The Summer of Theory. Philipp Felsch

Читать онлайн.
Название The Summer of Theory
Автор произведения Philipp Felsch
Жанр Социология
Серия
Издательство Социология
Год выпуска 0
isbn 9781509539871



Скачать книгу

(und immer wieder Berlin)’, in Merkur, 786 (2014), 980–8.

      19 19 George Steiner, ‘Adorno: Love and Cognition’, in Times Literary Supplement, 9 March 1973, 255.

      20 20 According to recent research on literary genres, reader expectations play a key part in the emergence of genres. Cf. Wilhelm Vosskamp, ‘Gattungen als literarisch-soziale Institutionen’, in Textsortenlehre: Gattungsgeschichte, ed. Walter Hinck, Heidelberg: Quelle & Meyer, 1977, 27–44. For new thoughts, see Franco Moretti, Graphs, Maps, Trees: Abstract Models for a Literary History, London: Verso, 2005.

      21 21 ‘The texts we devoured in those days stimulated movement. Whether the middle Marcuse, Walter Benjamin, the early Marx or certain chapters of Capital – they were interchangeable. What mattered was definitively escaping the stifling air of the 1950s’, Helmut Lethen once said about reading theory in the sixties. ‘Fantasia contrappuntistica: Vom Ton der Väter zum Sound der Söhne’, interview with Helmut Lethen, in Sabine Sanio, 1968 und die Avantgarde: Politisch-ästhetische Wechselwirkungen in der westlichen Welt, Sinzig: Studio, 2008, 98. Especially noteworthy among more recent memoirs are Helmut Lethen, Suche nach dem Handorakel: Ein Bericht, Göttingen: Wallstein, 2012; and Ulrich Raulff, Wiedersehen mit den Siebzigern: Die wilden Jahre des Lesens, Stuttgart: Klett-Cotta, 2014. Important remarks on theory are also found in Karl Heinz Bohrer, ‘Sechs Szenen Achtundsechzig’, in Merkur, 708 (2008), 410–24, and Hans Jörg Rheinberger, Rekurrenzen: Texte zu Althusser [Recurrences: texts on Althusser], Berlin: Merve, 2014. For an American perspective that is analogous to that of Merve Verlag in many respects, see Sylvère Lotringer, ‘Doing Theory’, in French Theory in America, ed. Lotringer and Sande Cohen, New York: Routledge, 2001, 125–62.

      22 22 To name just a few examples: Martin Jay, The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923–1950, Boston: Little, Brown, 1973; François Dosse, History of Structuralism, 2 vols., trans. Deborah Glassman, Minneapolis: University of Minnesota Press, 1997; Vincent Descombes, Modern French Philosophy, trans. L. Scott-Fox and J. M. Harding, Cambridge University Press, 1980, 182f.; Ingo Elbe, Marx im Westen: Die neue Marx-Lektüre in der Bundesrepublik seit 1965, Berlin: De Gruyter, 2008.

      23 23 On the importance of Althusser’s ‘theoretical practice’ for the history of science, see Hans-Jörg Rheinberger, ‘My Road to History of Science’, in Science in Context, 26:4 (2013), 639–48; Philipp Felsch, ‘Homo theoreticus’, in Eine Naturgeschichte für das 21. Jahrhundert: Hommage à, zu Ehren von, in Honor of Hans-Jörg Rheinberger, ed. Safia Azzouni, Christina Brandt, Bernd Gausemeier, Julia Kursell, Henning Schmidgen and Barbara Wittmann, Berlin: Max-Planck-Institut, 2011, 204–6. Later concepts to which this book is indebted include the ‘discursive practices’ introduced by Michel Foucault in the Archaeology of Knowledge (trans. A. M. Sheridan Smith, London: Tavistock, 1972), and also the stylistics of ‘intellectual practices’ proposed by Michel de Certeau (The Practice of Everyday Life, vol. I, trans. Steven Rendall, Berkeley and Los Angeles: University of California Press, 1984), and Ivan Illich’s ‘historical ethology of reading’ (In the Vineyard of the Text: A Commentary to Hugh’s Didascalicon, University of Chicago Press, 1993). For a current attempt to bring together the history of philosophy and the history of science, see Darrin McMahon and Samuel Moyn (eds.), Rethinking Modern European Intellectual History, Oxford University Press, 2014.

      24 24 For project outlines of such a concept of the history of theory, see Marcel Lepper, ‘“Ce qui restera […], c’est un style”: Eine institutionengeschichtliche Projektskizze (1960–1989)’, in Jenseits des Poststrukturalismus? Eine Sondierung, ed. Marcel Lepper, Steffen Siegel and Sophie Wennerscheid, Frankfurt: Peter Lang, 2005, 51–76; Warren Breckman, ‘Times of Theory: On Writing the History of French Theory’, in Journal of the History of Ideas, 71:3 (2010), 339–61.

      25 25 Michel Foucault, ‘I “reportages” di idee’, in Corriere della sera, 12 November 1978, 1. Foucault’s project largely remained just that. The only ‘reportage’ of ideas he wrote himself is his controversial series on the Iranian revolution of 1979.

1965 THE HOUR OF THEORY

fig3

      This is what it sounds like when a geopolitical situation invites metaphysical speculation. But, in 1956, Gente did not yet see the world in the light of theory. In a round script that betrays his youth, he kept a record of his evenings at the cinema and the theatre, and the minimalistic prose of his lists seems to quiver with pent-up desire. Gente was burning to find a place for himself in the world of the arts,9 and his readings soon influenced him to limit his search to the canon of high culture. In the year of the thaw, however, his taste had not yet matured. His diary mixes musicals with auteur cinema, Puccini with Hollywood and Brecht. It was up to him to discover a common denominator. In the meantime, he awarded the performances grades from 1 to 5 – the scale used by German secondary schools, including the one he had recently left. The numbers were a relatively modest instrument of cultural criticism, taking no notice of highbrow or lowbrow categories. At the same time, Susan Sontag, negligibly older, was already jotting savvy mini-reviews in her diary as she made her own cultural rounds in Chicago.10 Gente’s marks went no higher than the superlative ‘1++’ for Giorgio Strehler’s adaptation of Harlequin, Servant of Two Masters, performed by the visiting Piccolo Teatro of Milan,