Изобразительное искусство, фотография
Различные книги в жанре Изобразительное искусство, фотографияThe Human Figure in Motion
This is the largest selection ever made from the famous Muybridge sequence high-speed photographs of human motion. Containing 4,789 photographs, it illustrates some 163 different types of action: elderly man lifting log, woman sweeping, woman climbing ladder, men boxing and wrestling, child crawling, man lifting weight, man jumping, and 155 other types of action, some of which are illustrated by as many as 62 different photographs. Taken at speeds ranging up to 1/6000th of a second, these photographs show bone and muscle positions against ruled backgrounds. Almost all subjects are undraped, and all actions are shown from three angles: front, rear, and three-quarter view. These historic photographs, one of the great monuments of nineteenth-century photography, are reproduced original size, with all the clarity and detail of the originals. As a complete thesaurus of human action, it has never been superseded. Muybridge was a genius of photography, who had unlimited financial, technical, and scientific backing at the University of Pennsylvania. This volume presents the final selection from more than 100,000 negatives made at an expenditure of more than $50,000. It has never been superseded as a sourcebook for artists, students, animators, and art directors. «An unparalleled dictionary of action for all artists, photographers.» — American Artist."Impressive and valuable collection." — Scientific American.
Drawing the Living Figure
"Joseph Sheppard has been favorably compared to practically every Renaissance master…he is without peer among modern realists for his ability to impart a warm verisimilitude to the figure." — Artspeak magazine.In this highly praised guidebook, Joseph Sheppard, a versatile and influential artist and teacher who is widely recognized as a master of figure drawing, introduces an innovative approach to drawing the human form. Beginning by reviewing the basics of anatomy, he makes his principal focus the specifics of surface anatomy.Rather than depicting in detail the muscles and bone that lie beneath the skin, as do most books on artistic anatomy, this book concentrates on how the position and movement of muscles and bones affect the surface forms of live models. The effects are masterfully demonstrated in over 170 of Joseph Sheppard's own drawings of many different live models in front, back, and side views, and in various standing, sitting, kneeling, crouching, reclining, and twisting poses.Each drawing is accompanied by two diagrams, one for bones, one for muscles, which specifically show how surface forms are created by the definitive shapes beneath the skin. The superb quality of Joseph Sheppard's drawings, the wide range of poses he illustrates, and the effectiveness of his approach in this book — now in its first paperback edition — will help artists at all levels improve and refine their skills in drawing the living figure.
Anatomy
In this superb guidebook, a skilled practitioner of figure drawing demonstrates how to achieve mastery of anatomy through careful, knowledgeable articulation of the muscles and bones lying beneath the skin. Joseph Sheppard's concise instructions have been carefully integrated with over 250 halftone illustrations and over 180 line drawings to lead artists one step at a time through the techniques required in rendering human anatomy convincingly.The opening chapter of the book presents the special techniques involved in mastering human proportion.The chapters that follow each deal with a separate part of the body: the arm, hand, leg, foot, torso, head, and neck (with special coverage of facial features and expressions) and the complete figure.Each of these chapters follows a basic format that combines drawings of the featured body portion from many different angles, coverage of the specific bones and muscles involved, a table of muscle origins and insertions, and coverage of surface anatomy and depictions of the body part in a variety of positions.
Animals in Motion
"The dry plate's most spectacular early use was by Eadweard Muybridge." — Life"A really marvelous series of plates." — Nature (London)"These photographs have resolved many complicated questions." — Art JournalHere is the largest, most comprehensive selection of Muybridge's famous animal photos — more than 4,000 high-speed shots of 34 different animals and birds, in 123 different types of actions. Animals are shown walking, running, leaping, flying — in typical actions. The horse alone is shown in more than 40 different ways: galloping with nude rider, trotting, pacing with sulky, cantering, jumping hurdles, carrying, rolling on barrels, and 36 other actions. All photos taken against ruled backgrounds; most actions taken from 3 angles at once: 90 degrees, 60 degrees, rear. Foreshortened views are included. These are true action photos, stopped in series, taken at speeds up to 1/2000th of a second. Actions are illustrated in series, with as many as 50 shots per action. Muybridge worked with the University of Pennsylvania for three years, made more than 100,000 exposures, and spent more than $50,000. His work has never been superseded as a lifetime reference for animators, illustrators, artists, and art directors.
