Биология
Различные книги в жанре БиологияThe Grecanici of Southern Italy
The Grecanici are a Greek linguistic minority in the Calabria region of Italy, remnants of a population that has resided there since late antiquity. Their language represents a holdover from the Middle Ages, at least, and possibly even to the Greek colonies of the classical period. For decades the Grecanici passionately fought to be recognized by the Italian state as an official linguistic minority, finally achieving this goal in 1999. Violence, corruption, and mismanagement are inextricable parts of the social fabric, but Grecanici have crafted the means to invert hegemonic culture and participate in the power games of minority politics. The Grecanici of Southern Italy provides a comprehensive ethnography that examines the ways the minority developed and sustain enduring cultural forms of solidarity and relatedness. Stavroula Pipyrou proposes the concept of «fearless governance» to describe overlapping and sometimes contradictory systems of power, authority, and relational networks that enable the Grecanici to achieve political representation at the intersection of local, national, and global encounters. Refuting easy assumptions of top-down governmental influence, Pipyrou shows how the Grecanici find political representation through the European Union and UNESCO, state policy, civic associations, family networks and illegal organizations; not being afraid to take risks, incur wrath, lose friends, or risk death in challenging the political status-quo.
Creative Urbanity
In the 1970s, the city of Genoa in northern Italy was suffering the economic decline and the despondency common to industrial centers of the Western world at that time. Deindustrialization made Genoa a bleak, dangerous, angry city, where the unemployment rate rose alongside increasing political violence and crime and led to a massive population loss as residents fled to find jobs and a safer life elsewhere. But by the 1990s a revitalization was under way. Many Genoese came to believe their city was poised for a renaissance as a cultural tourism destination and again began to appreciate the sensory, aesthetic, and cultural facets of Genoa, refining practices of a cultured urbanity that had long been missing. Some of those people—educated, middle class—seeking to escape intellectual unemployment, transformed urbanity into a source of income, becoming purveyors of symbolic goods and cultural services, as walking tour guides, street antiques dealers, artisans, festival organizers, small business owners, and more, thereby burnishing Genoa's image as a city of culture and contributing to its continued revival. Based on more than a decade of ethnographic research, Creative Urbanity argues for an understanding of contemporary cities through an analysis of urban life that refuses the prevailing scholarly condemnation of urban lifestyles and consumption, even as it casts a fresh light on a social group often neglected by anthropologists. The creative urbanites profiled by Emanuela Guano are members of a struggling middle class who, unwilling or unable to leave Genoa, are attempting to come to terms with the loss of stable white-collar jobs that accompanied the economic and demographic crisis that began in the 1970s by finding creative ways to make do with whatever they have.
Remediation in Rwanda
Kristin Conner Doughty examines how Rwandans navigated the combination of harmony and punishment in grassroots courts purportedly designed to rebuild the social fabric in the wake of the 1994 genocide. Postgenocide Rwandan officials developed new local courts ostensibly modeled on traditional practices of dispute resolution as part of a broader national policy of unity and reconciliation. The three legal forums at the heart of Remediation in Rwanda —genocide courts called inkiko gacaca , mediation committees called comite y'abunzi , and a legal aid clinic—all emphasized mediation based on principles of compromise and unity, brokered by third parties with the authority to administer punishment. Doughty demonstrates how exhortations to unity in legal forums served as a form of cultural control, even as people rebuilt moral community and conceived alternative futures through debates there. Investigating a broad range of disputes, she connects the grave disputes about genocide to the ordinary frictions people endured living in its aftermath. Remediation in Rwanda is therefore about not only national reconstruction but also a broader narrative of how the embrace of law, particularly in postconflict contexts, influences people's lives. Though law-based mediation is framed as benign—and is often justified as a purer form of culturally rooted dispute resolution, both by national governments such as Rwanda's, and in the transitional justice movement more broadly—its implementation, as Doughty reveals, involves coercion and accompanying resistance. Yet in grassroots legal forums that are deeply contextualized, law-based mediation can open up spaces in which people negotiate the micropolitics of reconciliation.
No Place for Grief
Westerners 'know' Palestine through images of war and people in immediate distress. Yet this focus has as its consequence that other, less spectacular stories of daily distress are rarely told. Those seldom noticed are the women behind the men who engage in armed resistance against the military occupation: wives of the Palestinian prisoners in Israeli detention and the widows of the martyrs. In Palestine, being related to a detainee serving a sentence for participation in the resistance activities against Israel is a source of pride. Consequently, the wives of detainees are expected to sustain these relationships through steadfast endurance, no matter the effects upon the marriage or family. Often people, media, and academic studies address the dramatic violence and direct affliction of the Palestinians. Lotte Buch Segal takes a different approach, and offers a glimpse of the lives, and the contradictory emotions, of the families of both detainees and martyrs through an in-depth ethnographic investigation. No Place for Grief asks us to think about what it means to grieve when that which is grieved does not lend itself to a language of loss and mourning. What does it mean to «endure» when ordinary life is engulfed by the emotional labor required to withstand the pressures placed on Palestinian families by sustained imprisonment and bereavement? Despite an elaborate repertoire of narrative styles, laments, poetry, and performance of bodily gestures through which mourning can be articulated, including the mourning tied to a political cause, Buch Segal contends that these forms of expression are inadequate to the sorrow endured by detainees' wives. No Place for Grief reveals a new language that describes the entanglement of absence and intimacy, endurance and everyday life, and advances an understanding of loss, mourning, and grief in contemporary Palestine.
