St. Ronan's Well. Вальтер Скотт

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Название St. Ronan's Well
Автор произведения Вальтер Скотт
Жанр Историческая фантастика
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the eminence on which the Castle was situated seemed a detached portion, and which had been improved and deepened by three successive huge trenches. Another very deep trench was drawn in front of the main entrance from the east, where the principal gateway formed the termination of the street, which, as we have noticed, ascended from the village, and this last defence completed the fortifications of the tower.

      In the ancient gardens of the Castle, and upon all sides of it excepting the western, which was precipitous, large old trees had found root, mantling the rock and the ancient and ruinous walls with their dusky verdure, and increasing the effect of the shattered pile which towered up from the centre.

      Seated on the threshold of this ancient pile, where the “proud porter” had in former days “rear'd himself,”3 a stranger had a complete and commanding view of the decayed village, the houses of which, to a fanciful imagination, might seem as if they had been suddenly arrested in hurrying down the precipitous hill, and fixed as if by magic in the whimsical arrangement which they now presented. It was like a sudden pause in one of Amphion's country-dances, when the huts which were to form the future Thebes were jigging it to his lute. But, with such an observer, the melancholy excited by the desolate appearance of the village soon overcame all the lighter frolics of the imagination. Originally constructed on the humble plan used in the building of Scotch cottages about a century ago, the greater part of them had been long deserted; and their fallen roofs, blackened gables, and ruinous walls, showed Desolation's triumph over Poverty. On some huts the rafters, varnished with soot, were still standing, in whole or in part, like skeletons, and a few, wholly or partially covered with thatch, seemed still inhabited, though scarce habitable; for the smoke of the peat-fires, which prepared the humble meal of the indwellers, stole upwards, not only from the chimneys, its regular vent, but from various other crevices in the roofs. Nature, in the meanwhile, always changing, but renewing as she changes, was supplying, by the power of vegetation, the fallen and decaying marks of human labour. Small pollards, which had been formerly planted around the little gardens, had now waxed into huge and high forest trees; the fruit-trees had extended their branches over the verges of the little yards, and the hedges had shot up into huge and irregular bushes; while quantities of dock, and nettles, and hemlock, hiding the ruined walls, were busily converting the whole scene of desolation into a picturesque forest-bank.

      Two houses in St. Ronan's were still in something like decent repair; places essential – the one to the spiritual weal of the inhabitants, the other to the accommodation of travellers. These were the clergyman's manse, and the village inn. Of the former we need only say, that it formed no exception to the general rule by which the landed proprietors of Scotland seem to proceed in lodging their clergy, not only in the cheapest, but in the ugliest and most inconvenient house which the genius of masonry can contrive. It had the usual number of chimneys – two, namely – rising like asses' ears at either end, which answered the purpose for which they were designed as ill as usual. It had all the ordinary leaks and inlets to the fury of the elements, which usually form the subject of the complaints of a Scottish incumbent to his brethren of the presbytery; and, to complete the picture, the clergyman being a bachelor, the pigs had unmolested admission to the garden and court-yard, broken windows were repaired with brown paper, and the disordered and squalid appearance of a low farm-house, occupied by a bankrupt tenant, dishonoured the dwelling of one, who, besides his clerical character, was a scholar and a gentleman, though a little of a humourist.

      Beside the manse stood the kirk of St. Ronan's, a little old mansion with a clay floor, and an assemblage of wretched pews, originally of carved oak, but heedfully clouted with white fir-deal. But the external form of the church was elegant in the outline, having been built in Catholic times, when we cannot deny to the forms of ecclesiastical architecture that grace, which, as good Protestants, we refuse to their doctrine. The fabric hardly raised its grey and vaulted roof among the crumbling hills of mortality by which it was surrounded, and was indeed so small in size, and so much lowered in height by the graves on the outside, which ascended half way up the low Saxon windows, that it might itself have appeared only a funeral vault, or mausoleum of larger size. Its little square tower, with the ancient belfry, alone distinguished it from such a monument. But when the grey-headed beadle turned the keys with his shaking hand, the antiquary was admitted into an ancient building, which, from the style of its architecture, and some monuments of the Mowbrays of St. Ronan's, which the old man was accustomed to point out, was generally conjectured to be as early as the thirteenth century.

