The End of Illusions. Andreas Reckwitz

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Название The End of Illusions
Автор произведения Andreas Reckwitz
Жанр Социология
Серия
Издательство Социология
Год выпуска 0
isbn 9781509545711



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now proceed? It felt like a historical rupture.

      Why do these events make people feel so unsettled? The answer may be painful. We no longer perceive these events as individual incidents that would allow us swiftly to return to our daily routines. Rather, a clear pattern has emerged: the hopeful expectations about the development of society, which many people in Western countries had harbored since the end of the Cold War in 1989/90, have been fundamentally disappointed, or at least relativized. Today, these expectations have been revealed to be illusions, and the result of this is disillusionment. This is true not only in Germany but, rather, in all Western societies, and in many respects it is even the case for global society. After 1990, the general tendency in the media, in politics, in business, and even in large swaths of intellectual debate was to weave a grand narrative of progress: of economic, political, social, cultural, and technological advancement. Borrowing from Hegel and Alexandre Kojève, the American political scientist Francis Fukuyama encapsulated this narrative with his concept of the “end of history.” It seemed as though we had come to the home stretch of world history and had achieved a condition in which the institutional orders of politics and economics had taken on a form that no longer needed to be changed – or even one that was impossible to change.2 From today’s perspective, this narrative seems rather naïve.

      The process of digitalization – the defining technological development of the last two decades – at first seemed to fit seamlessly into this narrative of progress. A network of individuals and organizations, the internet as an experimental space for new identities and cooperation, and finally a borderless form of communication that vitalizes democracy – such were the expectations of tech euphoria. Lastly, the narrative of progress also has a socio-political component. Consider the great gains that have been made in liberalization and emancipation over the last few decades: a shift toward gender equality, toward the equal rights of sexual minorities (gay men, lesbian women, and the transgender community, for instance), and toward a transformation of the Western way of life, which has become more hedonistic and cosmopolitan in the best sense and thus left behind so much of the rigidity of postwar society. In particular, the new and young middle class moves around in the globalized world like a fish in water. A sense that the world is fundamentally open has been spreading over the past few decades, and by now this seems like a firmly established attitude toward life.

      Of course, these developments have happened, and they are significant. The liberal narrative of progress is not false. It does not, however, tell the whole truth. Whoever believes that the idea of progress can ever correspond perfectly to social reality is prey to an illusion. Moreover, it is also an illusion that processes, once set in motion, will somehow naturally be perpetuated. The financial crisis, Brexit, terrorist attacks, Trump’s election, and other events of the recent past illustrate that social reality is more contradictory and fragile than the narrative of progress would have us believe. Furthermore, it should be assumed that these events are ultimately expressions of or reactions to contradictions, conflicts, and moments of crisis that have long been developing on the structural level of late-modern society.

      Of course, throughout the history of modernity in the nineteenth and twentieth centuries, there were often heated debates over what, exactly, this realized or desired progress ought to be about: technology, freedom, equality, welfare and comfort, self-determination, or emancipation? In addition, there have always been alternating phases of progressive optimism and cultural-critical self-doubt. In nineteenth-century Europe, the Napoleonic Wars were followed by a long phase of bourgeois self-confidence and the unwavering hope for civilizational progress (accompanied, not coincidentally, by imperialism and colonialism). At the beginning of the twentieth century, the baton of progressive optimism was passed on to burgeoning socialist movements. The First World War was then followed by a phase of gnawing intellectual uncertainty and widespread skepticism, which gave rise, among certain thinkers, to an outright catastrophic outlook concerning the downfall of European modernity. In this regard, it is enough to read Oswald Spengler’s The Decline of the West or José Ortega y Gasset’s The Revolt of the Masses.4 After the civilizational upheaval of fascism, the Holocaust, and the Second World War, liberal progressive optimism resurfaced astonishingly quickly in Western Europe and North America. What followed was the trente glorieuses (as Jean Fourastié called these three decades), which were characterized by the rise of affluent societies in the West and by visions of creating a perfect form of industrial-technical modernity. In the 1970s, these societies were confronted with economic and ecological debates over the “limits to growth” and with the discomforting social critique in the wake of 1968. Then the communist system collapsed, the final and most radical thrust toward globalization commenced, and the digital revolution began, thus initiating a renewed phase of the liberal narrative of progress in an era of presumably unlimited opportunity. Today, this narrative is stridently being called into question.