Изобразительное искусство, фотография
Различные книги в жанре Изобразительное искусство, фотографияAuthentic French Fashions of the Twenties
In the 1920s, fashion magazines were the principal source for news of the latest Paris couture. One of the most famous and long-lived of these journals was <I>L'Art et la Mode,</I> published from 1880 to 1967. <I>L'Art et la Mode </I>captured the glamor that was Paris in the Twenties, from days at the races to nights at the opera, from Sundays at the Ritz to Saturdays at the Folies-Bergère, and it followed the glittering circuit that flourished from Longchamps to Deauville to Cannes to Biarritz. The magazine was read avidly not only by the rich who patronized the couture, but also by the woman who relied on her «little dressmaker» to copy the styles depicted in the periodical. <BR>This lavishly illustrated volume offers 138 dazzling pages from <I>L'Art et la Mode </I>featuring fashions for all occasions by the great French couturiers of the Twenties—Patou, Worth, Molyneux, Doucet, Paquin, Vionnet, Lanvin, and Chanel among them. Selected by JoAnne Olian, curator of the famed Costume Collection at the Museum of the City of New York, a wealth of designs include stylish outfits for winter sports, hunting season, tennis, golf, and other athletic pursuits, as well as high-fashion ensembles for soirées and all manner of chic divertissements. <BR>In addition to choosing the plates, Ms. Olian has also provided an excellent introduction discussing the magazine, the period, and its fashion trends. The result is a beautifully illustrated, sumptuous look back at one of haute couture's most influential decades. It is also an outstanding and inexpensive source of copyright-free fashion illustrations for use by designers and craftspeople. <BR>
Abstract Design and How to Create It
Students, designers, and craftspeople who want to create their own abstract patterns and designs will find this profusely illustrated guide one of the best books available on the subject. After an introductory chapter dealing with the geometric basis of design, the author goes on to discuss implements and their use (T-square, compass, dividers, ruling pen, etc.), borders, textile patterns, nature study, and treatment.Over 380 illustrations include many diagrams, designs for title pages, border patterns, allover patterns, textile patterns, and historical examples from an extraordinary number of cultures and periods: Assyrian stone carvings, Greek and Roman jewelry, 18th-century English silverwork, and more. Thorough and comprehensive, Abstract Design and How to Create It will be an invaluable resource for anyone seeking to learn the principles and techniques of creating nonrepresentative designs.
The Art Nouveau Style Book of Alphonse Mucha
To the general public, Alphonse Maria Mucha (1860–1939) is perhaps best known for his posters of Sarah Bernhardt and magnificent decorative panels such as «The Seasons» — works that continue to grow in popularity and value as the resurgence of interest in Art Nouveau increases. Among graphic artists and commercial designers, Mucha is praised for the innovative style books that pioneered the use of Art Nouveau in commercial packaging, design, and ornament.The most important of these style books was Documents Décoratifs, published in 1901 at the height of Mucha's fame as the high priest of the Art Nouveau movement. While the artist's fame rests largely on his posters, it is in the smaller works of the style books, or design portfolios, that the refinement of his technique can best be appreciated. The present volume, carefully reproduced from an extremely rare and valuable set of originals, contains all 72 plates of the Documents Décoratifs portfolio. Included are designs for jewelry, wallpaper, stained glass, furniture, and tableware; figure and botanical studies; and a selection of Mucha's famous panneaux décoratifs. Eighteen of the plates are in full color, while the remaining 54 are reproduced in two or more color tones.In addition to numerous innovative designs for practical and decorative objects, the elegant draftsmanship and meticulous execution that characterized all of Mucha's work is evident in studies of langorous nudes, portrait sketches, delicately rendered plant and animal motifs, exquisite modeling of drapery and cloth, and the flowing, fantastic forms created as experiments in pure design. In the Foreword by Gabriel Mourey, specially translated for this edition, Mucha's own philosophy of art, and the relation of the Documents to the rest of his work, receive an appreciative and informative discussion.Hitherto available only in scattered sources, or in the libraries of wealthy collectors, the complete Documents Décoratifs is now available in this inexpensive one-volume edition. Lovers of Mucha's work, admirers of Art Nouveau, and the application of that style to the decorative arts, will want to own this fine royalty-free collection by one of the greatest masters of the technique."[Documents Décoratifs is] . . . an encyclopedic source for Mucha's style in every branch of decorative and applied art and one of the few books on design where even individual plates are sought after by collectors." — Marina Henderson, The Graphic Style of Alphonse Mucha
The 1912 and 1915 Gustav Stickley Craftsman Furniture Catalogs
Studying, exhibiting, and collecting Gustave Stickley's austere, functional designs for furniture and other home furnishing continue to be major pursuits of scholars, curators, dealers, and collectors in the decorative field. This volume brings back into print two original Craftsmen catalogs illustrating and describing a broad range of Stickley's furniture designs, complete with the original captions citing materials, dimensions, and prices.Among the furniture shown are armchairs, rockers, stools, settees, desks, beds, music cabinets, drop-leaf tables, nests of tables, chests of drawers, sideboards, china cabinets and dressers. The other items offered in the catalogs include wicker baskets, fabrics, pottery, lamps, china, silverware, and glass.With over 200 detailed illustrations and descriptions, these two catalogs, first published in 1912 and ca. 1915, are essential reference materials and identification guides for Stickley furniture. In addition, they offer social historians and students of Americana documentation of the new design trend and philosophy that swept America in the early years of the twentieth century, creating a bold break with the past and setting new directions in modern design.
