The New Laws of Love. Marie Bergström

Читать онлайн.
Название The New Laws of Love
Автор произведения Marie Bergström
Жанр Кинематограф, театр
Серия
Издательство Кинематограф, театр
Год выпуска 0
isbn 9781509543533



Скачать книгу

have very much corresponded to the geography of social life. In the nineteenth century, young people in the countryside often met and courted in the fields; a hundred years later, they tended to meet at school or university. Of course, some settings have always been more propitious for seeking and meeting a spouse than others. Today’s bars, for instance, are certainly more conducive in this regard than supermarkets. But, with the notable exception of prostitution and swinging, there has never been a place allotted specifically and exclusively to heterosexual courtship. This is all the more the case as, at least from the nineteenth century on, finding love in the course of one’s everyday life has been an integral part of the romantic script: the initial encounter is expected to be a matter of fate, not something you seek out actively (Corbin, 1994; Bergström, 2013).

      Today’s platforms, explicitly and wholly dedicated to dating, mark a radical break from this historical pattern. Meeting partners is now a specific social practice, with its own platforms, clearly delineated in space and time, and with an explicit purpose. The real novelty lies here, in the disembedding of dating from other social spheres and in its resulting privatization.

      To feed and to clothe ourselves, to clean our homes, to nurse our kids and take care of our elderly parents… Over the past decades, we have become accustomed to resorting to private companies for the most intimate activities. When it comes to meeting partners, however, the idea of commercial intermediation was met with aversion for a long time. The dissemination of dating platforms from the 1990s onward corresponds to a progressive “disembedding” of dating. I borrow the term from Karl Polanyi (1944): it refers to a process whereby a series of activities that have previously been embedded in ordinary social relations become detached from society and form an autonomous market sphere.

      The main goal is, nonetheless, to investigate the consequences for users. The disembedding of dating means bypassing ordinary social relations in the search for a partner. With digital platforms, dating becomes a private matter.

      From its earliest days, the internet has raised questions about social ties. Theories and inquiries have differed over time, going often from enthusiasm to severe criticism, as we can see in the work of internet specialist Sherry Turkle. Known to many for her pioneering work on digital communities and identities, Turkle described the internet, in her first books, as a horizontal and fundamentally democratic universe, reflecting an era when computer users were a socially homogeneous and tech-savvy group and when the enthusiasm about networking was huge (Turkle, 1995). Her last books strike a very different tone. In Alone Together, the internet is no longer liberating but alienating. Turkle raises the alarm on how social media negatively affect our possibility to create real, authentic, and meaningful relationships, especially among young adults, leaving us constantly connected but more alone than ever (Turkle, 2011).

      I believe the major change to be a privatization of social life. By this term I refer on the one hand to a shift from outdoor to indoor activities, as many practices that previously occurred in public space have migrated to the domestic sphere, and on the other hand to a tightening of social networks, which have become more centered around close intimate relationships. This means that mingling with strangers in public settings has become rarer, while domestic and private socializing has expanded. This evolution is palpable among adults, who spend less time with neighbors and more time with close kin and friends at home, for example (Wellman, 1999), but also in youth culture, where the advent of computers and digital leisure has contributed to a switch from “street culture” to a genuine “bedroom culture” (Bovill and Livingstone, 2001; Livingstone, 2002).

      Online dating takes this privatization into the realms of love and sex and accentuates it. This may come as a surprise to observers, who surmise, from the large numbers of users and their public profiles, that these platforms are a new form of public space. Online dating, however, is radically different from meeting at a club, in a bar, or in any other type of public venue. First, the platforms are accessible from home, and hence they turn meeting a partner into a domestic activity. Second, far from having a public setting, interactions are strictly dyadic, being based on one-to-one conversations that cannot be seen or overheard by a third party. Third and most importantly, online dating operates a clear separation between social