      These Mowbrays of St. Ronan's seem to have been at one time a very powerful family. They were allied to, and friends of the house of Douglas, at the time when the overgrown power of that heroic race made the Stewarts tremble on the Scottish throne. It followed that, when, as our old naïf historian expresses it, “no one dared to strive with a Douglas, nor yet with a Douglas's man, for if he did, he was sure to come by the waur,” the family of St. Ronan's shared their prosperity, and became lords of almost the whole of the rich valley of which their mansion commanded the prospect. But upon the turning of the tide, in the reign of James II., they became despoiled of the greater part of those fair acquisitions, and succeeding events reduced their importance still farther. Nevertheless, they were, in the middle of the seventeenth century, still a family of considerable note; and Sir Reginald Mowbray, after the unhappy battle of Dunbar, distinguished himself by the obstinate defence of the Castle against the arms of Cromwell, who, incensed at the opposition which he had unexpectedly encountered in an obscure corner, caused the fortress to be dismantled and blown up with gunpowder.

      After this catastrophe the old Castle was abandoned to ruin; but Sir Reginald, when, like Allan Ramsay's Sir William Worthy, he returned after the Revolution, built himself a house in the fashion of that later age, which he prudently suited in size to the diminished fortunes of his family. It was situated about the middle of the village, whose vicinity was not in those days judged any inconvenience, upon a spot of ground more level than was presented by the rest of the acclivity, where, as we said before, the houses were notched as it were into the side of the steep bank, with little more level ground about them than the spot occupied by their site. But the Laird's house had a court in front and a small garden behind, connected with another garden, which, occupying three terraces, descended, in emulation of the orchards of the old Castle, almost to the banks of the stream.

      The family continued to inhabit this new messuage until about fifty years before the commencement of our history, when it was much damaged by a casual fire; and the Laird of the day, having just succeeded to a more pleasant and commodious dwelling at the distance of about three miles from the village, determined to abandon the habitation of his ancestors. As he cut down at the same time an ancient rookery, (perhaps to defray the expenses of the migration,) it became a common remark among the country folk, that the decay of St. Ronan's began when Laird Lawrence and the crows flew off.

      The deserted mansion, however, was not consigned to owls and birds of the desert; on the contrary, for many years it witnessed more fun and festivity than when it had been the sombre abode of a grave Scottish Baron of “auld lang syne.” In short, it was converted into an inn, and marked by a huge sign, representing on the one side St. Ronan catching hold of the devil's game leg with his Episcopal crook, as the story may be read in his veracious legend, and on the other the Mowbray arms. It was by far the best frequented public-house in that vicinity; and a thousand stories were told of the revels which had been held within its walls, and the gambols achieved under the influence of its liquors. All this, however, had long since passed away, according to the lines in my frontispiece,

      “A merry place, 'twas said, in days of yore;

      But something ail'd it now, – the place was cursed.”

      The worthy couple (servants and favourites of the Mowbray family) who first kept the inn, had died reasonably wealthy, after long carrying on a flourishing trade, leaving behind them an only daughter. They had acquired by degrees not only the property of the inn itself, of which they were originally tenants, but of some remarkably good meadow-land by the side of the brook, which, when touched by a little pecuniary necessity, the Lairds of St. Ronan's had disposed of piecemeal, as the readiest way to portion off a daughter, procure a commission for the younger son, and the like emergencies. So that Meg Dods, when she succeeded to her parents, was a considerable heiress, and, as such, had the honour of refusing



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See the old Ballad of King Estmere, in Percy's Reliques.