In 2005, the «We Got Issues» team – Rha Goddess and JLove Calderon – traveled the country gathering rants from over 1,000 women, from Rikers Island to the Republican National Convention. They held community dialogues, rantfests, and Red Tent gatherings. This joyful call to arms by young women warriors collects the best of those events. We Got Issues! showcases a new feminine generation as they speak honestly and courageously about the 10 most important issues facing young women today, from money and racism to relationships and motherhood. Each chapter frames a particular issue socially, culturally, and politically. A diverse range of rants, poems, and monologues are accompanied by an inspiring portrait of a woman warrior, «rituals of empowerment,» quotes, statistics, and trends. Powerful black-and-white images capture these spiritual descendents of Eve Ensler, Alice Walker, Jane Fonda, and other old-schoolers acting up, acting out, and demanding change.
Joseph, Sitting Bull, Red Cloud, Black Elk, Ohiyesa, and many others share their insights on Native American ways of living, learning, and dying.
There is something archetypal about the philosophy of the original Americans, especially to the sensibilities of modern European Americans. We recognize it as coming from the earth we walk on, from those who preceded us. As we read the wisdom of these peoples, it is possible to feel a reconnection with our land and ourselves.
Taken from orations, recorded observations of life and social affairs, and other first-person testimonies, this book selects the best of Native American wisdom and distills it to its essence in short, digestible quotes that are meaningful and timeless – perhaps even more timely now than when they were written.
McInerney has won the James Beard MFK Fisher Award for Distinguished Writing for his wine columns and has published three acclaimed books about wine: Bacchus and Me (which sold over 40k copies), A Hedonist in the Cellar , and The Juice: Vinous Veritas . Edited by Jay McInerney, a longtime and highly praised wine columnist (for Town & Country , Wall Street Journal , and House and Garden ), an entertaining and delectably literary anthology of fine wine writing, including fiction and nonfiction selections by Kermit Lynch, A. J. Liebling, Roald Doahl, Jancis Robinson, Terry Theise, Bianca Bosker, Joseph Wechsberg, Martin Walker, and many others—the first anthology of its kind. Wine Reads will have a beautiful, elegant package, and we are publishing in November—making it a perfect Christmas buy. We will expect significant coverage from both the wine/food media and the literary media.
<P>The Broadway sensation Hamilton has sparked renewed interest in the historical figures of Alexander Hamilton and Aaron Burr. This closely annotated thread of documents provides a riveting account of the lead-up to and aftermath of their disastrous duel. From the summer of 1804, we have the fiery correspondence between Hamilton and Burr, notes and accounts from their seconds-in-command, and other documents that provide an immediate sense of the personalities and times. The introduction and conclusion provide a concise and informative perspective on the parallel lives of Hamilton and Burr and of the duel's lasting impacts on American history. This is the perfect summary of the events that inspired the hit musical—a great resource for teachers and students and the perfect gift for history buffs.</P>
<P>This collection of essays provides the first in-depth examination of camp as it relates to a wide variety of twentieth and twenty-first century music and musical performances. Located at the convergence of popular and queer musicology, the book provides new research into camp's presence, techniques, discourses, and potential meanings across a broad spectrum of musical genres, including: musical theatre, classical music, film music, opera, instrumental music, the Broadway musical, rock, pop, hip-hop, and Christmas carols. This significant contribution to the field of camp studies investigates why and how music has served as an expressive and political vehicle for both the aesthetic characteristics and the receptive modes that have been associated with camp throughout twentieth and twenty-first-century culture.</P><P><B>Hardcover is un-jacketed.</B></P>
<P>Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music's role in society. The essays in this collection investigate a wealth of issues surrounding music and violence—issues that cross political boundaries, time periods, and media—and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors' substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how music participates in both overt and covert forms of violence; the second section explores violence and reconciliation; and the third addresses healing, post-memorials, and memory. Music, Politics, and Violence affords space to look at music as an active agent rather than as a passive art, and to explore how music and violence are closely—and often uncomfortably—entwined.</P><P>CONTRIBUTORS include Nicholas Attfield, Catherine Baker, Christina Baade, J. Martin Daughtry, James Deaville, David A. McDonald, Kevin C. Miller, Jonathan Ritter, Victor A. Vicente, and Amy Lynn Wlodarski.</P>
<P>Rethinking the Sylph gathers essays by a premier group of international scholars to illustrate the importance of the romantic ballet within the broad context of western theatrical dancing. The wide variety of perspectives – from social history to feminism, from psychoanalysis to musicology – serves to illuminate the modernity of the Romantic ballet in terms of vocabulary, representation of gender, and iconography. The collection highlights previously unexplored aspects of the Romantic ballet, including its internationalism; its reflection of modern ideas of nationalism through the use and creation of national dance forms; its construction of an exotic-erotic hierarchy, and proto-orientalist «other»; its transformation of social relations from clan to class; and the repercussions of its feminization as an art form. This generously illustrated book offers a wealth of rare archival material, including prints, costume designs, music, and period reviews, some translated into English for the first time.</P>
<P>Since issuing its first volumes in 1959, the Wesleyan poetry program has challenged the reigning aesthetic of the time and profoundly influenced the development of American poetry. One of the country's oldest programs, its greatest achievement has been the publication of early works by yet undiscovered poetry who have since become major awarded Pulitzer and Bollingen prizes, National Book Awards, and many other honors. At a time when other programs are being phased out, Wesleyan takes this opportunity to celebrate its distinguished history and reaffirm its commitment to poetry with publication of The Wesleyan Tradition.</P><P>Drawing from some 250 volumes, editor Michael Collier documents the wide-ranging impact of these works. In his introduction, he describes the literary and cultural context of American poetics in more recent decades, tracing the evolution of the Deep Image and Confessional movements of the 50s and 60s, and exploring the emergence of the «prose lyric» style. Although the success of the Wesleyan program has inspired its share of imitators, no other program has had such a fundamental impact. Works by the eighty-six poets included her both document and celebrate that contribution.</P>
<P>CONTRIBUTORS: Jose Limon, Anna Sokolow, Erick Hawkins, Donald McKayle, Alwin Nikolas, Pauline Koner, Paul Taylor.</P>