These two volumes contain the complete James Legge translation of the sacred writings of the great mystical religion that for millennia has counterbalanced the official Confucianism of the Chinese state. Together with the Confucian canon, these writings have been avidly studied by generations of Chinese scholars and literary men and their place in the formation of Chinese civilization is central.First published as volume xxxix and xl of Max Müller's Sacred Books of the East series, these volumes contain the complete texts of the Tao Te Ching attributed to Lao Tzü; the writings of Chuang Tzü; and several shorter works; the T'ai Shang or Tractate of Actions and Their Retributions, the Ch'ing Chang Ching or Classic of Purity, the Yin Fu Ching of Classic of the Harmony of the Seen and Unseen, the Yü Shu Ching or Classic of the Pivot of jade, and the Hsia Yung Ching or Classic of the Directory for a Day. Many of these lesser documents are to be found in translation only in this collection.Professor Legge, who held the chair in Chinese language and literature at Oxford for 20 years, introduces the collection with a discussion of differences among Confucianism, Taoism, and Buddhism, the authorship of the Tao Te Ching, the real meaning of Tao in Chinese thought, and other backgrounds.Orientalists and students of religion have long recognized this collection as indispensable. But laymen will find that the Tao Te Ching is not only profound but provocative and stimulating and that the parables and tales in the work of Chuang Tzü are delightful reading.
Metaphysical poetry, a term generally applied to the works of a group of English poets of the seventeenth century, is among the most read and studied verse in English literature, having proved enduringly popular and major influence on many twentieth-century poets. Dramatic and conversational in rhythm and tone, intriguing and complex in theme and idea, metaphysical poetry is also rich in striking and unusual imagery chosen from philosophy, theology, the arts, crafts, and sciences.This modestly priced anthology contains the best work by major poets of the school: John Donne, Andrew Marvell, George Herbert, Henry Vaughan, Richard Crashaw, Francis Quarles, and Thomas Traherne, all of whose works were originally considered a reaction against traditional Elizabethan verse of the late sixteenth century. Included are such masterpieces as Donne’s “The Good Morrow” and «Death, Be Not Proud»; Marvell's “The Garden” and «To His Coy Mistress»; Herbert’s “Easter Wings”; Vaughan’s “The World,” and many more.Ideal for use in classrooms from high school through college, this outstanding anthology will appeal as well to lovers of fine English poetry.
Greatly influenced by Europe's nineteenth-century literary trends, Mexico's writers crafted some of the most phenomenal prose fiction in Spanish America. This collection offers a rich sampling of significant Mexican short stories published from 1843 to 1918. Nine different tales range from the realism of López Portillo's “Reloj sin dueño” and the modernismo saturating Gutiérrez Nájera's «La mañana de San Juan» to the historical accuracy of Riva Palacio's «Las mulas de Su Excelencia» and the vivid romanticism of «Amor secreto» by Manuel Payno, named the «father of Mexican short stories.» Each story appears in its original Spanish text with expert English translations on each facing page. This dual-language edition features a fascinating new introduction and ample footnotes. An easy-reading pleasure for lovers of fine Spanish-language literature, it is also a valuable educational aid for students and teachers.
How to make a magic carpet, become invisible, and find love are among the useful procedures detailed in this famous book of magic. Reputedly written by King Solomon himself, this major text of Western ritual magic contains chants, prayers, and instructions — both general and specific — on trafficking with the spirit world.Editor and translator S. L. MacGregor Mathers was a leader of the Hermetic Order of the Golden Dawn, an influential group of magicians and mystics whose members included Arthur Machen, W. B. Yeats, and Evelyn Underhill. MacGregor Mathers based this extraordinary book on seven manuscripts from the British Museum's collections. Its formulas for conjuring up spirits and performing rituals offer a rich source of study for students of comparative religion, psychology, and the history of ideas. For working occultists, this classic provides a valuable and important guide to the execution of magical ceremonies.
