The History of Antiquity, Vol. 2 (of 6). Duncker Max

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Название The History of Antiquity, Vol. 2 (of 6)
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Жанр Историческая литература
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should come in arms. Delighted that the deity favoured the undertaking, Satibaras fetched the young men. When they appeared Semiramis bade the eunuch step aside, and then she spoke to them: "You worthless sons of an honest and brave father have allowed yourselves to be persuaded by a worthless slave to throw down from this height your mother, who holds her empire from the gods, in order to obtain glory among men, and to rule after the murder of your mother and your brother Ninyas. Then she spoke to the Assyrians."7 Here the fragment of Nicolaus breaks off. From the fragments of Cephalion we may gather that the sons of Onnes were put to death by Semiramis. Yet Cephalion gave a different account of the death of Semiramis from Ctesias; according to him Ninyas slew her.8 In Ctesias, as is clear from the account of Diodorus and other remains of Ctesias, nothing was spoken of beyond the conspiracy which Ninyas prepared against her.9

      After the death of Semiramis, so Diodorus continues his narrative, Ninyas ruled in peace, for he by no means emulated his mother's military ambition and delight in danger. He remained always in the palace, was seen by no one but his concubines and eunuchs, took upon himself no care or trouble, thought only of pleasure and pastime, considered it the object of sovereign power to give himself up undisturbed to all sorts of enjoyment. His seclusion served to hide his excesses in obscurity; he seemed like an invisible God, whom no one ventured to offend even in word. In order to preserve his kingdom he put leaders over the army, viceroys, judges, and magistrates over every nation, and arranged everything as seemed most useful to himself. To keep his subjects in fear he caused each nation to provide a certain number of soldiers every year, and these were quartered together in a camp outside the city, and placed under the command of men most devoted to himself. At the end of the year they were dismissed and replaced by others to the same number. Hence his subjects always saw a great force in the camp ready to punish disobedience or defection. In the same way his descendants also reigned for 30 generations, till the empire passed to the Medes.10 Slightly differing from this account, Nicolaus tells us that Sardanapalus – to whom in the order of succession the kingdom of Ninus and Semiramis finally descended – neither carried arms nor went out to the hunting-field, like the kings in old times, but always remained in his palace. Yet even in his time the old arrangements were kept and the satraps of the subject nations gathered with the fixed contingent at the gate of the king.11

      From what source is the narrative of Ninus and Semiramis derived? what title to credibility can be allowed it? Herodotus states that the dominion of the Assyrians in Asia was the oldest; their supremacy was followed by that of the Medes, and the supremacy of the Medes was followed by the kingdom of the Achæmenids. Herodotus too is acquainted with the name of Semiramis; he represents her as ruling over Babylon, and building wonderful dykes in the level land, which the river had previously turned into a lake.12 Strabo tells of the citadels, cities, mountain-roads, aqueducts, bridges, and canals which Semiramis constructed through all Asia, and to Semiramis Lucian traces back the old temples of Syria.13 We may assume in explanation that the tradition of Hither Asia has ascribed to the first king and queen of Assyria the construction of the ancient road over the Zagrus, of old dykes and aqueducts in the land of the Euphrates and Tigris, the building, not of Nineveh only, but also of Babylon, the erection of the great monuments of forgotten kings of Babylon, – as a fact, Assyrian kings built in Babylon also in the seventh century. We may find it conceivable that this tradition has gathered together and carried back to the time of the foundation all that memory retained of the acts of Assyrian rulers, the campaigns of conquest of a long series of warlike and mighty sovereigns, the sum total of the exploits to which Assyria owed her supremacy. Yet against such an origin of this narrative doubts arise not easy to be removed. It is true that when this tradition explains the mode of life and the clothing of the kings of Asia, and the clothing of the Medes and Persians, from the example of Semiramis, who wore in the camp a robe, half male and half female (p. 6); when this tradition derives the inaccessibility of the kings of Asia and their seclusion in the palace from the fact that Ninyas wished to hide his excesses, and appear to his subjects as a higher being, – traits of this kind can be set aside as additions of the Greeks. To the Babylonians and Assyrians, the Medes and Persians, the life and clothing of their rulers could not appear contemptible or remarkable, nor their own clothing half effeminate, though the Greeks might very well search for an explanation of customs so different from their own, and find them in the example and command of Semiramis, and the example of Ninyas. And if in Herodotus the empire of the Assyrians over Asia appears as a hegemony of confederates,14 this idea is obviously borrowed from Greek models. The opposite statement of the division of the Assyrian kingdom into satrapies, the yearly change of the contingents of troops, comes from Ctesias, who transferred the arrangements of the Persian kingdom, with which he was acquainted, to their predecessors, the kingdom of the Assyrians, or found this transference made in his authorities, Persian or Mede, and copied it.

