*Claudia Rankine selected the author’s chapbook for Seattle Review Chapbook Contest and described the book as, “A decolonization of space and self is made physical in this stunning, textured, and ambitious collection of poems.” <br>*Beloved teacher at Winter Tangerine, an online journal and literary arts workshop.<br>*Uses a range of different poetic forms and strategies from the experimental to the traditional lyric.<br>*Inspired by performance and cross-disciplinary approaches to poetry such as music, visual art, and dance.<br>*Author is a Chicago resident and works at an independent bookseller in the city.
This collection of Zen poetry by 19th century Japanese Buddhist monk and hermit Ryokan is a masterful exploration of life and nature.Ryokan's zen poems are celebration of the joys and sadness of everyday life. His spare, direct style is remarkable for its immediacy and intimacy.This bilingual collection contains more than 150 of his finest poems in Japanese and Chinese, including his famous lyrical correspondence with the nun Teishin, who befriended him in his later years. It also includes a biographical essay on Ryokan, and useful notes on the poems themselves.
Winner of the 2013 Kathryn A. Morton Prize Introduction by Henri Cole Author is an up-and-coming poet with strong ties to the poetry community
Excellent publishing history: Author's poems have appeared in nearly every top-tier English language publication, including The New Yorker, Granta, The Nation, and The New York Review of Books.Highly-anticipated follow-up: Author's previous collection, The Children, was praised in the New York Times Book Review and many other outlets (including several overseas publications)
Rising star in poetry worldFirst book enthusiastically reviewed in Publishers Weekly, American Poet, The Believer, The Poetry Foundation, Rain Taxi, American Book Review, Gently Read Literature, and others"Each of the book’s three sections dramatizes how even in our high-flying fantasy lives, the ordinariness of the natural reasserts itself as a source of both limitation, and, paradoxically, extraordinary beauty." —David Gorin, The BelieverA brand new take on identity literatureWill appeal to foodies as second section is entirely devoted to character called «The Eater» and each poem is named for a Chinese delicacy, real and imagined
Jeff Dolven’s poems take the guise of fables, parables, allegories, jokes, riddles, and other familiar forms. So, there is an initial comfort: I remember this, the reader thinks, from the stories of childhood . . . . But wait, something is off. In each poem, an uncanny conceit surprises the form, a highway paved with highwaymen, a school for shame, a family of chairs. Dolven makes these strange wagers with the grace and edgy precision of a metaphysical poet, and there are moments when we might imagine ourselves to be somewhere in the company of Donne or Spenser. Then we encounter “The Invention: A Libretto for Speculative Music,” which is, well—surreal, and features a decisively modern, entirely notional score, sung by an inventor and his invention, which (who?) turns out to be a 40s-type piano-perched chanteuse who (which?) somehow knows all the words to the song you never knew you had in you. The daring of this collection is not in replaying the fractured polyphony of our moment. Speculative Music gives us accessible lyrics that still manage to listen in on our echoing interiors. These are poems that promise Frost’s “momentary stay against confusion” and, at the same time, provoke a deep, head-shaking wonder.
Star student of very distinguished writers: Tony Hoagland, Dana Levin, Dean YoungBread Loaf scholarEmotionally hard-hitting work with mature visionPublished in TriQuarterly, The New England Review, The Massachusetts Review, and FIELDPoems featured at length in American Poetry Review several timesStrong support from big-name writers
*Bohince grew up in Pennsylvania but has strong ties to NYC *Debut collection from an up-and-coming young poet: won the «Discovery»/The Nation Award in 2007, the Grolier Poetry Prize, and grants from the Puffin and Ludwig Vogelstein Foundation. *Will be 2008 Amy Clampitt Resident Fellow in Lenox, Massachusetts *Blurbs from Stanley Plumly, Claudia Emerson, and Jane Mead
On October 27, 2003, Adnan received a post card of a palm tree from the poet Khaled Najar, who she had met in the late seventies in Tunisia, sparking a collection of poems that would unspool over the next decade in a continuous discovery of the present moment. Originally written in French, these poems collapse time into single crystallized moments then explode outward to take in the scope of human history. In Time, we see an intertwining of war and love, coffee and bombs, empathetic observation and emphatic detail taken from both memory and the present of the poem to weave a tapestry of experience in non-linear time.
As National Poetry Month was just last April, it’s only fitting that we celebrate poetry this July. The poets in this collection represent the depth and breadth of contemporary American poetry: its independence, its drive to find new ways of making meaning, and its commitment to innovative ways of interrogating what we might consider foundational texts. In this new poetry ePub, we present two poets writing about Emily Dickinson, Stephen Burt’s groundbreaking essay on trans-poetry, Joshua Edwards's elegy to poetically seeing the landscapes around us, and original poetry by Douglas Kearney, Maurice Manning, and Lauren K Alleyne.