Creating the Universe
Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for the expression of diverse religious ideas, with cosmological thinking at the center of Buddhist thought, art, and practice.In�Creating the Universe,�Eric Huntington presents examples of visual art and architecture, primary texts, ritual ideologies, and material practices�accompanied by extensive explanatory diagrams�to reveal the immense complexity of cosmological thinking in Himalayan Buddhism. Employing comparisons across function, medium, culture, and history, he exposes cosmology as a fundamental mode of engagement with numerous aspects of religion, from preliminary lessons to the highest rituals for enlightenment. This wide-ranging work will interest scholars and students of many fields, including Buddhist studies, religious studies, art history, and area studies.
Buddhism Illuminated
Buddhist temples in Southeast Asia are centers for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West.The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology, and fortune-telling. Buddhism Illuminated includes over one hundred examples of Buddhist art from the Library�s collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic, and religious contexts of their production. It is the first book in English to showcase the beauty and variety of Buddhist manuscript art and reproduces many works that have never before been photographed.
Image Problems
This deft and lively study by Robert DeCaroli explores the questions of how and why the earliest verifiable images of the historical Buddha were created. In so doing, DeCaroli steps away from old questions of where and when to present the history of Buddhism�s relationship with figural art as an ongoing set of negotiations within the Buddhist community and in society at large. By comparing innovations in Brahmanical, Jain, and royal artistic practice, DeCaroli examines why no image of the Buddha was made until approximately five hundred years after his death and what changed in the centuries surrounding the start of the Common Era to suddenly make those images desirable and acceptable.The textual and archaeological sources reveal that figural likenesses held special importance in South Asia and were seen as having a significant amount of agency and power. Anxiety over image use extended well beyond the Buddhists, helping to explain why images of Vedic gods, Jain teachers, and political elites also are absent from the material record of the centuries BCE. DeCaroli shows how the emergence of powerful dynasties and rulers, who benefited from novel modes of visual authority, was at the root of the changes in attitude toward figural images. However, as DeCaroli demonstrates, a strain of unease with figural art persisted, even after a tradition of images of the Buddha had become established.
A Beautiful Anarchy
[i]A Beautiful Anarchy is a vulnerable, honest, and insightful book about the human longing to create, whether you’re creating a family, a business, a book, or a photograph. Your greatest creation can be an intentional life lived on your own terms. What is our life but a chance to make the greatest art of all? If you already identify as a creative person, this book is an invitation to more intentionally explore your creative process. If you've ever said, “But I’m not really creative,” it’s a call to exhume a part of yourself that desperately needs to get out and breathe. This is an honest discussion about creativity and the obstacles that stand in your way on that journey. It’s an invitation to consider the creative in all of us, and to recognize that your best work will always be done when you colour outside the lines and listen first to your own voice. Truly exceptional, authentic lives have never belonged to the talented or the fearless, but to those who find the courage to do their work, and to be themselves.
Camera Work (Revised Edition)
A major revision, the merely documentary gone, the symbolist-poetic intensified. Past and present, nature raw and cooked, imagistic juxtapositions, sunlit urn with cypresses, flames glowing as the ground thaws for a midwinter Minnesota grave. Enigmatic mannequin, pensive boys, racing girls, sentinel in the sky. <br><br>You don't need specific locations. This is all about possibilities, emblems, icons, moods, never settling down into a single mode, a single statement. Everything is in motion or with motion latent. The lyrical calms of sunset grass and pristine pebbled beach are sites for couples. not death-wish yearnings. There's a lovely wedding kiss. The cover's key-setting figure with bike at that dreamlike empty intersection has the potency that comes when the eye has fastened on something without the mind fully knowing why.<br><br>Escapes from "the malady of the quotidian." Lyrical/dramatic compositions. By the author of "Atget and the City."
Interfacing
Faces faces faces–thirty-four, if you count a delightful movie-crew group. Fascinating faces, those major elements in movies, photography, art. Mostly one-shots, taken spontaneously in a human-scale North Atlantic city-by-the-sea in the 1990s. No predatory irony or condescension, but strong reactions– surprise, wariness, delight, self-theatricalizing, etc. <br><br>Interesting individuals, including a couple of poets, two photographers, an artist, a movie-maker, a scholar, a peace activist, a short-story writer, and the vastly knowledgeable proprietor of a jazz and blues used-record store. But no, not about bio. About selves, including the photographer's, at the moment of interfacing, in various settings, with decisive compositions and rich pre-digital B&W.<br><br>All done with the lovely lightweight Canon EOS Rebel with the classic 50mm lens and available lighting. And organized with Fraser's unique musical sequencing of distinctive units.