Hilaire Belloc - Premium Collection: Historical Works, Writings on Economy, Essays & Fiction. Hilaire Belloc

by painting all round it little pictures of the siege--of the cold, and the wounds, and the heroism. This is indeed the way such things should be done, I mean by men doing them for pleasure and of their own thought. And I have a number of friends who agree with me in thinking this, that art should not be competitive or industrial, but most of them go on to the very strange conclusion that one should not own one's garden, nor one's beehive, nor one's great noble house, nor one's pigsty, nor one's railway shares, nor the very boots on one's feet. I say, out upon such nonsense. Then they say to me, what about the concentration of the means of production? And I say to them, what about the distribution of the ownership of the concentrated means of production? And they shake their heads sadly, and say it would never endure; and I say, try it first and see. Then they fly into a rage.

      When I lunched in Belfort (and at lunch, by the way, a poor man asked me to use _all my influence_ for his son, who was an engineer in the navy, and this he did because I had been boasting of my travels, experiences, and grand acquaintances throughout the world)--when, I say, I had lunched in a workman's cafe at Belfort, I set out again on my road, and was very much put out to find that showers still kept on falling.

      In the early morning, under such delightful trees, up in the mountains, the branches had given me a roof, the wild surroundings made me part of the out-of-doors, and the rain had seemed to marry itself to the pastures and the foaming beck. But here, on a road and in a town, all its tradition of discomfort came upon me. I was angry, therefore, with the weather and the road for some miles, till two things came to comfort me. First it cleared, and a glorious sun showed me from a little eminence the plain of Alsace and the mountains of the Vosges all in line; secondly, I came to a vast powder-magazine.

      To most people there is nothing more subtle or pleasing in a powder-magazine than in a reservoir. They are both much the same in the mere exterior, for each is a flat platform, sloping at the sides and covered with grass, and each has mysterious doors. But, for my part, I never see a powder-magazine without being filled at once with two very good feelings--- laughter and companionship. For it was my good fortune, years and years ago, to be companion and friend to two men who were on sentry at a powder-magazine just after there had been some anarchist attempts (as they call them) upon such depots--and for the matter of that I can imagine nothing more luscious to the anarchist than seven hundred and forty-two cases of powder and fifty cases of melinite all stored in one place. And to prevent the enormous noise, confusion, and waste that would have resulted from the over-attraction of this base of operations to the anarchists, my two friends, one of whom was a duty-doing Burgundian, but the other a loose Parisian man, were on sentry that night. They had strict orders to challenge once and then to fire.

      Now, can you imagine anything more exquisite to a poor devil of a conscript, fagged out with garrison duty and stale sham-fighting, than an order of that kind? So my friends took it, and in one summer night they killed a donkey and wounded two mares, and broke the thin stem of a growing tree.

      This powder-magazine was no exception to my rule, for as I approached it I saw a round-faced corporal and two round-faced men looking eagerly to see who might be attacking their treasure, and I became quite genial in my mind when I thought of how proud these boys felt, and of how I was of the 'class of ninety, rifled and mounted on its carriage' (if you don't see the point of the allusion, I can't stop to explain it. It was a good gun in its time--now they have the seventy-five that doesn't recoil--_requiescat), _and of how they were longing for the night, and a chance to shoot anything on the sky line.

      Full of these foolish thoughts, but smiling in spite of their folly, I went down the road.

      Shall I detail all that afternoon? My leg horrified me with dull pain, and made me fear I should never hold out, I do not say to Rome, but even to the frontier. I rubbed it from time to time with balm, but, as always happens to miraculous things, the virtue had gone out of it with the lapse of time. At last I found a side road going off from the main way, and my map told me it was on the whole a short cut to the frontier. I determined to take it for those few last miles, because, if one is suffering, a winding lane is more tolerable than a wide turnpike.

      Just as I came to the branching of the roads I saw a cross put up, and at its base the motto that is universal to French crosses--

       Ave Crux Spes Unica.

      I thought it a good opportunity for recollection, and sitting down, I looked backward along the road I had come.

      There were the high mountains of the Vosges standing up above the plain of Alsace like sloping cliffs above a sea. I drew them as they stood, and wondered if that frontier were really permanent. The mind of man is greater than such accidents, and can easily overleap even the high hills.

      Then having drawn them, and in that drawing said a kind of farewell to the influences that had followed me for so many miles--the solemn quiet, the steady industry, the self-control, the deep woods, of Lorraine--1 rose up stiffly from the bank that had been my desk, and pushed along the lane that ran devious past neglected villages.

      The afternoon and the evening followed as I put one mile after another behind me. The frontier seemed so close that I would not rest. I left my open wine, the wine I had found outside Belfort, untasted, and I plodded on and on as the light dwindled. I was in a grand wonderment for Switzerland, and I wished by an immediate effort to conquer the last miles before night, in spite of my pain. Also, I will confess to a silly pride in distances, and a desire to be out of France on my fourth day.

      The light still fell, and my resolution stood, though my exhaustion undermined it. The line of the mountains rose higher against the sky, and there entered into my pilgrimage for the first time the loneliness and the mystery of meres. Something of what a man feels in East England belonged to this last of the plain under the guardian hills. Everywhere I passed ponds and reeds, and saw the level streaks of sunset reflected in stagnant waters.

      The marshy valley kept its character when I had left the lane and regained the highroad. Its isolation dominated the last effort with which I made for the line of the Jura in that summer twilight, and as I blundered on my whole spirit was caught or lifted in the influence of the waste waters and of the birds of evening.

      I wished, as I had often wished in such opportunities of recollection and of silence, for a complete barrier that might isolate the mind. With that wish came in a puzzling thought, very proper to a pilgrimage, which was: 'What do men mean by the desire to be dissolved and to enjoy the spirit free and without attachments?' That many men have so desired there can be no doubt, and the best men, whose holiness one recognizes at once, tell us that the joys of the soul are incomparably higher than those of the living man. In India, moreover, there are great numbers of men who do the most fantastic things with the object of thus unprisoning the soul, and Milton talks of the same thing with evident conviction, and the Saints all praise it in chorus. But what is it? For my part I cannot understand so much as the meaning of the words, for every pleasure I know comes from an intimate union between my body and my very human mind, which last receives, confirms, revives, and can summon up again what my body has experienced. Of pleasures, however, in which my senses have had no part I know nothing, so I have determined to take them upon trust and see whether they could make the matter clearer in Rome.

      But when it comes to the immortal mind, the good spirit in me that is so cunning at forms and colours and the reasons of things, that is a very different story. _That_, I do indeed desire to have to myself at whiles, and the waning light of a day or the curtains of autumn closing in the year are often to me like a door shutting after one, as one comes in home. For I find that with less and less impression from without the mind seems to take on a power of creation, and by some mystery it can project songs and landscapes and faces much more desirable than the music or the shapes one really hears and sees. So also memory can create. But it is not the soul that does this, for the songs, the landscapes, and the faces are of a kind that have come in by the senses, nor have I ever understood what could be higher than these pleasures, nor indeed how in anything formless and immaterial there could be pleasure at all. Yet the wisest people assure us that our souls are as superior to our minds as are our minds to our inert and merely material bodies. I cannot understand it at all.

      As I was pondering on these things in this land of pastures and lonely ponds, with the wall of