Need Machine clamors through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumor. Honest, irreverent, and sharply indifferent, this book will «hogtie you with awe.»
Winner of the 2013 Aqua Books Lansdowne Prize for Poetry (Manitoba Book Awards) If Lisa Robertson were to collide with David Lynch in a dark alley, the result would be a lot like The Politics of Knives. From shattered narratives to surrealistic fantasies, the poems in The Politics of Knives bridge that gap between the conventional and the experimental, combining the intellectual with the visceral. The complicity of language in violence, and the production of stories as both a defensive and offensive gesture, trouble the stability of these poetic sequences that dwell in the borderland between speaking and screaming.She made hyphens and made me use them.From her back she pulled brackets. Saying:"These in your throat and these around your neck."Jonathan Ball teaches English, film, and writing at two universities in Winnipeg, Manitoba. He is the author of Ex Machina and Clockfire, which was shortlisted for a Manitoba Book Award.
The book's poetic concerns with philosophy and time will make it a sort of poetic companino for people who enjoy books like Hawkings's A Brief History of Time.
Kotsilidis's Hypotheticals is one of three debut collections published this year by Coach House, and joins a growing list of acclaimed poetic debuts in recent years from the press. Both Kate Hall (2009) and Jeramy Dodds (2008) had debut collections shortlisted for multiple awards, and both were finalists for the prestigious Griffin Prize and the Gerald Lampert Award. (Dodds also won the Trillium Award for Poetry.)Kotsilidis is currently doing an MFA in Studio Arts at Concordia University; her main focus is installation art and stop-motion animation. She will make a trailer for her own book, using her stop-motion talents.There's a current vogue for good poetry about science: we've done well with Crystallography and The Hayflick Limit, which have been popular with both poetry and science geeks.
First published in 1985, The Brave Never Write Poetry, the lone collection of poems by critic/novelist Daniel Jones (1959–1994), was a cult hit. Written in a direct, plainspoken, autobiographical and at times confessional style in the tradition of Charles Bukowski and Al Purdy, these confrontational poems about sex and boredom, drugs and suicide, document Jones' depressive, alcoholic years as an enfant terrible.
Deliciously wicked satires about local and international celebrities, the poems in Portable Altamont evince an irrepressible grasp of the zeitgeist, its machinations and manipulations, its possibilities and puerility. Who other than artist and raconteur Brian Joseph Davis could have imagined Margaret Atwood as a human beatbox, Jessica Simpson applying for arts grants or the Swedish Chef reciting T. S. Eliot? Davis uses every literary form available to revel in and rearrange pop culture. Even the index turns into a short story about Luke Perry’s descent into a shadowy underworld of Parisian intellectuals and terrorists. A word of warning: this book is a complete and utter fiction. Philip Roth is not David Lee Roth’s brother. Reese Witherspoon is not a Communist cell leader, and Don Knotts has never been a New Age guru. The stuff about Nicole Richie, however, is absolutely true. Portable Altamont is that rare book that is both incendiary and compulsively readable. Get to it before the lawyers do!
A Complete Encyclopedia of Different Types of People is not your average reference book. It turns a series of sociological case studies into a functional encyclopedia that doubles as an achingly funny collection of poems. «Bridesmaids,» «Day Traders,» and «Number Crunchers» are all dutifully cataloged in a series of luminously strange, compellingly original lyric and prose poems.
With links to intense poetic works like John Berryman’s Dream Songs, Gilbert Sorrentino’s Corrosive Sublimate and Erin Moure’s Furious, Jon Paul Fiorentino’s new collection is a whip-smart poetic investigation of anxiety in all its many manifestations. Anxiety caused by geography, anxieties of influence and looming worries about loss inform the poems as they weave narrative threads and associations that highlight both the treachery of language and its necessity in shaping human experience: 'All roads, side roads/all text, signage/All seasons, autumn/ all memories, winter.' The poems here build on Derrida’s ideas about the psychological implications of memory and the archival impulse and on philosopher Charles Sanders Peirce’s semiotics of 'the index.' Indexical Elegies is a rich, emotionally charged work that showcases Fiorentino’s talents at their feisty, engaged best. From its Post-Prairie pamphleteering and its comic Montreal musings to its moving elegies, this is provocative poetry that never loses touch with the reader’s pleasure.
In tongues alternately vulnerable, defiant, resigned, and hopeful, The Inquisition Yours speaks to the atrocities of our time – war, environmental destruction, terrorism, cancer, and the erosion of personal rights – fashioning a tenuous bridge between the political and the personal.
A virtuoso polyvocal correspondence with the daily news, ancient scripture and contemporary theory that puts the ongoing conflict in Israel/Palestine firmly in the crosshairs, Neighbour Procedure sees Zolf assemble an arsenal of poetic procedures and words borrowed from a cast of unlikely neighbours, including Mark Twain, Dadaist Marcel Janco, blogger-poet Ron Silliman and two women at the gym.