Название | The Seven Cardinal Sins: Envy and Indolence |
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Автор произведения | Эжен Сю |
Жанр | Зарубежная классика |
Серия | |
Издательство | Зарубежная классика |
Год выпуска | 0 |
isbn |
"Don't be alarmed," the physician said to her when she, in all sincerity, consulted him on the subject of her fears. "At the time of puberty, an entire change often takes place in a youth's character. The gayest and most demonstrative often become the most gloomy and taciturn. They experience the most unreasonable melancholy, the most acute anxiety. They give way to fits of profound depression, and feel an intense longing for solitude. So do not be alarmed, and above all give no sign of having noticed this change in your son. This almost inevitable crisis will be over in a few months, and you will then see Frederick himself again. He will have a different voice, that is all."
Doctor Dufour's mistake was the more excusable as the symptoms which so alarmed Madame Bastien strongly resembled those which are often noticed in youths at that age; so Madame Bastien accepted this explanation, as she could not divine the real cause of this change in Frederick.
This change had not manifested itself immediately after the visit to the chateau. It had, on the contrary, taken place gradually, almost imperceptibly, in fact, so that more than a month had elapsed before Madame Bastien really began to feel uneasy, hence it did not seem at all probable that there could be any connection between the visit to the château and Frederick's melancholy.
Besides, how could Madame Bastien suppose that this youth reared by her – a youth who had always seemed of so noble and generous a character – could know envy?
So, reassured by Doctor Dufour, Madame Bastien, though she watched the different phases of her son's condition, forced herself to conceal the sadness she often felt on seeing him so changed, and awaited his recovery with resignation.
At first Frederick had tried to find some diversion in study, but soon study became impossible; his mind was elsewhere. Then he said to himself:
"Whatever I may learn, whatever I may know, I shall never be anything but Frederick Bastien, a sort of half peasant, doomed to a life of obscurity, while that young marquis, without ever having done anything to deserve it, enjoys all the glory of a name which has been illustrious for ages."
Then, as all the feudal relics at Pont Brillant, those galleries of paintings, those family portraits, those gorgeous escutcheons, recurred to Frederick's mind, for the first time in his life the poor boy felt deeply humiliated by the obscurity of his birth, and overcome with discouragement, said to himself:
"This young marquis, already weary of the magnificence by which he is surrounded, indifferent to the treasures of which even a thousandth part would make my mother and me and a host of others so happy. Why, and by what right does he possess all this magnificence? Has he acquired these blessings by his toil? No. To enjoy all this, he has only taken the trouble to be born. Why should he have everything and others nothing?"
CHAPTER VI
THE first period of envy that Frederick experienced was of a passive, the second of an active character.
It is impossible to describe what he suffered then, especially as this feeling, concealed, concentrated as it were in the lowest depths of his soul, had no outlet, and was constantly stimulated by the sight of the castle, which seemed to meet his gaze at every turn, dominating as it did the whole country roundabout. The more Frederick realised the alarming progress of his malady, the more strenuously he endeavoured to hide it from his mother, telling himself in his gloom and despair that such weakness deserved scorn and contempt, and that not even a mother could condone it.
All mental maladies react upon the physical system. Frederick's health gradually gave way. He could not sleep, and he, who had formerly been so energetic and active, seemed to dread the slightest exertion. In fact, the pressing and tender solicitations of his mother could alone arouse him from his apathy or his gloomy reveries.
Poor Marie! How intensely she, too, suffered, but in silence, endeavouring to maintain a cheerful manner all the while for fear of alarming her son about himself, and waiting with mingled anxiety and hope the end of this crisis in her son's life.
But alas! how long and painful this waiting seemed. What a change! What a contrast between this gloomy, listless, taciturn life, and the bright, busy, happy existence she and her son had previously led!
One day early in October Madame Bastien and her son were together in the room that served both as parlour and study. Frederick, seated at the table, with his head supported on his left hand, was writing slowly and listlessly in a large exercise book.
Madame Bastien, seated only a little distance from him, was apparently occupied with some embroidery, but in reality she was holding her needle suspended in the air, ready to resume her work at her son's slightest movement, while she furtively watched him.
Tears she could hardly restrain filled her eyes as she noted the terrible change in her son's appearance, and remembered that only a comparatively short while ago the hours spent in study at this same table had been such pleasant, happy hours both for Frederick and herself, and compared the zeal and enthusiasm which her son had then displayed in his work with the listlessness and indifference she now remarked in him, for she soon saw his pen slip from his fingers, while his countenance displayed an intense ennui and lassitude.
At last the lad, only half smothering a heavy sigh, buried his face in his hands and remained in this attitude several moments. His mother did not lose sight of him for an instant, but what was her surprise on seeing her son suddenly lift his head, and with eyes flashing and a faint colour tinging his cheeks, while a sardonic smile curved his lips, suddenly seize his pen again, and begin writing with feverish rapidity.
The youth was transfigured. So inert, despondent, and lethargic a moment before, he now seemed full to overflowing of life and animation. One could see that his thoughts, too, flowed much more rapidly than his pen could trace them on the paper, by an occasional impatient movement of the body or the quick tapping of his foot upon the floor.
A few words of explanation are necessary here.
For some time Frederick had complained to his mother of his distaste, or rather his incapacity, for any regular work, though occasionally, in compliance with Madame Bastien's wishes as well as in the hope of diverting his mind, he had attempted something in the way either of study or an essay on some given subject, but almost invariably he had appealed to his formerly fertile imagination in vain.
"I can't imagine what is the matter with me," he would murmur, despondently. "My mind seems to be enveloped in a sort of haze. Forgive me, mother, it is not my fault."
And Madame Bastien found a thousand reasons to excuse and console him.
So on this occasion the young mother fully expected to see Frederick soon abandon his work. What was her astonishment, consequently, to see him for the first time write on and on with increasing interest and eagerness.
In this return to former habits Madame Bastien fancied she could detect the first sign of the end of this critical period in the life of her son. Doubtless his mind was beginning to emerge from the sort of haze which had so long obscured it, and, eager to satisfy herself of the fact, Madame Bastien rose, and noiselessly approaching her son on tiptoe, she placed her hands on his shoulders and leaned over to read what he had written.
In his surprise the youth gave a violent start, then, hastily closing his exercise book, turned an impatient, almost angry face, toward his mother and exclaimed:
"You had no right to do that, mother."
Then reopening his book, he tore out the pages he had just written, crumpled them up in his hands, and threw them into the fire that was blazing on the hearth, where they were soon burnt to ashes.
Madame Bastien, overwhelmed with astonishment, stood for a moment speechless and motionless; then, comparing this rudeness on the part of her son with the delightful camaraderie which had formerly existed between them, she burst into tears.
It was the first time her son had ever wounded her feelings. Seeing his mother's tears, Frederick, in an agony of remorse, threw his arms around his mother's neck and covered her face with tears and kisses, exclaiming in a voice broken by sobs:
"Oh, forgive me, mother, forgive