She Buildeth Her House. Will Levington Comfort

awaiting the beginning of performance. She plunged into a tub of cool water with such delight as thoroughly to souse her hair, so it became necessary to spend a half-hour in the sunlight by the open window, combing and fanning, her mind turning over wonderful things.

      If you ever looked across a valley of oaks and maples and elms in the full morning glow of mid-October, you can divine the glory of red and brown and gold which was this fallen hair. One must meditate long to suggest with words the eyes of Paula Linster; perhaps the best her chronicler can do is to offer a glimpse from time to time. Just now you are asked for the sake of her eyes to visualize that lustrous valley once more—only in a dusk that enriches rather than dims. A memorably beautiful young woman, sitting there by the open window—one of the elect would have said.

      The difficulty in having to do with Linster attractions is to avoid rising into rhapsody. One thinks of stars and lakes, angels and autumn lands, because his heart is full as a country-boy's, and high clean-clipped thinking is choked. Certainly, once having known such a woman, you will never fall under the spell of Weininger, or any other scale-eyed genius. There is an inspiring reach to that hard-handled word, Culture, when it is used about a woman like this. It means so pure a fineness as neither to require nor to be capable of ostentation; and yet, a fineness that wears and gives and associates with heroisms. You think of a lineage that for centuries has not been fouled by brutality or banality, and has preserved a glowing human warmth, too, to retain the spirit of woman. When men rise to the real and the worthy, one by one, each will find his Paula Linster, whom to make happy is happiness; whose companionship inevitably calls forth his best; whom to be with constantly means therefore that all within him, not of the best, must surely die. Clearly when a man finds such a woman, all his roads are closed, save one—to the Shining Heights! And who can say that his royal mate will not laughingly unfold wings for him, when they stand together in the radiant altitude?

      She was thinking of Charter's book as she brushed her hair dry. His sentences played brightly in her mind, fastening themselves to comment of her own for the review. Deep was the appeal of the rapt, sunlit face, as she looked away across the rear-court. The colored hall-boy of her own house might have missed the exquisite lines of lip, eyelid, nostril, brow, temple and chin, but his head uncovered in her presence, and the choicest spirit of service sprang within him. In all about her, to an enlightened vision, was the unconscious repression of beauty—art-stirring lines of mental and spiritual awakening; that look of deep inner freshness and health, the mere sight of which disgusts a man with all he has done to soil and sicken his body. Full and easily she breathed, as one who relishes sweet air like the taste of pure water. You could imagine Paula exclaiming with joy at the tonic delight of a wind from the sea, but not from the steaming aroma of a grill. It was all an æsthetic attraction—not an over-rounded arc, not a tissue stretched shiny from uneven plumpness, not a drowsy sag or fold to suggest the easy content of a mere feeding and breeding animal.

      The rear-view of a great granite-ridge of rooming-houses across the court had often fascinated her with the thought of the mysteries within. Once she had spoken to Reifferscheid about the splendid story of New York yet to be written by someone who watched, as she often did, one of these walls of a hundred windows.

      "Yes," he had said. "It's great to be poor. Best blood of New York is in those back rooms. Everyone needs his poverty-stage of growth—about seven years will do. It teaches you simplicity. You step into your neighbor's room and find him washing his stockings with shaving-soap. He explains that it is better than tooth-powder for textile fabrics. Also, he intimates that he has done a very serious thing in wetting down these small garments, having looked in his bag since, and learned that he has not another pair. However, he wrings them very tight and puts them on with the remark that this is a certain way to prevent shrinkage."

      Even now, a man stood by his window in a sleeveless garment and a ruff of lather, shaving with a free hand, and a song between strokes. His was a shining morning face, indeed. … A bare feminine arm leaped quickly forth from behind a tightened curtain nearby and adjusted a flower-pot better to the sunlight. From somewhere came a girlish voice in Wagner's Walkure Call. There was not a thought of effort in her carrying that lofty elaborate music—just a fine heart tuned to harmony on a rare morning. The effect is not spoiled by the glimpse of a tortured feminine face igniting a cigarette over a gas-flame that has burned all night. The vibrations of New York are too powerful for many, but there is more of health and hope than not. … A good mother cleanses a sauce-pan from her water-pitcher and showers with the rinsing a young heaven-tree far below. Then she lifts in a milk-bottle from the stone ledge—and blows the dust from the top. …

      Often at night when Paula awakened she could hear the drum of a typewriter winging across the precipice—one of the night-shift helping to feed the insatiable maw of print. Had New York called him? Would the City crush him into a trifler, with artificial emotions, or was this a Daniel come to interpret her evil dreams? … In a corner-room with two windows, sat a lame young man before an easel. Almost always he was there, when there was light. Heaven be with him, Paula thought, if his picture failed. … And in one of the least and darkest, an old man sat writing. Day after day, he worked steadily through the hours. To what god or devil had he sold his soul that he was thus condemned to eternal scrivening? This was the harrowing part. The back-floors of New York are not for the old men. Back-rooms for the young men and maidens, still strong in the flight of time and the fight of competition—back-rooms for young New York. Nature loses interest in the old. Civilization should be kinder.

      From an unseen somewhere a canary poured out a veritable fire-hose torrent of melody; and along one of the lower window ledges opposite, an old gray cat was crouched, a picture of sinister listening. Here was a dragon, indeed, for small, warm birds.

      Directly opposite a curtain was lifted, and a woman, no longer young, appeared to breathe the morning. Many New Yorkers knew this woman for her part in children's happiness. There was a whisper that she had once been an artist's model—and had loved the artist. … There was one woman long ago—a woman with a box of alabaster—who was forgiven because she loved much. … The lady across the way loved children now, children of most unhappy fortunes. To those who came, and there were many, she gave music lessons; often all day long helping grimy fingers to falter over the keys. So she awakened poetry and planted truth-seedlings in shaded little hearts. To the children, though the lady was poor as any—in spite of her piano and a wall of books—she was Lady Bountiful, indeed. … Paula smiled. Two windows, strangely enough side by side, were curtained with stockings out to dry. In one, there were many—cerise and lavender, pink and baby blue. In the next there were but two pair, demurely black. What a world of suggestion in the contrast! … So it was always—her wall of a hundred windows, a changing panorama of folly, tragedy, toil that would not bow to hopelessness, vanity, art, sacrifice. Blend them all together above the traffic's roar—and you have the spirit of young New York.

      She put on the brass kettle at length, crossing the room for an occasional glance into the mirror as she finished her hair. … The strange numbing power she had felt the night before crept suddenly back from her eyes now to the base of her brain, striving to cripple her volition. Bellingham was calling her. … The sunlight was gone. There was a smell of hot metal in the air, as if some terrific energy had burned out the vitality. Her heart hurt her from holding her breath so long. Beyond all expression she was shocked and shamed. The mirror showed now a spectral Paula with crimson lips and haggard eyes. … An indescribable fertility stirred within her—almost mystic, like a whisper from spiritland where little children play, waiting to be born. She could have fallen in a strange and subtle thrall of redolent imaginings, except that thought of the source of it all, the occultist—was as acid in her veins.

      She drank tea and crossed the street to the Park for an hour. The radiance of autumn impressed her rarely; not as the death of a year, but rather as a glorious pageant of evening, the great energies of nature all crowned with fruition and preparing for rest. Back in her room, she wrote the Charter critique, wrote as seldom before. The cool spirit of the essayist seemed ignited with a lyric ardor. In her momentary power she conceived a great literary possibility of the future—an effulgent Burns-vine blossoming forth upon the austere cliff of a Carlyle. She had finished, and it was dusk when Madame Nestor called.

      For several