Rituals of Ethnicity
Rituals of Ethnicity is a transnational study of the relationships between mobility, ethnicity, and ritual action. Through an ethnography of the Thangmi, a marginalized community who migrate between Himalayan border zones of Nepal, India, and the Tibetan Autonomous Region of China, Shneiderman offers a new explanation for the persistence of enduring ethnic identities today despite the increasing realities of mobile, hybrid lives. She shows that ethnicization may be understood as a process of ritualization, which brings people together around the shared sacred object of identity. The first comprehensive ethnography of the Thangmi, Rituals of Ethnicity is framed by the Maoist-state civil conflict in Nepal and the movement for a separate state of Gorkhaland in India. The histories of individual nation-states in this geopolitical hotspot—as well as the cross-border flows of people and ideas between them—reveal the far-reaching and mutually entangled discourses of democracy, communism, development, and indigeneity that have transformed the region over the past half century. Attentive to the competing claims of diverse members of the Thangmi community, from shamans to political activists, Shneiderman shows how Thangmi ethnic identity is produced collaboratively by individuals through ritual actions embedded in local, national, and transnational contexts. She builds upon the specificity of Thangmi experiences to tell a larger story about the complexities of ethnic consciousness: the challenges of belonging and citizenship under conditions of mobility, the desire to both lay claim to and remain apart from the civil society of multiple states, and the paradox of self-identification as a group with cultural traditions in need of both preservation and development. Through deep engagement with a diverse, cross-border community that yearns to be understood as a distinctive, coherent whole, Rituals of Ethnicity presents an argument for the continued value of locally situated ethnography in a multisited world. Cover art: Lost Culture Can Not Be Reborn , painting by Mahendra Thami, Darjeeling, West Bengal, India.
Kabul Carnival
After the attacks of September 11, 2001, the plight of Afghan women under Taliban rule was widely publicized in the United States as one of the humanitarian issues justifying intervention. Kabul Carnival explores the contradictions, ambiguities, and unintended effects of the emancipatory projects for Afghan women designed and imposed by external organizations. Building on embodiment and performance theory, this evocative ethnography describes Afghan women's responses to social anxieties about identity that have emerged as a result of the military occupation. Offering one of the first long-term on-the-ground studies since the arrival of allied forces in 2001, Julie Billaud introduces readers to daily life in Afghanistan through portraits of women targeted by international aid policies. Examining encounters between international experts in gender and transitional justice, Afghan civil servants and NGO staff, and women unaffiliated with these organizations, Billaud unpacks some of the paradoxes that arise from competing understandings of democracy and rights practices. Kabul Carnival reveals the ways in which the international community's concern with the visibility of women in public has ultimately created tensions and constrained women's capacity to find a culturally legitimate voice.
Sarajevo Under Siege
Sarajevo Under Siege offers a richly detailed account of the lived experiences of ordinary people in this multicultural city between 1992 and 1996, during the war in the former Yugoslavia. Moving beyond the shelling, snipers, and shortages, it documents the coping strategies people adopted and the creativity with which they responded to desperate circumstances. Ivana Maček, an anthropologist who grew up in the former Yugoslavia, argues that the division of Bosnians into antagonistic ethnonational groups was the result rather than the cause of the war, a view that was not only generally assumed by Americans and Western Europeans but also deliberately promoted by Serb, Croat, and Muslim nationalist politicians. Nationalist political leaders appealed to ethnoreligious loyalties and sowed mistrust between people who had previously coexisted peacefully in Sarajevo. Normality dissolved and relationships were reconstructed as individuals tried to ascertain who could be trusted. Over time, this ethnography shows, Sarajevans shifted from the shock they felt as civilians in a city under siege into a «soldier» way of thinking, siding with one group and blaming others for the war. Eventually, they became disillusioned with these simple rationales for suffering and adopted a «deserter» stance, trying to take moral responsibility for their own choices in spite of their powerless position. The coexistence of these contradictory views reflects the confusion Sarajevans felt in the midst of a chaotic war. Maček respects the subjectivity of her informants and gives Sarajevans' own words a dignity that is not always accorded the viewpoints of ordinary citizens. Combining scholarship on political violence with firsthand observation and telling insights, this book is of vital importance to people who seek to understand the dynamics of armed conflict along ethnonational lines both within and beyond Europe.