A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own.
Already a favorite of theatres throughout the country, Tony Kushner's free adaptation of Pierre Corneille's most original, theatrical comedy, L'Illusion Comique, blends magic and truth, obsession and caprice, romance and murder, into an enticing exploration of the greatest illusion–love.
"A merry winter's tale would drive away the time trimly," suggests a character from The Old Wives' Tale, a play by one of Shakespeare's lesser-known contemporaries. And indeed, Elizabethan audiences recognized a «winter's tale» as a fanciful story, rendered all the more appealing by its very improbability. The Bard's version of this traditional entertainment is a charming romantic comedy, but with undertones of tragedy.Running an emotional gamut from betrayal and broken hearts to a lighthearted romp, the tale begins with the tyrannical actions of a jealous king, whose baseless suspicions of his wife and best friend destroy his own family. The play's second half takes place sixteen years later, when the lovely plot turns toward romance and reconciliation. A sheep-shearing festival provides the occasion for a picturesque assembly of country folk, who contribute some of the play's finest moments with their rustic songs and dances.Originally presented circa 1611, this tragicomedy abounds in disguises and mistaken identities, courtly intrigue, miracles, and all the theatrical elements that make Shakespeare's works a timeless source of entertainment and enlightenment.
These two powerful classics of ancient drama are excellent examples of the author's gift for adapting traditional material for decidedly nontraditional effect. Through them Euripides critically examines social and moral aspects of contemporary life and even specific political events. He endows his figures with shrewdly observed individual character, implicitly deflating the emblematic simplicity of traditional narratives and making him seem the most modern of the great Greek dramatists.The Trojan Women, one of the most powerful indictments of war and the arrogance of power ever written, is played out before the ruined walls of Troy. A grim recounting of the murder of the innocent, the desecration of shrines, and the enslavement of the women of the defeated city, it reveals the futility of a war fought for essentially frivolous reasons, in which the traditional heroes are shown to be little better than bloodthirsty thugs. Hippolytus is primarily about the dangers of passion and immoderation, whether in pursuing or in thwarting normal desires — struggles symbolized by the gods, who embody natural forces and behave like irresponsible humans.Required study for any college course in literature and mythology, these two masterpieces are essential reading for anyone interested in the roots of world drama.
A rough-and-tumble farce centered around a lively battle of the sexes, The Taming of the Shrew brims with action and bawdy humor. The unconventional romance between a lusty fortune-hunter and a bitter shrew unfolds to the accompaniment of witty, fast-paced dialogue and physical humor in this excellent introduction to Shakespearean comedy.The freebooter Petruchio arrives in Padua to hear of Katharina, a beautiful heiress whose waspish rants and caustic personality have repelled all attempts at courtship. Professing to admire a woman of spirit, Petruchio immediately sets about his wooing. The initial encounter between «Kate» and her wily suitor is spiked with impassioned exchanges of blows as well as jests. After a madcap wedding ceremony, the still-protesting Kate is whisked away to be «killed with kindness» and reborn as a loving wife.One of the Bard's earliest and most popular plays, The Taming of the Shrew is rife with subplots involving his customary devices of disguise and mistaken identity. The vivid language, studded with elaborate puns, is an engaging complement to the play's slapstick humor. Reprinted complete and unabridged in this inexpensive edition, The Taming of the Shrew will delight any reader with its wonderful wordplay and rollicking good spirits.
The stirring tale of a legendary royal family's fall and ultimate redemption, the Theban trilogy endures as the crowning achievement of Greek drama. Sophocles' three-play cycle, chronicling Oedipus's search for the truth and its tragic results, remains essential reading for English and classical studies majors as well as for all students of Western civilization.Oedipus Rex unfolds amid a city in the relentless grip of a plague. When an oracle proclaims that only an act of vengeance will lift the curse from Thebes, King Oedipus vows to bring a murderer to justice. His quest engenders a series of keen dramatic ironies, culminating in the fulfillment of a dreaded prophecy. Oedipus at Colonus finds the former ruler in exile. Old and blind, he seeks a peaceful place to end his torment, but finds only challenges from his reluctant hosts and a summons back to Thebes from his warring sons. The trilogy concludes with Antigone, in which Oedipus's courageous daughter defies her tyrannical uncle in a provocative exploration of the demands of loyalty and duty.
