Tremendous Trifles. Гилберт Кит Честертон

my cab was tearing towards the traffic of the Strand, I discovered that there is a truth behind this phrase, as there is behind all popular phrases. I did really have, in that short and shrieking period, a rapid succession of a number of fundamental points of view. I had, so to speak, about five religions in almost as many seconds. My first religion was pure Paganism, which among sincere men is more shortly described as extreme fear. Then there succeeded a state of mind which is quite real, but for which no proper name has ever been found. The ancients called it Stoicism, and I think it must be what some German lunatics mean (if they mean anything) when they talk about Pessimism. It was an empty and open acceptance of the thing that happens--as if one had got beyond the value of it. And then, curiously enough, came a very strong contrary feeling--that things mattered very much indeed, and yet that they were something more than tragic. It was a feeling, not that life was unimportant, but that life was much too important ever to be anything but life. I hope that this was Christianity. At any rate, it occurred at the moment when we went crash into the omnibus.

      It seemed to me that the hansom cab simply turned over on top of me, like an enormous hood or hat. I then found myself crawling out from underneath it in attitudes so undignified that they must have added enormously to that great cause to which the Anti-Puritan League and I have recently dedicated ourselves. I mean the cause of the pleasures of the people. As to my demeanour when I emerged, I have two confessions to make, and they are both made merely in the interests of mental science. The first is that whereas I had been in a quite pious frame of mind the moment before the collision, when I got to my feet and found I had got off with a cut or two I began (like St. Peter) to curse and to swear. A man offered me a newspaper or something that I had dropped. I can distinctly remember consigning the paper to a state of irremediable spiritual ruin. I am very sorry for this now, and I apologise both to the man and to the paper. I have not the least idea what was the meaning of this unnatural anger; I mention it as a psychological confession. It was immediately followed by extreme hilarity, and I made so many silly jokes to the policeman that he disgraced himself by continual laughter before all the little boys in the street, who had hitherto taken him seriously.

      . . . . .

      There is one other odd thing about the matter which I also mention as a curiosity of the human brain or deficiency of brain. At intervals of about every three minutes I kept on reminding the policeman that I had not paid the cabman, and that I hoped he would not lose his money. He said it would be all right, and the man would appear. But it was not until about half an hour afterwards that it suddenly struck me with a shock intolerable that the man might conceivably have lost more than half a crown; that he had been in danger as well as I. I had instinctively regarded the cabman as something uplifted above accidents, a god. I immediately made inquiries, and I am happy to say that they seemed to have been unnecessary.

      But henceforward I shall always understand with a darker and more delicate charity those who take tythe of mint, and anise, and cumin, and neglect the weightier matters of the law; I shall remember how I was once really tortured with owing half a crown to a man who might have been dead. Some admirable men in white coats at the Charing Cross Hospital tied up my small injury, and I went out again into the Strand. I felt upon me even a kind of unnatural youth; I hungered for something untried. So to open a new chapter in my life I got into a hansom cab.

      Chapter VII

       Table of Contents

      Chapter VII: The Advantages of Having One Leg A friend of mine who was visiting a poor woman in bereavement and casting about for some phrase of consolation that should not be either insolent or weak, said at last, "I think one can live through these great sorrows and even be the better. What wears one is the little worries." "That's quite right, mum," answered the old woman with emphasis, "and I ought to know, seeing I've had ten of 'em." It is, perhaps, in this sense that it is most true that little worries are most wearing. In its vaguer significance the phrase, though it contains a truth, contains also some possibilities of self-deception and error. People who have both small troubles and big ones have the right to say that they find the small ones the most bitter; and it is undoubtedly true that the back which is bowed under loads incredible can feel a faint addition to those loads; a giant holding up the earth and all its animal creation might still find the grasshopper a burden. But I am afraid that the maxim that the smallest worries are the worst is sometimes used or abused by people, because they have nothing but the very smallest worries. The lady may excuse herself for reviling the crumpled rose leaf by reflecting with what extraordinary dignity she would wear the crown of thorns--if she had to. The gentleman may permit himself to curse the dinner and tell himself that he would behave much better if it were a mere matter of starvation. We need not deny that the grasshopper on man's shoulder is a burden; but we need not pay much respect to the gentleman who is always calling out that he would rather have an elephant when he knows there are no elephants in the country. We may concede that a straw may break the camel's back, but we like to know that it really is the last straw and not the first.

      I grant that those who have serious wrongs have a real right to grumble, so long as they grumble about something else. It is a singular fact that if they are sane they almost always do grumble about something else. To talk quite reasonably about your own quite real wrongs is the quickest way to go off your head. But people with great troubles talk about little ones, and the man who complains of the crumpled rose leaf very often has his flesh full of the thorns. But if a man has commonly a very clear and happy daily life then I think we are justified in asking that he shall not make mountains out of molehills. I do no deny that molehills can sometimes be important. Small annoyances have this evil about them, that they can be more abrupt because they are more invisible; they cast no shadow before, they have no atmosphere. No one ever had a mystical premonition that he was going to tumble over a hassock. William III. died by falling over a molehill; I do not suppose that with all his varied abilities he could have managed to fall over a mountain. But when all this is allowed for, I repeat that we may ask a happy man (not William III.) to put up with pure inconveniences, and even make them part of his happiness. Of positive pain or positive poverty I do not here speak. I speak of those innumerable accidental limitations that are always falling across our path--bad weather, confinement to this or that house or room, failure of appointments or arrangements, waiting at railway stations, missing posts, finding unpunctuality when we want punctuality, or, what is worse, finding punctuality when we don't. It is of the poetic pleasures to be drawn from all these that I sing--I sing with confidence because I have recently been experimenting in the poetic pleasures which arise from having to sit in one chair with a sprained foot, with the only alternative course of standing on one leg like a stork--a stork is a poetic simile; therefore I eagerly adopted it.

      To appreciate anything we must always isolate it, even if the thing itself symbolise something other than isolation. If we wish to see what a house is it must be a house in some uninhabited landscape. If we wish to depict what a man really is we must depict a man alone in a desert or on a dark sea sand. So long as he is a single figure he means all that humanity means; so long as he is solitary he means human society; so long as he is solitary he means sociability and comradeship. Add another figure and the picture is less human--not more so. One is company, two is none. If you wish to symbolise human building draw one dark tower on the horizon; if you wish to symbolise light let there be no star in the sky. Indeed, all through that strangely lit season which we call our day there is but one star in the sky--a large, fierce star which we call the sun. One sun is splendid; six suns would be only vulgar. One Tower Of Giotto is sublime; a row of Towers of Giotto would be only like a row of white posts. The poetry of art is in beholding the single tower; the poetry of nature in seeing the single tree; the poetry of love in following the single woman; the poetry of religion in worshipping the single star. And so, in the same pensive lucidity, I find the poetry of all human anatomy in standing on a single leg. To express complete and perfect leggishness the leg must stand in sublime isolation, like the tower in the wilderness. As Ibsen so finely says, the strongest leg is that which stands most alone.

      This lonely leg on which I rest has all the simplicity of some Doric column. The students of architecture tell us that the only legitimate use of a column is to support weight. This column of mine fulfils its legitimate function. It supports weight. Being of an animal