The Harbor. Ernest Poole

my bedside quietly stroking one of my hands.

      "Billy."

      "Yes, mother." I was growing impatient, I wished she would go, for now it was nearly time for the train.

      "Have you ever played other games like that? I mean where you leave yourself and look back—and see your own body behind you."

      "Yes—in bed in Brooklyn when I was quite little."

      "Where did you go from your bed?"

      "I went to the end of the garden. I heard drunken sailors and dockers shouting in that vile saloon below." This was not true. What I had really done was to lie in bed and whisper, "Suppose I were out there"—which is very different. I was too young then to have learned the real trick. But now I was so proud of it that I honestly thought I had always known how. "It was a game I had with the harbor," I said.

      "With the harbor." I felt her hand slowly tighten on mine. Then all at once as we heard the first low grumble of the freight train coming, my mother's hold grew tighter and tighter. "Open your eyes." I opened them quickly, for her voice was sharp and stern. She held me until the sound was gone.

      "Do you hear it any longer?" she asked quietly at last.

      "No," I whispered. My breath still came fast.

      "Neither do I." There was another silence. "Let's go and sit by the window," she said.

      And there she talked to me of the stars. How great they were and how very quiet. She said that the greatest men in the world were almost always quiet like that. They never let their hands get cold.

      Often after that in the evenings just before I went to bed we had these talks about the stars. And not only in the mountains. On sparkling frosty winter nights we watched them over the harbor. And the things she said about them were so utterly absorbing that I would never think to look down, would barely hear the toots and the puffings and grinding of wheels from that infernal region below. For always when she spoke of the stars my mother spoke of great men too, the men who had done the "finest" things—a few in the clash and jar of life like Washington and Lincoln, but most of them more quietly, by preaching, writing, painting, composing, sermons, books, pictures and music so "fine" that all the best people on earth had known about them and loved them.

      As I grew older she read to me more and more about these men. And sometimes I would feel deeply content as though I had found what I wanted. But more often I would feel myself swell up big inside of me, restless, worrying, groping for something. I didn't know what I wanted then, but I do know now as I look back, and I think there are thousands of children like me, the kind who are called "queer kids" by their playmates, who are all groping for much the same thing.

      "Where is the Golden Age to-day?" they are asking. "We hear of all this from our mothers. We hear of brave knights and warriors, of God and Christ as they walked around on earth like regular people, of saints and preachers, writers and painters. But where are the great men living now? Not in our house nor on our street, nor in school nor in our church on the corner. There is nothing there that thrills us. Why isn't there? What is the matter? We are no longer babies, we are becoming big boys and girls. What will we do when we are grown up? Has everything fine already been done? Is there no chance for us to be great and to do them?"

      It was to questionings like these that my mother had led me up from the harbor.

CHAPTER V

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      And to such questionings I believe that for many children of my kind there is often some familiar place—a schoolroom or a commonplace street, or a dreary farm in winter, a grimy row of factories or the ugly mouth of a mine—that mutely answers,

      "No. There are no more great men for you, nor any fine things left to be done. There is nothing else left in the world but me. And you'd better stop trying to find it."

      In my case this message came from the harbor, that one part of the modern world which looked up at me steadily day after day. Vaguely struggle as I would to build up fine things in the present from all that my mother brought out of the past, the harbor would not let me. For what I clothed it soon stripped naked, what I built it soon tore down.

      "When you were little," it seemed to say, "for you I was filled with thrilling idols—cannibals and condors, Sam, strange wonder-ships and sailors adventuring to heathen lands. But then I dragged these idols down and made you see me as I am. And as I showed myself to you, so I'll show up all other wonderful places or men that your mother would have you believe in."

      It did this, as I remember it, in the easiest most trivial ways, like some huge beast that flicks off a fly and then lumbers unconcernedly on.

      My mother by years of patient work had built up my religion, filling it with the grand figures of God and Christ and his followers down to the present time, ending with Henry Ward Beecher. When this man died I felt awe at her silent grief. All at once the idea popped into my head that I too might become a great preacher. And still greater, I soon learned, I might become a preacher who went far off to heathen lands, braving cannibals and death and giving to thousands of heathen eternal happiness and life. Our church was sending out such a man. I heard him described as a hero of God, and I thought of pictures I had seen of saints and martyrs with soft haloes around their heads.

      But this hero of God came down to the harbor. He was to sail for China from my father's dock. He wore, I remember, a brown derby hat and a little top coat. He was thin, with stooping shoulders, he was flustered in the excitement of leaving, nervously laughing as he shook hands with admiring women and talking fast in his high jerky voice. Two big dockers trundled his trunks. I saw them grin at the little man and spit tobacco juice his way. My father came by, shot one contemptuous glance, and then went on board to his business. I looked back at the hero. Off fell the halo from his head.

      "No," I said gloomily to myself, "I never want to be like you." And drearily I looked around. What heaps and heaps of business here. What an immense gray harbor. I found no more thrills in church after that.

      And as with religion, so with love. In reading of men of the Golden Age I came upon stories of high romance that made me strangely happy. But I saw no love of this kind in our house. I saw my mother and father living sharply separate lives, and I saw few kisses between them. I saw my father absorbed in his business, with little time for my mother. And I blamed this on the harbor. Long ago the same grim place had taught me something else about this many-sided passion between men and women, and one day it rose suddenly up in my mind:

      I must have been about fifteen when my little friend Eleanore Dillon came back. Soon she and Sue were intimate chums, they went to school together. My mother invited her up to the mountains, and there I was with her a good deal. She was now nearly twelve years old, and the life in the West with her father had left her sturdy as you please. And yet somehow she still seemed to me the same feminine little creature, and as she told me stories of the life out West, where her father, who was an engineer, had built bridges, planned out harbors and new cities, I would wonder vaguely about her. What a fresh, clean little person to be talking of such places.

      She was talking to me in this way one drowsy August afternoon. We had been fishing down on the river, and now on our way home up the long hot slope of the meadow we had stopped to cool ourselves in the shadow of a haystack. It was fragrant there. Presently, from the top of the stack close over our heads, a bird poured forth a ravishing song. And Eleanore with a deep "Oh-h" of delight threw both her hands behind her head, sank back in the hay and lay there close beside me. Her eyes were shut and she was smiling to herself. Then as the song of the bird bubbled on, I felt suddenly a little shock, a new disturbing feeling. Breathlessly I watched her face. The song stopped and Eleanore opened her eyes, met mine, and closed them quickly. I saw a slight tightening of her features. I grew anxious at once and awkward. I wanted to get away.

      But as I made a first uneasy movement, a bit of bright color caught my eye. It was one of her red garters which had slipped down from