The Essays of "George Eliot". George Eliot

refuses to accept the assurance that the offensive expression was used simply out of unreflecting conformity to the style of the Hôtel de Rambouillet – that it was mere “galimatias.” She gives up her journey, and writes a letter, which is the only one Madame de Sablé chose to preserve, when, in her period of devotion, she sacrificed the records of her youth. Here it is:

      “I have seen this letter in which you tell me there is so much galimatias, and I assure you that I have not found any at all. On the contrary, I find everything very plainly expressed, and among others, one which is too explicit for my satisfaction – namely, what you have said to Madame de Rambouillet, that if you tried to imagine a perfectly happy life for yourself, it would be to pass it all alone with Mademoiselle de Rambouillet. You know whether any one can be more persuaded than I am of her merit; but I confess to you that that has not prevented me from being surprised that you could entertain a thought which did so great an injury to our friendship. As to believing that you said this to one, and wrote it to the other, simply for the sake of paying them an agreeable compliment, I have too high an esteem for your courage to be able to imagine that complaisance would cause you thus to betray the sentiments of your heart, especially on a subject in which, as they were unfavorable to me, I think you would have the more reason for concealing them, the affection which I have for you being so well known to every one, and especially to Mademoiselle de Rambouillet, so that I doubt whether she will not have been more sensible of the wrong you have done me, than of the advantage you have given her. The circumstance of this letter falling into my hands has forcibly reminded me of these lines of Bertaut:

      “‘Malheureuse est l’ignorance

      Et plus malheureux le savoir.”

      “Having through this lost a confidence which alone rendered life supportable to me, it is impossible for me to take the journey so much thought of. For would there be any propriety in travelling sixty miles in this season, in order to burden you with a person so little suited to you, that after years of a passion without parallel, you cannot help thinking that the greatest pleasure of your life would be to pass it without her? I return, then, into my solitude, to examine the defects which cause me so much unhappiness, and unless I can correct them, I should have less joy than confusion in seeing you.”

      It speaks strongly for the charm of Madame de Sablé’s nature that she was able to retain so susceptible a friend as Mademoiselle d’Attichy in spite of numerous other friendships, some of which, especially that with Madame de Longueville, were far from lukewarm – in spite too of a tendency in herself to distrust the affection of others toward her, and to wait for advances rather than to make them. We find many traces of this tendency in the affectionate remonstrances addressed to her by Madame de Longueville, now for shutting herself up from her friends, now for doubting that her letters are acceptable. Here is a little passage from one of these remonstrances which indicates a trait of Madame de Sablé, and is in itself a bit of excellent sense, worthy the consideration of lovers and friends in general: “I am very much afraid that if I leave to you the care of letting me know when I can see you, I shall be a long time without having that pleasure, and that nothing will incline you to procure it me, for I have always observed a certain lukewarmness in your friendship after our explanations, from which I have never seen you thoroughly recover; and that is why I dread explanations, for however good they may be in themselves, since they serve to reconcile people, it must always be admitted, to their shame, that they are at least the effect of a bad cause, and that if they remove it for a time they sometimes leave a certain facility in getting angry again, which, without diminishing friendship, renders its intercourse less agreeable. It seems to me that I find all this in your behavior to me; so I am not wrong in sending to know if you wish to have me to-day.” It is clear that Madame de Sablé was far from having what Sainte-Beuve calls the one fault of Madame Necker – absolute perfection. A certain exquisiteness in her physical and moral nature was, as we shall see, the source of more than one weakness, but the perception of these weaknesses, which is indicated in Madame de Longueville’s letters, heightens our idea of the attractive qualities which notwithstanding drew from her, at the sober age of forty, such expressions as these: “I assure you that you are the person in all the world whom it would be most agreeable to me to see, and there is no one whose intercourse is a ground of truer satisfaction to me. It is admirable that at all times, and amidst all changes, the taste for your society remains in me; and, if one ought to thank God for the joys which do not tend to salvation, I should thank him with all my heart for having preserved that to me at a time in which he has taken away from me all others.”

      Since we have entered on the chapter of Madame de Sablé’s weaknesses, this is the place to mention what was the subject of endless raillery from her friends – her elaborate precaution about her health, and her dread of infection, even from diseases the least communicable. Perhaps this anxiety was founded as much on æsthetic as on physical grounds, on disgust at the details of illness as much as on dread of suffering: with a cold in the head or a bilious complaint, the exquisite précieuse must have been considerably less conscious of being “the ornament of the world,” and “made to be adored.” Even her friendship, strong as it was, was not strong enough to overcome her horror of contagion; for when Mademoiselle de Bourbon, recently become Madame de Longueville, was attacked by small-pox, Madame de Sablé for some time had not courage to visit her, or even to see Mademoiselle de Rambouillet, who was assiduous in her attendance on the patient. A little correspondence à propos of these circumstances so well exhibits the graceful badinage in which the great ladies of that day were adepts, that we are attempted to quote one short letter.

“Mlle. de Rambouillet to the Marquise de Sablé.”

      “Mlle, de Chalais (dame de compagnie to the Marquise) will please to read this letter to Mme. la Marquise, out of a draught.

      “Madame, I do not think it possible to begin my treaty with you too early, for I am convinced that between the first proposition made to me that I should see you, and the conclusion, you will have so many reflections to make, so many physicians to consult, and so many fears to surmount, that I shall have full leisure to air myself. The conditions which I offer to fulfil for this purpose are, not to visit you until I have been three days absent from the Hôtel de Condé (where Mme. de Longueville was ill), to choose a frosty day, not to approach you within four paces, not to sit down on more than one seat. You may also have a great fire in your room, burn juniper in the four corners, surround yourself with imperial vinegar, with rue and wormwood. If you can feel yourself safe under these conditions, without my cutting off my hair, I swear to you to execute them religiously; and if you want examples to fortify you, I can tell you that the Queen consented to see M. Chaudebonne, when he had come directly from Mme. de Bourbon’s room, and that Mme. d’Aiguillon, who has good taste in such matters, and is free from reproach on these points, has just sent me word that if I did not go to see her she would come to me.”

      Madame de Sablé betrays in her reply that she winces under this raillery, and thus provokes a rather severe though polite rejoinder, which, added to the fact that Madame de Longueville is convalescent, rouses her courage to the pitch of paying the formidable visit. Mademoiselle de Rambouillet, made aware through their mutual friend Voiture, that her sarcasm has cut rather too deep, winds up the matter by writing that very difficult production a perfectly conciliatory yet dignified apology. Peculiarities like this always deepen with age, and accordingly, fifteen years later, we find Madame D’Orleans in her “Princesse de Paphlagonia” – a romance in which she describes her court, with the little quarrels and other affairs that agitated it – giving the following amusing picture, or rather caricature, of the extent to which Madame de Sablé carried her pathological mania, which seems to have been shared by her friend the Countess de Maure (Mademoiselle d’Attichy). In the romance, these two ladies appear under the names of Princesse Parthénie and the Reine de Mionie.

      “There was not an hour in the day in which they did not confer together on the means of avoiding death, and on the art of rendering themselves immortal. Their conferences did not take place like those of other people; the fear of breathing an air which was too cold or top warm, the dread lest the wind should be too dry or too moist – in short, the imagination that the weather might not be as temperate as they thought necessary for the preservation of their health, caused them to write letters from one room to the other.