The Duke's Motto: A Melodrama. McCarthy Justin Huntly

this for another half-hour the talk was all about the young Duke de Nevers and his secret thrust, and the woman he loved, and the Prince de Gonzague, his friend, who meant to kill him. Here, as before, Æsop dominated the party by his superior knowledge of all the individuals in the little tragedy in which they were invited to play subordinate parts. He told them of the life feud between the family of Caylus and the family of Nevers, a feud as bitter as that of the Capulets and Montagues of old time. He told them of Gonzague’s passions, Gonzague’s poverty. He told them all about Monsieur Peyrolles, Gonzague’s discreet and infamous factotum. He told them, also, being as it seemed a very gold-mine of court scandals, much of the third Louis, the august friend of Louis of Nevers and Louis of Gonzague, the third Louis who was the king of France.

      The bravos hung upon his words. In many ways they were simple folk, and, like all simple folk, they loved to be told stories, and Æsop prided himself upon being something of a man of letters, a philosopher, and an historian. It was, therefore, no small annoyance to narrator and audience when the narrative was interrupted, as it was nearing its conclusion, by the opening of the Inn door. Every face expressed astonishment as it was pushed sufficiently apart to admit the entry of a slender and graceful boy in the rich habit of a page. The boy came a little way into the room, looking cautiously about him. He acted as if at first he took the room in its dimness to be unoccupied, and he seemed to be somewhat disconcerted at discovering that it contained so many occupants. He stood still while his bright eyes ran rapidly, and indeed fearfully, over the somewhat alarming features of the guests. Failing, apparently, to find among them the person, whoever it was, whom he had come there to seek, he turned to leave as quietly as he had entered, but his egress was barred by Æsop, who had slipped between him and the door, and who now questioned him, with a grin of malignant intelligence on his face.

      "Whom are you looking for, pygmy?"

      The page put a bold face on it and answered with a bold voice: "I have a letter for a gentleman."

      Æsop pointed to the group at the table. "We are all gentlemen. Let’s have a look at your letter." Then he added to his companions: "It may be useful. The imp wears the livery of Nevers."

      Instantly the others approved by signs and grunts of Æsop’s action, and the page, now really alarmed, made a desperate effort to escape. "Let me pass!" he cried, and tried to rush under Æsop’s arm. But Æsop caught the boy in an iron grip, and, though the courageous page drew a dagger and tried to stab his assailant, he was disarmed in a second and seized by the others, who sprang from the table and clustered about him, fierce birds of prey about a helpless quarry. The lad cried for help, hopelessly enough. Strong, dirty fingers were tearing open his jerkin and fumbling for the concealed letter, when suddenly it seemed to the astonished swordsmen that an earthquake and a whirlwind had combined for their undoing. Æsop rolled to one end of the room, Staupitz to another; Cocardasse and Passepoil, Saldagno, Pepe, Pinto, Faenza, and Joel were scattered like sparrows, and the little page found himself liberated and crouching at the feet of a man who was standing with folded arms surveying the discomfited bravos mockingly.

      IV

      THE LITTLE PARISIAN

      The new-comer was a young man of little over one-and-twenty, of medium height, but with a well-built, well-knit figure that gave a promise of extraordinary strength and power of endurance, coupled at the same time with a scarcely less extraordinary suppleness. He had a face that was certainly handsome, though many handsomer faces were familiar in Paris at that day, but none more gallant, and, indeed, its chief charm was its almost audacious air of self-reliance, of unfailing courage, of changeless composure, and unconquerable humor. The eyes were bright and laughing. Even now, although the man was undoubtedly angry, his eyes still smiled in unison with his lips. His dark hair fell gracefully about his shoulders. He wore a somewhat faded white coat, girdled with a crimson sash – the white coat of a captain in the king’s Light-Horse – and, though he carried himself with an easy dignity, the general condition of his dress showed he was one who was neither afraid of nor unfamiliar with poverty. Now he looked around him with a bright defiance, seemingly diverted by the havoc his single pair of arms and legs – for he had used both limbs in the brawl – had wrought among nine swashbucklers, and apparently prepared at any moment to repeat the performance, if occasion called for action.

      It was curious to observe that, though the new-comer had worked such confusion among the bravos whom he had taken so roughly unawares, he did not show any sign of having passed through a scuffle with a number of men or having accomplished anything especially arduous in bringing them so swiftly to discomfiture. His breathing was not quickened, his comely young face was unflushed. As he stood there lightly poised in an easy attitude that might at any moment be resolved into an attitude of defence, he seemed, to such of his spectators as had sufficiently recovered their senses to look at him coolly, rather to resemble one that had come in on the heels of a tuss and was watching its result with unconcerned eyes than one that with no more assistance than his own agile limbs had been the cause of humiliation to so many powerful adversaries. Staupitz, blinking fiercely as he rubbed his aching head, which had rattled sharply against the table that arrested his flight across the room, was too bewildered to swear out the oaths that were frothing within him when he realized that the earthquake, the whirlwind, the cataclysm that had tumbled him and his companions about like so many nine-pins was no other and no more than the slim and pleasant young gentleman who stood there so composedly. While the bewildered ruffians were picking themselves up, and with some little difficulty recovering their breath, the young gentleman addressed them mockingly: "Are there quite enough of you to manage this adversary?" And as he spoke he pointed to the little page who was huddled at his feet.

      Æsop was the first of the bravos to recover his troubled senses and to seek to retaliate upon his assailant. He whipped his long rapier from its sheath, and was making for the intruder when Cocardasse flung his strong arms around the hunchback and restrained him. "Be easy," he cried; "it is the little Parisian!" And at the same moment Passepoil, with the gesture of one who salutes in a fencing-school, exclaimed the name "Lagardere."

      As for the other ruffians, they gathered together sulkily enough about the table, staring at the stranger. His face was familiar to all of them, and there was not one among them bold enough to follow the example of Æsop. Lagardere, who had taken no notice of the threatened attack of the hunchback, surveyed the group, and, glancing from them, addressed himself to Cocardasse and Passepoil.

      "Why, my old masters," he asked, drolling them, "what are you doing in this desperate adventure? You ought to be careful. The boy might have hurt you." His eyes turned from the Gascon and the Norman back again to the fellows at the table. "Some of these scarecrows seem familiar." His glance rested on Staupitz, and he questioned him: "Where have we met?"

      Staupitz saluted Lagardere very respectfully as he answered: "At Lyons."

      Lagardere seemed to search his memory and to find what he sought. "True. You touched me once."

      Staupitz made an apologetic gesture. "Only once in twelve times."

      Lagardere turned to Saldagno, Pepe, and Pinto. "Ah, my bandits of Madrid, who tried me, three to one."

      Saldagno was more apologetic than Staupitz, with a Latin profusion of gesture, as he explained: "That was for a wager, captain."

      Lagardere shrugged his shoulders. "Which you did not win." He turned to Joel de Jurgan. "Does your head still carry my cut?"

      The Breton lifted a large hand to his bullet head and fumbled through the thick hair for a familiar spot. "There is a scar," he admitted.

      Lagardere turned to the Italian. "Do you still," he asked, "hold the Italian school to be superior to the French?"

      Faenza shook his head. "Not when you practise the French method," he answered, politely.

      There was a little pause, and then Æsop, who had by this time been released from the embrace of Cocardasse, and had sheathed his sword, came forward and faced Lagardere. "I desire acquaintanceship, Captain Lagardere. Men call me Æsop."

      Lagardere gazed at the hunchback, and a look of displeasure banished the mirth from his eyes. "I have heard of you," he said, curtly. "A good sword and a bad heart. I don’t like the blend. You may