      Yet, after making as much allowance as we can for the amalgamating influence of native tradition, after going as far as we can in setting apart what may be due to the Greeks, how could such an accurate narrative, so well acquainted with every detail of the siege of Bactra, and the battle on the Indus, have been preserved for many centuries in the tradition of Hither Asia, retained even after the overthrow of Assyria, and down to the date when curious Greeks, 200 years after the fall of Nineveh, reached the Euphrates and Tigris? We possess a positive proof that about this time, in the very place to which this tradition must have clung most tenaciously, within the circuit of the old Assyrian country, no remembrance of that mighty past was in existence. When, in the year 401 B.C., Xenophon with his 10,000 marched past the ruins of the ancient cities of the Assyrian kingdom, the ruins of Asshur, Chalah, and Nineveh, before Ctesias wrote, he was merely told that these were cities of the Medes which could not be taken; into one of them the queen of the Medes had fled before the Persian king, and the Persians, with the help of heaven, took and destroyed it when they gained the dominion over Media.15 From the Assyrians, therefore, Herodotus and Ctesias could not have obtained the information given in their statements about Ninus and Semiramis, nor could their knowledge have come from the Babylonians. The tradition of Babylonia would never have attributed the mighty buildings of that city and land to the queen of another nation, to which Babylon had succumbed. Hence the account of the Greeks about Assyria and her rulers could only come from the Medes and Persians. But our narrative ascribes to Semiramis even the great buildings of the Median rulers, the erection of the royal citadel of Egbatana, the residence of the Median kings; the parks and rock sculptures of Media, even the rock figure on Mount Bagistanon (p. 7). This sculpture in the valley of the Choaspes on the rock-wall of Bagistan (Behistun) is in existence. The wall is not 10,000 but only 1500 feet high. It is not Semiramis who is pourtrayed in those sculptures, but Darius, the king of Persia, and before him are the leaders of the rebellious provinces. It was the proudest monument of victory in all the history of Persia. Would a Persian have shown this to a Greek as a monument of Semiramis? It would rather be a Mede, who would wish to hide from the Greeks that Media was among the provinces a second time conquered and brought to subjection.

      The difficulty of ascertaining the sources of our narrative is still further increased in no inconsiderable degree by the fact that the books of Ctesias are lost, and that Diodorus has not drawn immediately from them, but from a reproduction of Ctesias' account of Assyria. Yet the express references to the statements of Ctesias which Diodorus found in his authority, as well as fragments relating to the subject which have been elsewhere preserved, allow us to fix with tolerable accuracy what belongs to Ctesias in this narrative, and what Clitarchus, the renewer of his work, whom Diodorus had before him, has added.16 It is Ctesias who enumerates the nations which Ninus subdued (p. 3). With him Semiramis was the daughter of a Syrian and Derceto, who throws herself into the lake of Ascalon, and is then worshipped as a goddess there.17 To Ctesias belongs the nourishment of the child Semiramis by the doves of the goddess, her rise from the shepherd's hut to the throne of Assyria. He represents her as raising



<p>7</p>

Frag. 7, ed. Müller.

<p>8</p>

Frag. 1, 2, ed. Müller; cf. Justin. 1, 1.

<p>9</p>

Anonym. tract. "De Mulier." c. 1.

<p>10</p>

Diod. 2, 21.

<p>11</p>

Nicol. Frag. 8, ed. Müller.

<p>12</p>

1, 184.

<p>13</p>

Strabo, pp. 80, 529, 737; Lucian, "de Syria dea," c. 14.

<p>14</p>

Herod. 1, 102.

<p>15</p>

Xenoph. "Anab." 3, 4, 6-10.

<p>16</p>

Diodorus tells us himself (2, 7) that in writing the first 30 chapters of his second book he had before him the book of Clitarchus on Alexander. Carl Jacoby (loc. cit.) – by a comparison with the statements in point in Curtius, who transcribed Clitarchus, and by the proof that certain passages in the narrative of Diodorus which relate to Bactria and India are in agreement with passages in the seventeenth book, in which Diodorus undoubtedly follows Clitarchus; that certain observations in the description of Babylon in Diodorus can only belong to Alexander and his nearest successors; that certain preparations of Semiramis for the Indian campaign agree with certain preparations of Alexander for his Indian campaign, and certain incidents in Alexander's battle against Porus with certain incidents in the battle of Semiramis against Stabrobates; and finally by showing that the situation of the ancient Nineveh was unknown to the historians of the time of Alexander, who were on the other hand acquainted with a Nineveh on the Euphrates (Hierapolis, Mabog; Plin. "Hist. Nat." 5, 23; Ammian. Marcell. 14, 8, 7) – has made it at least very probable that Diodorus had Ctesias before him in the revision of Clitarchus. We may allow that Clitarchus brought the Bactrian Oxyartes into the narrative, unless we ought to read Exaortes in Diodorus; but that the name of the king in Ctesias was Zoroaster is in my opinion very doubtful. The sources of Ctesias were stories related by Persians or Medes from the epic of West Iran. That this should put Zoroaster at the time of Ninus, and make him king of the Bactrians, in order to allow him to be overthrown by the Assyrians, is very improbable. Whether Ctesias ascribed to Semiramis the building of Egbatana is also very doubtful; that he mentioned her stay in Media, and ascribed to her the building of the road over the Zagrus and the planting of gardens, follows from the quotation of Stephanus given above. Ctesias has not ascribed to her the hanging gardens at Babylon. Diodorus makes them the work of a later Syrian king, whom Ctesias would certainly have called king of Assyria. Ctesias too can hardly have ascribed to her the obelisk at Babylon (Diod. 2, 11); so at least the addition of Diodorus, "that it belonged to the seven wonders," seems to me to prove.

<p>17</p>

"Catasterism." c. 38; Hygin. "Astronom." 2, 41. In Diodorus Aphrodite, enraged by a maiden, Derceto, imbues her with a fierce passion for a youth. In shame she slays the youth, exposes the child, throws herself into the lake of Ascalon, and is changed into a fish. For this reason the image of the goddess Derceto at Ascalon has the face of a woman and the body of a fish (2, 4).