A delightfully comic tale of mistaken identities, Twelfth Night revolves around the physical likeness between Sebastian and his twin sister, Viola, each of whom, when separated after a shipwreck, believes the other to be dead. The theatrical romp begins when Viola assumes the identity of Cesario, a page in the household of the Duke of Orsino. The Duke is enamored of the Countess Olivia, who spurns him for the newly arrived young page. The comical machinations of Malvolio, Sir Toby Belch, the maid Maria, and Sir Andrew Aguecheek add to the ensuing confusion — all of which is pleasantly resolved when Viola and Sebastian meet once again. Filled with some of the finest comedic scenes in the English language, this entertaining masterpiece remains one of Shakespeare's most popular and most performed comedies.
This bewitching play, Shakespeare's final work, articulates a wealth of the playwright's mature reflections on life and contains some of his most familiar and oft-quoted lines. The story concerns Miranda, a lovely young maiden, and Prospero, her philosophical old magician father, who dwell on an enchanted island, alone except for their servants – Ariel, an invisible sprite, and Caliban, a monstrous witch's son.Into their idyllic but isolated lives comes a shipwrecked party that includes the enemies who usurped Prospero's dukedom years before, and set him and his daughter adrift on the ocean. Also among the castaways is a handsome prince, the first young man Miranda has ever seen. Comedy, romance, and reconciliation ensue, in a masterly drama that begins with a storm at sea and concludes in joyous harmony. Students, poetry lovers, and drama enthusiasts will treasure this convenient, modestly priced edition of one of Shakespeare's greatest plays and one of literature's finest comedies.
In Greek legend, Prometheus was the Titan who, against the will of Zeus, stole fire from the gods for the benefit of man. His terrible punishment by Zeus, and his continuing defiance of Zeus in the face of that punishment, remain universal symbols of man's vulnerability in any struggle with the gods.In the epic drama Prometheus Bound, Aeschylus (c. 525–456 BC), first of the three great Greek tragic poets, re-creates this legendary conflict between rebellious subject and vengeful god. Chained for eternity to a barren rock, his flesh repeatedly torn by a ravaging eagle, Prometheus defends his championship of mankind, rejoicing in the many gifts of language and learning he has given man despite Zeus's cruel opposition.Inspired by Prometheus's spirit, Aeschylus reaches beyond the myth to create one of literature's most gripping portrayals of man's inhumanity to man. How Prometheus clings to his convictions and braves his harsh fate give Prometheus Bound its extraordinary vitality and appeal. For over 2,000 years, this masterpiece of drama has held audiences enthralled. It is reprinted here in its entirety from the translation by George Thomson.
Perhaps the greatest of the Greek tragedians, Aeschylus wrote 90 plays, but only seven have survived complete. Among them is this classic trilogy dealing with the bloody history of the House of Atreus.In Agamemnon, the warrior who defeated Troy returns to Argos and is murdered by his wife Clytemnestra for sacrificing their daughter Iphigenia before the start of the Trojan War. In The Libation-Bearers, Orestes, Agamemnon’s son, avenges his father by murdering his mother. In The Furies, Orestes flees to Delphi, pursued by the divine avengers (Erinyes) of his mother. After being purified by Apollo, he makes his way to Athens and is there tried (and acquitted) at the court of Areopagus.Written in a grand style, rich in diction and dramatic dialogue, the plays embody Aeschylus’ concerns with the destiny and fate of individuals as well as the state, all played out under the watchful eye of the gods. Still powerful and provocative after 2,500 years, these great tragedies offer unparalleled insight into the world of ancient Greece and the origins of the Western dramatic tradition.