Agatha Christie: The Collection. Agatha Christie

mean Jane Finn?”

      “Yes.”

      “It is her you came here to look for? Yes?”

      “That’s it.”

      The girl looked at him, then passed her hand across her forehead.

      “Jane Finn. Always I hear that name. It is familiar.”

      Tommy came forward eagerly.

      “You must know something about her?”

      But the girl turned away abruptly.

      “I know nothing – only the name.” She walked towards the door. Suddenly she uttered a cry. Tommy stared. She had caught sight of the picture he had laid against the wall the night before. For a moment he caught a look of terror in her eyes. As inexplicably it changed to relief. Then abruptly she went out of the room. Tommy could make nothing of it. Did she fancy that he had meant to attack her with it? Surely not. He rehung the picture on the wall thoughtfully.

      Three more days went by in dreary inaction. Tommy felt the strain telling on his nerves. He saw no one but Conrad and Annette, and the girl had become dumb. She spoke only in monosyllables. A kind of dark suspicion smouldered in her eyes. Tommy felt that if this solitary confinement went on much longer he would go mad. He gathered from Conrad that they were waiting for orders from “Mr. Brown.” Perhaps, thought Tommy, he was abroad or away, and they were obliged to wait for his return.

      But the evening of the third day brought a rude awakening.

      It was barely seven o’clock when he heard the tramp of footsteps outside in the passage. In another minute the door was flung open. Conrad entered. With him was the evil-looking Number 14. Tommy’s heart sank at the sight of them.

      “Evenin’, gov’nor,” said the man with a leer. “Got those ropes, mate?”

      The silent Conrad produced a length of fine cord. The next minute Number 14’s hands, horribly dexterous, were winding the cord round his limbs, while Conrad held him down.

      “What the devil – ?” began Tommy.

      But the slow, speechless grin of the silent Conrad froze the words on his lips.

      Number 14 proceeded deftly with his task. In another minute Tommy was a mere helpless bundle. Then at last Conrad spoke:

      “Thought you’d bluffed us, did you? With what you knew, and what you didn’t know. Bargained with us! And all the time it was bluff! Bluff! You know less than a kitten. But your number’s up now all right, you b – swine.”

      Tommy lay silent. There was nothing to say. He had failed. Somehow or other the omnipotent Mr. Brown had seen through his pretensions. Suddenly a thought occurred to him.

      “A very good speech, Conrad,” he said approvingly. “But wherefore the bonds and fetters? Why not let this kind gentleman here cut my throat without delay?”

      “Garn,” said Number 14 unexpectedly. “Think we’re as green as to do you in here, and have the police nosing round? Not ‘alf! We’ve ordered the carriage for your lordship to-morrow mornin’, but in the meantime we’re not taking any chances, see!”

      “Nothing,” said Tommy, “could be plainer than your words – unless it was your face.”

      “Stow it,” said Number 14.

      “With pleasure,” replied Tommy. “You’re making a sad mistake – but yours will be the loss.”

      “You don’t kid us that way again,” said Number 14. “Talking as though you were still at the blooming Ritz, aren’t you?”

      Tommy made no reply. He was engaged in wondering how Mr. Brown had discovered his identity. He decided that Tuppence, in the throes of anxiety, had gone to the police, and that his disappearance having been made public the gang had not been slow to put two and two together.

      The two men departed and the door slammed. Tommy was left to his meditations. They were not pleasant ones. Already his limbs felt cramped and stiff. He was utterly helpless, and he could see no hope anywhere.

      About an hour had passed when he heard the key softly turned, and the door opened. It was Annette. Tommy’s heart beat a little faster. He had forgotten the girl. Was it possible that she had come to his help?

      Suddenly he heard Conrad’s voice:

      “Come out of it, Annette. He doesn’t want any supper to-night.”

      “Oui, oui, je sais bien. But I must take the other tray. We need the things on it.”

      “Well, hurry up,” growled Conrad.

      Without looking at Tommy the girl went over to the table, and picked up the tray. She raised a hand and turned out the light.

      “Curse you” – Conrad had come to the door – “why did you do that?”

      “I always turn it out. You should have told me. Shall I relight it, Monsieur Conrad?”

      “No, come on out of it.”

      “Le beau petit monsieur,” cried Annette, pausing by the bed in the darkness. “You have tied him up well, hein? He is like a trussed chicken!” The frank amusement in her tone jarred on the boy; but at that moment, to his amazement, he felt her hand running lightly over his bonds, and something small and cold was pressed into the palm of his hand.

      “Come on, Annette.”

      “Mais me voilà.”

      The door shut. Tommy heard Conrad say:

      “Lock it and give me the key.”

      The footsteps died away. Tommy lay petrified with amazement. The object Annette had thrust into his hand was a small penknife, the blade open. From the way she had studiously avoided looking at him, and her action with the light, he came to the conclusion that the room was overlooked. There must be a peep-hole somewhere in the walls. Remembering how guarded she had always been in her manner, he saw that he had probably been under observation all the time. Had he said anything to give himself away? Hardly. He had revealed a wish to escape and a desire to find Jane Finn, but nothing that could have given a clue to his own identity. True, his question to Annette had proved that he was personally unacquainted with Jane Finn, but he had never pretended otherwise. The question now was, did Annette really know more? Were her denials intended primarily for the listeners? On that point he could come to no conclusion.

      But there was a more vital question that drove out all others. Could he, bound as he was, manage to cut his bonds? He essayed cautiously to rub the open blade up and down on the cord that bound his two wrists together. It was an awkward business, and drew a smothered “Ow” of pain from him as the knife cut into his wrist. But slowly and doggedly he went on sawing to and fro. He cut the flesh badly, but at last he felt the cord slacken. With his hands free, the rest was easy. Five minutes later he stood upright with some difficulty, owing to the cramp in his limbs. His first care was to bind up his bleeding wrist. Then he sat on the edge of the bed to think. Conrad had taken the key of the door, so he could expect little more assistance from Annette. The only outlet from the room was the door, consequently he would perforce have to wait until the two men returned to fetch him. But when they did.... Tommy smiled! Moving with infinite caution in the dark room, he found and unhooked the famous picture. He felt an economical pleasure that his first plan would not be wasted. There was now nothing to do but to wait. He waited.

      The night passed slowly. Tommy lived through an eternity of hours, but at last he heard footsteps. He stood upright, drew a deep breath, and clutched the picture firmly.

      The door opened. A faint light streamed in from outside. Conrad went straight towards the gas to light it. Tommy deeply regretted that it was he who had entered first. It would have been pleasant to get even with Conrad. Number 14 followed. As he stepped across the threshold, Tommy brought the picture down with terrific force on his head. Number 14 went down amidst a stupendous crash of broken glass. In a minute Tommy had slipped out and pulled to the door. The key was in the lock. He turned it and withdrew it just as Conrad hurled himself against the door