The Refugees. Arthur Conan Doyle

you as no woman ever loved a man yet, I should rather spring from that window on to the stone terraces beneath than ever by word or sign confess as much to you."

      "And why, Francoise?"

      "Because, sire, it is my highest hope upon earth that I have been chosen to lift up your mind towards loftier things – that mind the greatness and nobility of which none know more than I."

      "And is my love so base, then?"

      "You have wasted too much of your life and of your thoughts upon woman's love. And now, sire, the years steal on and the day is coming when even you will be called upon to give an account of your actions, and of the innermost thoughts of your heart. I would see you spend the time that is left to you, sire, in building up the Church, in showing a noble example to your subjects, and in repairing any evil which that example may have done in the past."

      The king sank back into his chair with a groan. "Forever the same," said he. "Why, you are worse than Father la Chaise and Bossuet."

      "Nay, nay," said she gaily, with the quick tact in which she never failed. "I have wearied you, when you have stooped to honour my little room with your presence. That is indeed ingratitude, and it were a just punishment if you were to leave me in solitude to-morrow, and so cut off all the light of my day. But tell me, sire, how go the works at Marly? I am all on fire to know whether the great fountain will work."

      "Yes, the fountain plays well, but Mansard has thrown the right wing too far back. I have made him a good architect, but I have still much to teach him. I showed him his fault on the plan this morning, and he promised to amend it."

      "And what will the change cost, sire?"

      "Some millions of livres, but then the view will be much improved from the south side. I have taken in another mile of ground in that direction, for there were a number of poor folk living there, and their hovels were far from pretty."

      "And why have you not ridden to-day, sire?"

      "Pah! it brings me no pleasure. There was a time when my blood was stirred by the blare of the horn and the rush of the hoofs, but now it is all wearisome to me."

      "And hawking too?"

      "Yes; I shall hawk no more."

      "But, sire, you must have amusement."

      "What is so dull as an amusement which has ceased to amuse? I know not how it is. When I was but a lad, and my mother and I were driven from place to place, with the Fronde at war with us and Paris in revolt, with our throne and even our lives in danger, all life seemed to be so bright, so new, and so full of interest. Now that there is no shadow, and that my voice is the first in France, as France's is in Europe, all is dull and lacking in flavour. What use is it to have all pleasure before me, when it turns to wormwood when it is tasted?"

      "True pleasure, sire, lies rather in the inward life, the serene mind, the easy conscience. And then, as we grow older, is it not natural that our minds should take a graver bent? We might well reproach ourselves if it were not so, for it would show that we had not learned the lesson of life."

      "It may be so, and yet it is sad and weary when nothing amuses. But who is there?"

      "It is my companion knocking. What is it, mademoiselle?"

      "Monsieur Corneille, to read to the king," said the young lady, opening the door.

      "Ah, yes, sire; I know how foolish is a woman's tongue, and so I have brought a wiser one than mine here to charm you. Monsieur Racine was to have come, but I hear that he has had a fall from his horse, and he sends his friend in his place. Shall I admit him?"

      "Oh, as you like, madame, as you like," said the king listlessly. At a sign from Mademoiselle Nanon a little peaky man with a shrewd petulant face, and long gray hair falling back over his shoulders, entered the room. He bowed profoundly three times, and then seated himself nervously on the very edge of the stool, from which the lady had removed her work-basket. She smiled and nodded to encourage the poet, while the monarch leaned back in his chair with an air of resignation.

      "Shall it be a comedy, or a tragedy, or a burlesque pastoral?" Corneille asked timidly.

      "Not the burlesque pastoral," said the king with decision. "Such things may be played, but cannot be read, since they are for the eye rather than the ear."

      The poet bowed his acquiescence.

      "And not the tragedy, monsieur," said Madame de Maintenon, glancing up from her tapestry. "The king has enough that is serious in his graver hours, and so I trust that you will use your talent to amuse him."

      "Ay, let it be a comedy," said Louis; "I have not had a good laugh since poor Moliere passed away."

      "Ah, your Majesty has indeed a fine taste," cried the courtier poet. "Had you condescended to turn your own attention to poetry, where should we all have been then?"

      Louis smiled, for no flattery was too gross to please him.

      "Even as you have taught our generals war and our builders art, so you would have set your poor singers a loftier strain. But Mars would hardly deign to share the humbler laurels of Apollo."

      "I have sometimes thought that I had some such power," answered the king complacently; "though amid my toils and the burdens of state I have had, as you say, little time for the softer arts."

      "But you have encouraged others to do what you could so well have done yourself, sire. You have brought out poets as the sun brings out flowers. How many have we not seen – Moliere, Boileau, Racine, one greater than the other? And the others, too, the smaller ones – Scarron, so scurrilous and yet so witty – Oh, holy Virgin! what have I said?"

      Madame had laid down her tapestry, and was staring in intense indignation at the poet, who writhed on his stool under the stern rebuke of those cold gray eyes.

      "I think, Monsieur Corneille, that you had better go on with your reading," said the king dryly.

      "Assuredly, sire. Shall I read my play about Darius?"

      "And who was Darius?" asked the king, whose education had been so neglected by the crafty policy of Cardinal Mazarin that he was ignorant of everything save what had come under his own personal observation.

      "Darius was King of Persia, sire."

      "And where is Persia?"

      "It is a kingdom of Asia."

      "Is Darius still king there?"

      "Nay, sire; he fought against Alexander the Great."

      "Ah, I have heard of Alexander. He was a famous king and general, was he not?"

      "Like your Majesty, he both ruled wisely and led his armies victoriously."

      "And was King of Persia, you say?"

      "No, sire; of Macedonia. It was Darius who was King of Persia."

      The king frowned, for the slightest correction was offensive to him.

      "You do not seem very clear about the matter, and I confess that it does not interest me deeply," said he. "Pray turn to something else."

      "There is my Pretended Astrologer."

      "Yes, that will do."

      Corneille commenced to read his comedy, while Madame de Maintenon's white and delicate fingers picked among the many-coloured silks which she was weaving into her tapestry. From time to time she glanced across, first at the clock and then at the king, who was leaning back, with his lace handkerchief thrown over his face. It was twenty minutes to four now, but she knew that she had put it back half an hour, and that the true time was ten minutes past.

      "Tut! tut!" cried the king suddenly. "There is something amiss there. The second last line has a limp in it, surely." It was one of his foibles to pose as a critic, and the wise poet would fall in with his corrections, however unreasonable they might be.

      "Which line, sire? It is indeed an advantage to have one's faults made clear."

      "Read the passage again."

      "Et si, quand je lui dis le secret de mon ame,

      Avec moins de rigueur elle eut traite