87.

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      Dassanowsky R. Von. Introduction: Locating Mr. Tarantino or, Who’s Afraid of Metacinema? // Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema / Dassanowsky R. Von (ed.). New York – London – New Delhi – Sydney: Bloomsbury, 2012. P. vii.

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      Бэйли Дж. Криминальное чтиво: Полная история шедевра Квентина Тарантино. С. 153.

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      Macias