"Honestly strange and strangely honest. . . . Remarkably compelling and powerful. Weaver's authenticity of characters, situations, and bygone eras emanates from sheer originality of style. This amazing novel is a stellar achievement—gritty, funny, fresh, and bold. It will make your eyes bug out and your pulse race. And how it shines, shines with humanity!"—Sena Jeter Naslund, author of Ahab's Wife"Southern Gothic to the core, suffused with a humor as dark as the bottom of a Georgia well. . . .Weaver has stepped forward for the benefit of anyone who reads American fiction."—Kirby Gann, author of Our Napoleon in Rags"Savagely funny, wildly ambitious. . . . A bawdy, brutal, and beautiful meditation on identity, sex, and mercy. Weaver has a fiercely distinctive vision."—K.L. Cook, author of The Girl from Charnelle"Darkly comic, deeply poignant. . . . Billie Girl is the adventurer through a long, strange trip that is life itself."—Roy Hoffman, author of Chicken Dreaming CornAbandoned as in infant because of her incessant crying, Billie Girl is raised by two women who are brothers. Her life, a gender-bending puzzle filled with dark humor, is a series of encounters with strangers who struggle along with what they are given: a bigamist husband, a long-lost daughter named after a car, a lesbian preacher's wife, a platonic second husband who loved her adoptive father. Twin themes of sexuality and euthanasia run throughout. In a journey from hard-dirt Georgia farm to end-of-life nursing home, Billie Girl comes to understand the mercy of killing.
“You damn bitch of an anarchist, I wish I could get at you. I would tear your heart out and feed it to my dog.” This was one of the less obscene messages received by Emma Goldman (1869-1940), while in jail on suspicion of complicity in the assassination of McKinley. The most notorious woman of her day, she was bitterly hated by millions and equally revered by millions.The strong feelings she aroused are understandable. She was an alien, a practicing anarchist, a labor agitator, a pacifist in World War 1, an advocate of political violence, a feminist, a proponent of free love and birth control, a communist, a street-fighter for justice — all of which she did with strong intellect and boundless passion. Today, of course, many of the issues that she fought over are just as vital as they were then.Emma Goldman came from Russia at the age of 17. After an encounter with the sweatshop and an unfortunate marriage, she plunged into the bewildering intellectual and activist chaos that attended American social evolution around the turn of the twentieth century. She knew practically everyone of importance in radical circles. She dominated many areas of the radical movement, lecturing, writing, haranguing, and publishing to awaken the world to her ideas. After World War I she was deported to Russia, where she soon discovered that anarchists were no better liked than in America, despite Lenin’s first gesture of welcome. She escaped with her life but never was allowed to return to the United States.Emma Goldman was a devastatingly honest woman, who spared herself as little as she spared anyone else. From her account the reader can gain insight into a curious personality type of recurrent interest: a woman who devoted her life to eliminating suffering, yet could make a bomb or assist in staging an assassination. Equally interesting are her comments on other radicals of the period, such as Kropotkin, Berkman, Mooney, Lenin, Trotsky, Haywood, Most, the Haymarket martyrs, and many others. Her autobiography, written with vigor, ranks among the finest in the English language.
"A moving story of action — direct, forceful, and plain-spoken.…It would be difficult to overestimate the importance of this autobiography." — Saturday Review of Literature.While working as a nurse amid the squalor of New York's Lower East Side in the early twentieth century, Margaret Sanger witnessed the devastating effects of unwanted pregnancies. Women already overwhelmed by the burdens of poverty had no recourse; their doctors were either ignorant of effective methods of birth control or were unwilling to risk defying the law.Sanger resolved to dedicate her life to establishing birth control as a basic human right. Her battles brought a world of troubles — arrest, indictment, and exile among them — but ultimately she triumphed, opening the first American birth control clinic in 1916 and serving as the first president of the International Planned Parenthood Federation in 1953.A fascinating firsthand account of an early crusade for women's healthcare, this autobiography is a classic of women's studies and social reform.
Charlotte Perkins [Stetson] Gilman
Author of the well-known short story «The Yellow Wallpaper» and other important fiction, Charlotte Perkins [Stetson] Gilman (1860–1935) was an ardent advocate of women's rights. In this classic feminist treatise, Gilman argues that women's dependence on men for their livelihood results in a state of arrested intellectual and emotional development deleterious to both genders. Moreover, she explains, such reliance causes shortcomings in the human species as a whole.A landmark in feminist theory, Women and Economics was translated into seven languages and hailed as the «Bible» of the women's movement. Although its author's influence declined in the post-World War I period, modern feminists have returned to her still-incisive observations on the role and status of women, establishing Gilman as an important early figure in the struggle for women's economic and social rights. Now Gilman's masterpiece of feminist theory is again available in this modestly priced edition, ready to stimulate and inspire a new generation of women and men engaged in the ongoing fight for gender equality. New Introduction by Sheryl L. Meyering.
Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here.Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include «Turned,» an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; «Cottagette,» concerning the romance of a young artist and a man who's apparently too good to be true; «Mr. Peebles' Heart,» a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; «The Yellow Wallpaper»; and three other outstanding stories.These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women — and how they might be improved.
Known for her vivid portrayals of Creole life in Louisiana, Kate Chopin (1851–1904) wrote, during her brief literary career, poignant and perceptive stories about the emotional lives of women. Bypassing many of the conventions of 19th-century realism, she won praise for her realistic portraits of the inhabitants of bayou and urban areas.This collection of nine stories contains one of her most famous works, «Désirée's Baby» — a haunting and ironic tale of miscegenation. Additional stories include «Madame Célestin's Divorce,» «A Gentleman of Bayou Téche» and «At the 'Cadian Ball,» from Bayou Folk; «A Respectable Woman,» «A Night in Acadie» and Azélie" from A Night in Acadie; «The Dream of an Hour» and the title story. Written with grace, delicate humor and a keen understanding of the human — especially the female — psyche, these stories are a superb introduction to an important American writer whose literary career was cut short by the harsh criticism directed at her novel The Awakening (1899).
A prominent turn-of-the-century social critic and lecturer, Charlotte Perkins Gilman is perhaps best known for her short story «The Yellow Wallpaper,» a chilling study of a woman's descent into insanity, and Women and Economics, a classic of feminist theory that analyzes the destructive effects of women's economic reliance on men.In Herland, a vision of a feminist utopia, Gilman employs humor to engaging effect in a story about three male explorers who stumble upon an all-female society isolated somewhere in South America. Noting the advanced state of the civilization they've encountered, the visitors set out to find some males, assuming that since the country is so civilized, «there must be men.» A delightful fantasy, the story enables Gilman to articulate her then-unconventional views of male-female roles and capabilities, motherhood, individuality, privacy, the sense of community, sexuality, and many other topics.Decades ahead of her time in evolving a humanistic, feminist perspective, Gilman has been rediscovered and warmly embraced by contemporary feminists. An articulate voice for both women and men oppressed by the social order of the day, she adeptly made her points with a wittiness often missing from polemical writings. This inexpensive edition of Herland will charm readers with the tale's mischievous, ironic outlook.
"Even on the printed page these speeches retain their power." — The Gay & Lesbian ReviewThis comprehensive anthology traces the rhetoric of the gay rights movement from the late nineteenth century to the present. It chronicles the progression from its deeply clandestine beginnings to the battle for recognition, through political struggles and victories of the mid-twentieth century to its current position — at the forefront of the mainstream political debate concerning the fight for marriage equality. The speeches include Robert G. Ingersoll's «Address at the Funeral of Walt Whitman»; Harvey Milk's «Hope Speech»; «Civil Liberties: A Progress Report» by Franklin Kameny; Harry Hay's «Unity and More in '84»; and Urvashi Vaid's «Speech at the March on Washington.» Suitable for courses on contemporary politics and social issues, this edition is the only available compilation of speeches on gay rights.
Embracing a wide variety of subjects, this choice collection of 13 short stories represents the work of an elite group of American women writing in the 19th and earthly 20th centuries. The earliest stories are Rebecca Harding Davis' naturalistic «Life in the Iron Mills» (published in 1861 and predating Émile Zola's Germinal by almost 25 years) and Louisa May Alcott's semiautobiographical tale «Transcendental Wild Oats» (1873). The most recent ones are Zora Neale Hurston's «Sweat,» an ironic tale of a failed marriage, published in 1926, and «Sanctuary» (1930), Nella Larsen's gripping and controversial tale of contested loyalty.In between is a grand cavalcade of superbly crafted fiction by Sarah Orne Jewett, Mary E. Wilkins Freeman, Charlotte Perkins Gilman, Kate Chopin, Willa Cather, Alice Dunbar-Nelson, Djuna Barnes, Susan Glaspell and Edith Wharton. Brief biographies of each of the writers are included.
From the colonial-era poets to such twentieth-century writers as Marianne Moore and Sylvia Plath, this inspiring anthology offers a retrospective of more than three centuries of poems by American women. Over 200 selections embrace a wide range of themes and motifs: meditations on the meaning of existence, celebrations of life's joys, appreciations of the natural world, and many more."To My Dear and Loving Husband," written by America's first poet of note, Anne Bradstreet (1612-1672), appears here, along with "On Imagination," by Phillis Wheatley (1753-1784), America's first great black woman poet. Selections also include more than a dozen beloved works by Emily Dickinson as well as masterly verses by Hilda Doolittle, Gwendolyn Brooks, Edna St. Vincent Millay, Amy Lowell, Emma Lazarus, and numerous lesser-known authors.A superb introduction to America's women poets, this engaging collection offers an inexpensive and rewarding resource for students, teachers, and all lovers of fine poetry.