Eighteenth Century Waifs. Ashton John

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Название Eighteenth Century Waifs
Автор произведения Ashton John
Жанр Зарубежная классика
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it is necessary that the principles of the game should be given. It was played by four persons, each having ten cards dealt to them.

The general laws of this game are, 1. It is not permitted to deal the cards otherwise than four by three, the dealer being at liberty to begin with which of those numbers he pleases. 2. If he who plays either sans prendre, or calling a king, names a trump of a different suit from that his game is in, or names two several suits, that which he first named must be the trump. 3. He who plays must name the trump by its proper name, as he likewise must the king he calls. 4. He who has said ‘I pass,’ must not be again admitted to play, except he plays by force, upon account of his having Spadille. 5. He who has asked the question, and has leave given him to play, is obliged to do it: but he must not play sans prendre except he is forced to do it. 6. He who has the four kings may call the queen of either of his kings. 7. Neither the king nor queen of the suit which is trumps must be called. 8. He who has one or several kings may call any king he has in his hand; in such case, if he wins, he alone must make six tricks; if he wins, it is all his own, and if he loses, he pays all by himself. 9. Everyone ought to play in his turn, but for having done otherwise, no one must be beasted. 10. He, however, whose turn is not to play, having in his hand the king the ombre has called, and who shall tramp about with either spadille, manille, or basto, or shall even play down the king that was called, to give notice of his being the friend, must not pretend to undertake the vole; nay, he must be condemned to be beasted if it appears that he did it with any fraudulent design. 11. He who has drawn a card from his game, and presented it openly in order to play it, is obliged so to do, if his retaining it may be either prejudicial to his game, or give any information to his friend, especially if the card is a matadore; but he who plays sans prendre, or calls upon his own king, is not subject to this law. 12. None ought to look upon the tricks, nor to count aloud what has been played, except when it is his turn to play, but to let everyone reckon for himself. 13. He who, instead of turning up the tricks before any one of his players, shall turn up and discover his game, must be equally beasted with him whose cards he has so discovered, the one paying one half, and the other the like. 14. He who renounces must be beasted, as many times as he has so done, but, if the cards are mixed, he is to pay but one beast. 15. If the renounce prejudices the game, and the deal is not played out, everyone may take up his cards, beginning at the trick where the renounce was made, and play them over again. 16. He who shows the game before the deal is out must be beasted, except he plays sans prendre. 17. None of the three matadores can be commanded down by an inferior trump. 18. If he who plays sans prendre with the matadores in his hand, demands only one of them, he must receive only that he mentioned. 19. He who, instead of sans prendre, shall demand matadores, not having them, or he who shall demand sans prendre instead of matadores, cannot compel the players to pay him what is really his due. 20. Matadores are only paid when they are in the hands of the ombre, or of the king his ally, whether all in one hand, or separately in both. 21. He who undertakes the vole, and does not make it, must pay as much as he would have received had he won it. 22. He who plays and does not make three tricks is to be beasted alone, and must pay all that is to be paid; and, if he makes no tricks at all, he must also pay to his two adversaries the vole, but not to his friend.’ —The Oxford Encyclopædia, 1828.

11

Dressing-gown.

12

Entendres.

13

Wonders.

14

These leaden combs were used for darkening the hair.

15

Pulled down 1885.

16

Forsitan et nostros ducat de marmore vultus Nectens aut Paphia myrti aut Parnasside lauri Fronde comas – At ego secura pace quiescam. Milton in Manso.

17

John Speed, the historian, died 1629, and was buried in the church of St. Giles’, Cripplegate.

18

The few hairs of a lighter colour, are supposed to have been such as had grown on the sides of the cheeks after the corpse had been interred.

19

‘MDCLV. May vi, died my (now) only and eldest son, John Smith (Proh Dolor, beloved of all men!) at Mitcham in Surrey. Buried May ix in St. Giles, Cripplegate.’

20

Edward Philips or Phillips, in his life of Milton, attached to ‘Letters of State, written by Mr. John Milton,’ &c., London, 1694, (p. 43), says: ‘He is said to have dyed worth £1,500 in Money (a considerable Estate, all things considered), besides Household Goods; for he sustained such losses as might well have broke any person less frugal and temperate than himself; no less than £2,000 which he had put for Security and Improvement into the Excise Office, but, neglecting to recal it in time, could never after get it out, with all the Power and Interest he had in the Great ones of those Times; besides another great Sum by mismanagement and for want of good advice.’

21

Thomas Newton, Bishop of Bristol, thus writes in his life of Milton, prefixed to his edition of ‘Paradise Lost,’ London, 1749: ‘His body was decently interred near that of his father (who had died very aged about the year 1647) in the chancel of the church of St. Giles, Cripplegate; and all his great and learned friends in London, not without a friendly concourse of the common people, paid their last respects in attending it to the grave. Mr. Fenton, in his short but elegant account of the life of Milton, speaking of our author’s having no monument, says that “he desired a friend to inquire at St. Giles’s Church, where the sexton showed him a small monument, which he said was supposed to be Milton’s; but the inscription had never been legible since he was employed in that office, which he has possessed about forty years. This sure could never have happened in so short a space of time, unless the epitaph had been industriously erased; and that supposition, says Mr. Fenton, carries with it so much inhumanity that I think we ought to believe it was not erected to his memory.” It is evident that it was not erected to his memory, and that the sexton was mistaken. For Mr. Toland, in his account of the life of Milton, says that he was buried in the chancel of St. Giles’s Church, “where the piety of his admirers will shortly erect a monument becoming his worth, and the encouragement of letters in King William’s reign.” This plainly implies that no monument was erected to him at that time, and this was written in 1698, and Mr. Fenton’s account was first published, I think, in 1725; so that not above twenty-seven years intervened from the one account to the other; and consequently the sexton, who it is said was possessed of his office about forty years, must have been mistaken, and the monument must have been designed for some other person, and not for Milton.’

22

Between the creditable trades of pawnbroker and dram-seller there is a strict alliance. As Hogarth observes, the money lent by Mr. Gripe is immediately conveyed to the shop of Mr. Killman, who, in return for the produce of rags, distributes poison under the specious name of cordials. See Hogarth’s celebrated print called Gin Lane.

23

Probably in the month of September, as the entry of his baptism in the registry of the chapelry of Middlesmoor, in Netherdale, says ‘Eugenius Aram, son of Peter Aram, baptized the 2nd of October.’

24

Though no warrants were issued against them, Aram was arrested for debt, in order to keep him; yet he immediately discharged this debt – not only so, he paid off a mortgage on his property at Bondgate. Suspicious facts, considering he was, notably, a poor man.