In the face of conflict and despair, we often console ourselves by saying that history will be the judge. Today’s oppressors may escape being held responsible for their crimes, but the future will condemn them. Those who stand up for progressive values are on the right side of history. As ideas once condemned to the dustbin of history—white supremacy, hypernationalism, even fascism—return to the world, threatening democratic institutions and values, can we still hold out hope that history will render its verdict?Joan Wallach Scott critically examines the belief that history will redeem us, revealing the implicit politics of appeals to the judgment of history. She argues that the notion of a linear, ever-improving direction of history hides the persistence of power structures and hinders the pursuit of alternative futures. This vision of necessary progress perpetuates the assumption that the nation-state is the culmination of history and the ultimate source for rectifying injustice. Scott considers the Nuremberg Tribunal and South Africa’s Truth and Reconciliation Commission, which claimed to carry out history’s judgment on Nazism and apartheid, and contrasts them with the movement for reparations for slavery in the United States. Advocates for reparations call into question a national history that has long ignored enslavement and its racist legacies. Only by this kind of critical questioning of the place of the nation-state as the final source of history’s judgment, this book shows, can we open up room for radically different conceptions of justice.
The Philippine Revolution of 1896–1905, which began against Spain and continued against the United States, took place in the context of imperial subjugation and local resistance across Southeast Asia. Yet scholarship on the revolution and the turn of the twentieth century in Asia more broadly has largely approached this pivotal moment in terms of relations with the West, at the expense of understanding the East-East and Global South connections that knit together the region’s experience. Asian Place, Filipino Nation reconnects the Philippine Revolution to the histories of Southeast and East Asia through an innovative consideration of its transnational political setting and regional intellectual foundations.Nicole CuUnjieng Aboitiz charts turn-of-the-twentieth-century Filipino thinkers’ and revolutionaries’ Asianist political organizing and proto-national thought, scrutinizing how their constructions of the place of Asia connected them to their regional neighbors. She details their material and affective engagement with Pan-Asianism, tracing how colonized peoples in the “periphery” of this imagined Asia—focusing on Filipinos, but with comparison to the Vietnamese—reformulated a political and intellectual project that envisioned anticolonial Asian solidarity with the Asian “center” of Japan. CuUnjieng Aboitiz argues that the revolutionary First Philippine Republic’s harnessing of transnational networks of support, activism, and association represents the crucial first instance of Pan-Asianists lending material aid toward anticolonial revolution against a Western power. Uncovering the Pan-Asianism of the periphery and its critical role in shaping modern Asia, Asian Place, Filipino Nation offers a vital new perspective on the Philippine Revolution’s global context and content.
In the mid-1930s, just as the United States was embarking on a policy of neutrality, Nazi Germany launched a program of espionage against the unwary nation. Rhodri Jeffreys-Jones’s fascinating history provides the first full account of Nazi spies in 1930s America and how they were exposed in a high-profile FBI case that became a national sensation.
From the translator of Avigdor Hameiri’s Hell on Earth , winner of the 2019 TLS-Risa Domb/Porjes Prize In this unique memoir, now in English for the first time, Israel’s first Poet Laureate Avigdor Hameiri details a trip to Europe in 1930 from the perspective of a Hungarian Jew who had served in the Habsburg Army. Upon visiting Austria, Hungary, Romania (including parts of ceded Hungarian Transylvania), and Czechoslovakia (including his Carpatho-Ruthenian homeland), he sees Europe in flux on the brink of an unknown disaster. Austria and Hungary are full of youth whose philosophy is “eat, drink and be merry; tomorrow we die.” There is fear of Bolshevism from without, but the unfelt danger is German Fascism. Jews (especially in Hungary) are assimilated but cannot escape from their Jewishness: some are Zionists. Romania is corrupt and antisemitic. In Carpatho-Ruthenia, Hameiri has two premonitions warning him to return to Israel, a prediction of the destruction soon to befall Europe. Hameiri also gives accounts of the artistic and cultural scenes of 1930s Europe, as well as the world of Carpatho-Ruthenian Hasidism, which was soon to be destroyed by the Holocaust. From the growing danger and confusion surrounding inter-war Europe, in prose at once compassionate and bitingly sarcastic, comes a sweeping account of Jewish life in 1930 from one of Israel’s prolific writers.
Finalist, 2018 National Jewish Book Award for Modern Jewish Thought and Experience, presented by the Jewish Book CouncilWinner, 2019 Jordan Schnitzer Book Award, in the Jewish Literature and Linguistics Category, given by the Association for Jewish Studies A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.
Originally published in 1918, this work describes the life of the French pilot and fighter ace George Guynemer. ""The biography which I have attempted to write seeks the soul for its object rather than the motor: and the soul, too, has its wings."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
Old Ireland in Colour brings to life the rich history of Ireland and the Irish through the colour restoration of these stunning images of all walks of Irish life throughout the nineteenth and twentieth centuries. From the chaos of the Civil War to the simple beauty of the islands; from legendary revolutionaries to modest fisherfolk, every image has been exquisitely transformed and every page bursting with life.