Название | The New Laws of Love |
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Автор произведения | Marie Bergström |
Жанр | Кинематограф, театр |
Серия | |
Издательство | Кинематограф, театр |
Год выпуска | 0 |
isbn | 9781509543533 |
France developed a national network approximately at the same time. Users accessed a videotex system using a terminal called Minitel – a name that would ultimately come to refer to the whole network. One of the most popular features of the Minitel was that of “friendly messaging systems” (messageries conviviales). By the late 1980s, these chat services accounted for the lion’s share of the networks’ data traffic (excluding business applications), and by the mid-1990s there were some 800 platforms in France (Rincé, 1990; Jouët, 2011). The messaging services (messageries) were mainly operated by newspaper and magazine publishers and given names such as “Jane” and “Aline” (these two were run by the weekly Le Nouvel Observateur), “Turlu” (slang for telephone; run by the daily Libération), and “Union” (the name of an erotic magazine; run by Hachette). Many of them where of a sexual character. As Josiane Jouët’s research shows, a lot of people used the messaging services as a forum for explicitly sexual discussions, where users could flirt and air their fantasies without necessarily meeting in person (Jouët, 1987). Although the Minitel system was not used solely for this purpose, it was to be remembered mostly for its erotic content (see Figure 1.4).
Figure 1.4. Interface of the Minitel messaging system ULLA
The reactions to North America’s BBSs and France’s messageries were totally different, in spite of the similarities between the two. In the United States, the growth of online communication was largely idealized and welcomed as a positive social change. The network’s structure was seen as a horizontal universe; this is how it appeared both to its designers – academics and data scientists who were also its main users – and to the media that reported on its development (Flichy, 2001; Turner, 2010). This “digital utopianism,” as Fred Turner described it, largely extended to the BBS dating services, which were also seen in a positive light. Print journalists and academics heralded BBSs as profoundly “democratic” platforms that allowed interactions to be unaffected by individuals’ age, sex, social background, handicaps, or other social characteristics. Users would be able to judge each other on the basis of values, ideas, and personality rather than physical appearance, and would be freer to express their desires. The enthusiasm carried over to the explicitly sexual platforms, which were lauded for being egalitarian.
The history of the Minitel and its erotic chat services is very different. Unlike the BBSs, the Minitel was a project entirely designed, owned, and operated by the French state; and the venture was driven by a different ideology. The system was initially conceived of as a vertical broadcast information tool, which was to provide the French population with official news and services (phone book, weather broadcasts, train schedules, etc.). The state operator never envisioned the messaging services; that feature came about only because someone hacked the system. In 1982, in the eastern city of Strasbourg, the daily newspaper Dernières Nouvelles d’Alsace set up a local videotex news service called Gretel. Because Gretel subscribers were having trouble connecting, the newspaper’s computer manager set up a chat service as a temporary way to communicate with them. Users soon hijacked the system and began communicating with one another. The newspaper declined to interfere, and this mode of communicating was an instant success. Gretel would become France’s first messagerie conviviale (Marchand and Ancelin, 1984).
As an interactive tool grafted onto a top-down information service – and, what is more, as a tool used for a sexual purpose – the Minitel messaging was seen as “a perversion of the intrinsic rationality of the system,” according to Josiane Jouët (2011). The official ideology behind the Minitel made it difficult to portray erotic chats in any positive light. A slew of highly critical books and articles denounced a new form of hedonism, caused by sexual frustration, excessive individualism, and, once again, the commodification of human relations. Whereas digital utopianism created a glowing image for North American BBSs, France’s Minitel services were criticized for their double transgression – sexual and technological.
In the 1980s, a large number of governmental, academic, and business computer networks operating in the United States were gradually integrated into the “network of networks” that became the internet. Its rapid success was largely attributable to the development in the 1990s of web technologies that allowed easy access to online content. Dating sites were among the first interactive platforms to launch on the web, well before the first social media site, which appeared in 1997 (boyd and Ellison, 2007). Although a product of the web, the dating sites bore traces of earlier dating services, in relation to which they marked an evolution, not a revolution.
Old and new on the internet
In September 1995 Wired, then a young magazine covering technology, published an article on what it described as a company “offering an interactive digital personals service.”1 The service was Match.com, considered to be the first online dating site, and was created by Electric Classifieds Inc., a company that sold ads on the internet. Using the conventional headings of columns of classifieds in newspapers, the company launched a series of sites with the domain names Jobs.com, Autos.com, and Housing.com, as well as a separate site for dating called Match.com (Figure 1.5). As the founder explained in a 2011 interview, “[t]hat was the original idea, to do classified ads but make it electric.”2
Figure 1.5. Interface of Match.com (year 2000)
The concept quickly caught on. Similar sites gradually spread across North America and Europe, where they were rolled out as the internet expanded. The first investors in the new online dating market included publishers of classifieds such as Webpersonals.com, which was launched in 1997 by a company that formerly specialized in phone-based personals (Telepersonals). Other early dating sites emanated from BBSs. In 1996, the BBS-based Matchmaker migrated to the web, where it operated for two decades as Matchmaker.com. Something similar occurred in France, where some Minitel services moved to the then expanding web. The iconic messagerie ULLA moved to the internet in the twenty-first century, under the new name Ulla.com.
The inheritance from older services was visible in the architecture of the new platforms. Both the messageries and the BBSs inherited parts of their organization from agencies and personals, and passed that legacy on to the dating sites. The most striking example is the “bio,” a free-text self-portrait that forms a genre in its own right, in a style used only in dating services. This specific autobiographical format was employed from the very beginning of personal ads in the nineteenth century (Garden, 2008), then moved to BBS and Minitel chat services (Fornel, 1989), and can still be found in today’s online dating profiles.
The