Puppets at Large: Scenes and Subjects from Mr Punch's Show. Anstey F.

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Название Puppets at Large: Scenes and Subjects from Mr Punch's Show
Автор произведения Anstey F.
Жанр Зарубежная классика
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Издательство Зарубежная классика
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But it's all in a good cause! (An Elderly Lady comes up.) May I show you some of these – ?

      The Elderly Lady. Well, I was wondering if you had such a thing as a good warm pair of sleeping socks; because, these bitter nights, I do find I suffer so from cold in my feet.

      Miss de M. (with effusion). Ah, then I can feel for you – so do I! At least, I used to before I tried – (To herself.) Where is that pair of thick woollen driving-gloves? Ah, I know. (Aloud.) – these. I've found them such a comfort!

      The E. L. (suspiciously). They have rather a queer – And then they are divided at the ends, too.

      Miss de M. Oh, haven't you seen those before? Doctors consider them so much healthier, don't you know.

      The E. L. I daresay they are, my dear. But aren't the – (with delicate embarrassment) – the separated parts rather long?

      Miss de M. Do you think so? They allow so much more freedom, you see; and then, of course, they'll shrink.

      The E. L. That's true, my dear. Well, I'll take a pair, as you recommend them so strongly.

      Miss de M. I'm quite sure you'll never regret it! (To herself, as the E. L. retires, charmed.) I'd give anything to see the poor old thing trying to put them on!

      Miss Mimosa Tendrill (to herself). I do so hate hawking this horrid old thing about! (Forlornly, to Mrs. Allbutt-Innett.) I – I beg your pardon; but will you give me ten-and-sixpence for this lovely work-basket?

      Mrs. Allbutt-Innett. My good girl, let me tell you I've been pestered to buy that identical basket at every bazaar I've set foot in for the last twelve-month, and how you can have the face to ask ten-and-six for it – you must think I've more money than wit!

      Miss Tendr. (abashed). Well —eighteenpence then? (To herself, as Mrs. A. I. closes promptly.) There, I've sold something, anyhow!

      The Hon. Diana D'Autenbas (to herself). It's rather fun selling at a Bazaar; one can let oneself go so much more! (To the first man she meets.) I'm sure you'll buy one of my buttonholes – now won't you? If I fasten it in for you myself?

      Mr. Cadney Rowser. A button'ole, eh? Think I'm not classy enough as I am?

      Miss D'Aut. I don't think anyone could accuse you of not being "classy;" still a flower would just give the finishing-touch.

      Mr. C. R. (modestly). Rats! – if you'll pass the reedom. But you've such a way with you that – there – 'ow much.

      Miss D'Aut. Only five shillings. Nothing to you!

      Mr. C. R. Five bob? You're a artful girl, you are! "Fang de Seakale," and no error! But I'm on it; it's worth the money to 'ave a flower fastened in by such fair 'ands. I won't 'owl – not even if you do run a pin into me… What? You ain't done a'ready! No 'urry, yer know… 'Ere, won't you come along to the refreshment-stall, and 'ave a little something at my expense. Do!

      Miss D'Aut. I think you must imagine you are talking to a barmaid!

      Mr. C. R. (with gallantry). I on'y wish barmaids was 'alf as pleasant and sociable as you, Miss. But they're a precious stuck-up lot, I can assure you!

      Miss D'Aut. (to herself as she escapes). I suppose one ought to put up with this sort of thing – for a charity!

      Mrs. Babbicombe (at the Toy Stall, to the Belle of the Bazaar, aged three-and-a-half). You perfect duck! You're simply too sweet! I must find you something. (She tempers generosity with discretion by presenting her with a small pair of knitted doll's socks.) There, darling!

      The Belle's Mother. What do you say to the kind lady now, Marjory?

      Marjory (a practical young person, to the donor). Now div me a dolly to put ve socks on.

[Mrs. B. finds herself obliged to repair this omission.

      A Young Lady Raffler (to a Young Man). Do take a ticket for this charmin' sachet. Only half-a-crown!

      The Young Man. Delighted! If you'll put in for this splendid cigar cabinet. Two shillin's!

[The Young Lady realises that she has encountered an Augur, and passes on.

      Miss de. M. (to Mr. Isthmian Gatwick). Can't I tempt you with this tea-cosy? It's so absurdly cheap!

      Mr. Isthmian Gatwick (with dignity). A-thanks; I think not. Never take tea, don't you know.

      Miss de M. (with her characteristic adaptability). Really? No more do I. But you could use it as a smoking-cap, you know. I always —

[Recollects herself, and breaks off in confusion.

      Miss Ophelia Palmer (in the "Wizard's Cave" – to Mr. Cadney Rowser). Yes, your hand indicates an intensely refined and spiritual nature; you are perhaps a little too indifferent to your personal comfort where that of others is concerned; sensitive – too much so for your own happiness, perhaps – you feel things keenly when you do feel them. You have lofty ambitions and the artistic temperament – seven-and-sixpence, please.

      Mr. C. R. (impressed). Well, Miss, if you can read all that for seven-and-six on the palm of my 'and, I wonder what you wouldn't see for 'alf a quid on the sole o' my boot!

[Miss P.'s belief in Chiromancy sustains a severe shock.

      Bobbie Patterson (outside tent, as Showman). This way to the Marvellous Jumping Bean from Mexico! Threepence!

      Voice from Tent. Bobbie! Stop! The Bean's lost! Lady Honor's horrid Thought-reading Poodle has just stepped in and swallowed it.

      Bobbie. Ladies and Gentlemen, owing to sudden domestic calamity, the Bean has been unavoidably compelled to retire, and will be unable to appear till further notice.

      Miss Smylie (to Mr. Otis Barleywater, who – in his own set – is considered "almost equal to Corney Grain"). I thought you were giving your entertainment in the library? Why aren't you? Mr. Otis Barleywater (in a tone of injury). Why? Because I can't give my imitations of Arthur Roberts and Yvette Guilbert with anything like the requisite "go," unless I get a better audience than three programme-sellers, all under ten, and the cloak-room maid —that's why!

      Mrs. Allbutt-Innett (as she leaves, for the benefit of bystanders). I must say, the house is most disappointing – not at all what I should expect a Marquis to live in. Why, my own reception-rooms are very nearly as large, and decorated in a much more modern style!

      Bobbie Patterson (to a "Doosid Good-natured Fellow, who doesn't care what he does," and whom he has just discovered inside a case got up to represent an automatic sweetmeat machine). Why, my dear old chap! No idea it was you inside that thing! Enjoying yourself in there, eh?

      The Doosid Good-natured Fellow (fluffily, from the interior). Enjoying myself! With the beastly pennies droppin' down into my boots, and the kids howlin' because all the confounded chocolates have worked up between my shoulder-blades, and I can't shake 'em out of the slit in my arm? I'd like to see you tryin' it!

      The L. O. L. (to a stranger, who is approaching the Princess's stall). 'Ere, Mister, where are your manners? 'Ats off in the presence o' Royalty!

[She pokes him in the back with her umbrella; the stranger turns, smiles slightly, and passes on.

      A Well-informed Bystander. You are evidently unaware, Madam, that the gentleman you have just addressed is His Serene Highness the Prince of Potsdam!

      The L. O. L. (aghast). Her 'usban'! And me a jobbin' of 'im with my umbrella! 'Ere, let me get out!

[She staggers out, in deadly terror of being sent to the Tower on the spot.

      THE CLASSICAL SCHOLAR IN REDUCED