For nearly three centuries <I>Malleus Maleficarum </I>(The Witches' Hammer) was the professional manual for witch hunters. This work by two of the most famous Inquisitors of the age is still a document of the forces of that era's beliefs. Under a Bull of Pope Innocent VIII, Kramer and Sprenger exposed the heresy of those who did not believe in witches and set forth the proper order of the world with devils, witches, and the will of God. Even if you do not believe in witchcraft, the world of 1484 did.<BR>Contemporary cases illustrate methods by which witches attempt to control and subvert the world: How and why women roast their first-born male child; the confession of how to raise a tempest by a washwoman suspended «hardly clear of the ground» by her thumbs; methods of making a formal pact with the Devil; how witches deprive men of their vital member; and many others. Methods of destroying and curing witchcraft, such as remedies against incubus and succubus devils, are exemplified and weighed by the authors.<BR>Formal rules for initiating a process of justice are set down: how it should be conducted and the method of pronouncing sentence; when to use the trial by the red-hot-iron; how the prosecutor should protect himself; how the body is to be shaved and searched for tokens and amulets, including those sewn under the skin. As Summers says, it was the casebook on every magistrate's desk.<BR>Montague Summers has given a very sympathetic translation. His two introductions are filled with examples of witchcraft and the historical importance of Malleus Maleficarum. This famous document should interest the historian, the student of witchcraft and the occult, and the psychologist who is interested in the medieval mind as it was confronted with various forces which could be explained only by witchcraft.<BR>
This anthology highlights seven centuries of Italian poetry that will help you learn the language as well. Included are 34 examples of Italian verse in the original with English translations on facing pages. Twenty-one poets are represented, from Saint Francis of Assisi, author of the first memorable Italian lyric, «Cancio delle creature,» to Salvatore Quasimodo, winner of the 1959 Nobel Prize for Literature. Also included are works by Dante, Petrarch, Ariosto, Tasso, and Montale, as well as such lesser known but significant poets as Compiuta Donzella and Cavalcanti. There are even important works by Boccaccio and Michelangelo.In addition to full Italian texts with expert literal translations on facing pages, this edition contains a wealth of biographical and critical commentary.
Rediscovered in modern times, these «non-canonical» gospels, epistles, and other pieces were excised from the standard Bible by various church councils in the first four centuries of the Christian era. Here, among other texts, are writings describing the girlhood and betrothal of Mary and her life before Christ's birth; the childhood of Jesus, as described by Peter and Nicodemus; and the appearance of Christ before the gates of Hell, from whence he leads Adam and the saints to Paradise.Translated from the original languages, with 32 illustrations from ancient paintings and missals, The Lost Books of the Bible, helps give depth to the historical characters of Jesus, Mary, the apostles, and other figures of the New Testament. Presented without argument or commentary, these apocryphal texts are fascinating, often provocative, reading. An essential resource for the study of biblical history and theology, this authentic presentation of the «lost» Scriptures can be enjoyed for its beauty and directness, while also adding to one's understanding of life in Judea during the first century A.D.
From the 12th-century Cantar de Mío Cid to the 20th-century poetry of García Lorca, Salinas, and Alberti, this book contains 37 poems by Spain's greatest poets. Selected by Professor Eugenio Florit, the poems are presented in the full original Spanish text, with expert literal English translations on the facing pages. Enjoy the poetic inspiration, imagery, insight, and wisdom of such masters as Lope de Vega, Miguel de Unamuno, Federico García Lorca, Margués de Santillana, Jorge Manrique, Garcilaso de la Vega, Fray Luis de León, San Juan de la Cruz, Francisco de Quevedo y Villegas, Gustavo Adolfo Bécquer, Antonio Machado, Rafael Alberti, Pedro Salinas, and many more. In addition to the poetic texts, Professor Florit has also provided a wealth of biographical and critical commentary, outlining the significance of the poets and their works in the long tradition of Spanish literature. Portraits of the poets are included where available.
Beginning students of Italian language and literature will welcome this bilingual anthology edited especially for their needs. Ranging from the fourteenth to the twentieth centuries, it features the works of Dante, Boccaccio, Pirandello, and fifty-two others in both the original Italian and expert English translations on the facing pages. Selections include excerpts from poetry, fiction, history, and philosophy.This is a «first reader» in the sense of its introduction to Italian literature from the 1300s to the 1920s. A solid background in Italian grammar is necessary for the fullest appreciation of the original text. The excerpts are unadulterated, not retold or simplified. Readers can sample the works of men renowned for other talents, such as Michelangelo and Galileo, and discover the original language of The Decameron, The Prince, and even Pinocchio. This self-contained anthology can be used with or without an instructor. It will thrill anyone seeking a fast-paced survey of a vital body of literature from one of the world's greatest cultural legacies.
The poems in this anthology represent a panorama of the main trends in the development of the poetry of the German-speaking people. Beginning with a minnesong of the early Middle Ages and a poem of the seventeenth century, the book then focuses on the Age of Goethe (1749–1832). Inspired by Goethe and his contemporaries, German poetry was able to develop according to its own genius and to advance along new lines that eventually led to the period of Expressionism and Post-Expressionism with which this anthology ends.Included here are the full German texts of 39 poems-lyrics, ballads, philosophical verse, humor, student songs-and three selections from longer works by Goethe, Novalis and Lenau. Some of the other poets represented are Walther von der Vogelweide, Schiller, Hölderlin, Heine, Rilke, Brecht, Hermann Hesse, Stefan George, Gryphius, Platen, Scheffel, Conrad Ferdinand Meyer and Albrecht Haushofer.For each poem, this book includes an expert literal English translation on the facing page. You'll also find a biographical and critical discussion of each poet, textual information and a portrait of the poet. Here is a wonderful opportunity to discover the depth and richness of the German poetic tradition, and learn the language at the same time.