Western World Costume
From prehistory to the mid-20th century, this informative book describes and illustrates the development of Western dress. The text — enhanced by nearly 500 illustrations — appears in outline form, permitting easy cross-referencing of material. Details of distinctive features for each era include footwear, headgear, accessories, and typical colors and materials. 491 black-and-white illustrations.
Medieval Tile Designs
Little remains of the decorative ceramic tiles that once paved the floors of medieval churches and cathedrals. Abraded by time and use, stolen by collectors, or covered by new flooring, these handsome ornamental paving stones (also known as «encaustic tiles») have become rarities. This practical, inexpensive, and comprehensive archive — originally published in the mid-19th century — has preserved many of those ancient designs for future generations. It represents an invaluable source of design inspiration for permission-free use by today's artists and craftspeople. <BR>Adapted largely from tile motifs that once adorned English churches in Winchester, St. Cross, Romsey, and Warblington, 146 handsome images display a host of characteristically medieval patterns — crosses, churches, fleur-de-lis, stylized plant forms, mythological creatures, stars, abstract and geometric figures, and other authentic elements. <BR>These rich and evocative designs can be used to enhance a host of art and craft projects: wood burning, leathercraft, and stained glass work; fabric painting, ceramics, enameling, stenciling, or any other project calling for unique and powerful attention-getters.
Learn to Draw Comics
This user-friendly guide from the 1930s offers aspiring cartoonists a wealth of practical advice. Rich in period flavor, it supplies the ageless foundations of comic art. Abundant illustrations and clear, nontechnical prose cover: creating expressions, attaining proportion and applying perspective, depicting anatomy, simple shading, achieving consistency, lettering, and writing a strip.
Harmonic Proportion and Form in Nature, Art and Architecture
A treatise on the laws governing proportional form in both nature and the arts and sciences, this well-illustrated volume amply demonstrates how a design's geometrical construction can captivate both the eye and the mind. Flowers, shells, and other natural organisms appear here, along with artistic creations, in a mathematical study of the similarity of their constructive principles. These principles, in turn, are the fundamental elements by which nature creates harmony.The author, Samuel Colman (1832–1920), was a prominent member of the Hudson River School of painters («Storm King on the Hudson,» his 1866 oil on canvas, is one of his best-known works), and an embodiment through his life and work of the school's celebration of nature through art. As an activist in the politics of art, Colman helped form the Society of American Artists as well as the American Society of Painters in Water Colors, a relatively new medium at the time. He was also a teacher and associate of Louis Comfort Tiffany; in 1879, the two joined forces to establish an interior design firm that included Mark Twain among its clientele.This handsome and provocative volume is enhanced by 302 drawings by the author that complement and amplify each subject area discussed. It also includes an important Mathematical Analysis by the editor, C. Arthur Coan. As a multifaceted study, this book will find an audience among artists and philosophers, as well as scientists and mathematicians.
Ancient European Costume and Fashion
Scrupulously researched book by noted authority traces the development of European clothing styles from prehistory to the Norman Conquest in A.D. 1066. Over 160 illustrations, including 17 full-color plates, display draped robes of classical Greece, the jewel-encrusted apparel of a 10th-century Byzantine emperor, garments of peasants, as well as footwear, hairstyles, headdresses, and jewelry.
Doré's Illustrations for the Fables of La Fontaine
At the age of 16, Gustave Doré was the highest-paid illustrator in France. Twenty years later, in 1868, at the peak of his artistic genius, he produced magnificent illustrations for Jean de La Fontaine's witty and high polished Fables ― poems and timeless tales with charming images of country folk and animal life, as well as heroes from Greek mythology and creatures from fables by Aesop. This collection includes all 84 full-page plates plus 39 vignettes from a rare, early edition and includes, among others, scenes from «The Wolf and the Lamb,» «The Lion and the Gnat,» «The Hare and the Tortoise,» and «Ulysses' Companions.»