Matisse Picasso and Gertrude Stein. Gertrude Stein

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Название Matisse Picasso and Gertrude Stein
Автор произведения Gertrude Stein
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 4064066107635



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of his kind of them. I am saying that all the millions of one kind of men or one kind of women have it in them to have the same kind of feeling inside them about the little thing that was all them, the baby that once was all there was of them then. One kind then of men and women have it in them when they know this was once all of them a little baby then and knowing nothing, one kind of men and one kind of women have it in them then to lose inside them their everlasting feeling, the world is then a broken world inside them, more broken for them then than death breaks it for them, ending is less of a breaking to such kind of them than beginning, they have then when they think it inside them that they were a baby then and knowing nothing they have then inside a loss of the everlasting feeling, to such a one such a beginning, being a baby and knowing nothing, breaks the everlasting feeling breaks it as dying as ending never can break it for them.

      There are many ways for men and women to have it in them that they were little babies once and knowing nothing, that they were little babies once and full of life and kicking, that they were little babies once and others kissed them and dandled them and fixed them, that they were little babies once and they had loving all around and in them, that they had earthy love inside them.

      Some people in their later living have pride in them, some never have anything of such a thing in them. There are many kinds of men and women and many millions of each kind of them and there is this history of all the kinds of them.

      Every one has in them a fundamental nature to them with a kind of way of thinking that goes with this nature in them in all the many millions made of that kind of them. Every one then has it in them to be one of the many kinds of men or many kinds of women. There are many kinds of men and many kinds of women and of each kind of them there are always many millions in the world and any one can know by watching the many kinds there are of them and this is to be a history of all the kinds of them.

      Every one of the kinds of them has a fundamental nature common to each one of the many millions of that kind of them a fundamental nature that has with it a certain way of thinking, a way of loving, a way of having or not having pride inside them, a way of suffering, a way of eating, a way of drinking, a way of learning, a way of working, a way of beginning, a way of ending. There are many kinds of them but everywhere in all living any one who keeps on looking can find all the kinds of them.

      There are many kinds of them then many kinds of fundamental nature in men and in women. Sometimes it takes long to know it in them which kind of fundamental nature is inside them. Sometimes it takes long to know it in them, always there is mixed up with them other kinds of nature with the kind of fundamental nature of them, giving a flavor to them, sometimes giving many flavors to them, sometimes giving many contradictions to them, sometimes keeping a confusion in them and some of them never make it come right inside them. Mostly all of them in their later living come to the repeating that old age gives almost always to every one and then the fundamental nature of them comes out more and more in them and more and more we get to know it in them the fundamental nature in each one of them.

      Always all the men and women all around have in them some one of the many kinds of men and women that have each one of them many millions made like them, always all the men and women all around have it in them to have one fundamental nature in them and other kinds of nature are mixed up in them with this kind of nature in them so it takes all the knowing one can learn with all the living to ever know it about any one around them the fundamental nature of them and how everything is mixed up in them.

      As I was saying the mixture in them of other kinds of nature to them gives a flavor to some kinds of them to some kinds of men and some kinds of women, makes a group of them that have to them flavor as more important in them than the fundamental nature in them and the kind of thinking and feeling that goes with the fundamental nature in them. The flavor in them is real inside them more real to them than the fundamental nature in them, the flavor the other kinds of nature mixed up in them give to them. To many of such a kind of them the flavor is to them the reallest thing in them, the reallest thing about them, and this is a history of many of such of them.

      In this book there will be discussion of pairs of people and their relation, short sketches of innumerable ones, Ollie, Paul; Paul, Fernande; Larr and me, Jane and me, Hattie and Ollie, Margaret and Phillip, Claudel and Mrs. Claudel, Claudel and Martin, Maurice and Jane, Helen and John, everybody I know, Murdock and Elise, Larr and Elise, Larr and Marie, Jenny Fox and me, Sadie and Julia, everybody I can think of ever, narrative after narrative of pairs of people, Martin and Mrs. Herford, Bremer and Hattie, Jane and Nellie, Henrietta and Jane and some one and another one, everybody Michael and us and Victor Herbert, Farmert and us, Bessie Hessel and me.

      Some one if they dreamed that their mother was dead when they woke up would not put on mourning. Some if they believed in dreams as much as the one who dreamed that their mother was dead and did not put on mourning would if they had dreamed that their mother was dead would put on mourning. Hattie if she dreamed that her mother was dead would not put on mourning. Mrs. Claudel if she believed in dreams as much as Hattie and had dreamed that her mother was dead would put on mourning.

      Some would be surprised that some could dream that their mother was dead and then not put on mourning. Some would be surprised that any one having dreamed that their mother was dead could think about then putting on mourning.

      Some people know other ones. This is being a history of kinds of men and women, when they were babies and then children and then grown men and women and then old ones and the one and the ones they were in relation with at any time, at some time.

      This is a general leading up to a description of Olive who is an exception in being one being living. Then there can be a description of the Pauline group and of the Pauline quality in Ollie and then there can be a complete description of the Pauline group and there can be a description of ones who could be ones who are not at all married ones a whole group of them of hundreds of them, and they grade from Eugenia to Mabel Arbor who is not like them in being one who could have been one not being a married one. Then once more one can begin with the Pauline group and Sophie among them, and then one can go through whole groups of women to Jane Sands and her relation to men and so to a group of men and ending up with Paul. Then one can take a fresh start and begin with Fanny and Helen and run through servants and adolescents to Lucy and so again to women and to men and how they love, how women love and how they do not love, how men do not love, how men do love, how women and men do and do not love and so on to men and women in detail and so on to Simon as a type of man.

      Then going completely in to the flavor question how persons have the flavor they do there can be given short sketches of Farmert, Alden, of Henderson and any other man one can get having very much flavor and describing the complications in them one can branch off into women, Myrtle, Constance, Nina Beckworth and others to Ollie and then say of them that it is hard to combine their flavor with other feelings in them but it has been done and is being done and then describe Pauline and from Pauline go on to all kinds of women that come out of her, and then go on to Jane, and her group and then come back to describe Mabel Arbor and her group, then Eugenia's group always coming back to flavor idea and Pauline type, then go on to adolescents, mixing and mingling and contrasting. Then start afresh with Grace's group, practical, pseudo masculine. Then start afresh with Fanny and Helen and business women, earthy type, and kind of intellect. Enlarge on this and then go back to flavor, to pseudo flavor, Mildred's group, and then to the concentrated groups.

      From then on complicate and complete giving all kinds of pictures and start in again with the men. Here begin with Victor Herbert group and ramify from that. Simon is bottom of Alden and Bremer and the rest. Go on then to how one would love and be loved as a man or as a woman by each kind that could or would love any one.

      Any one being started in doing something is going on completely doing that thing, a little doing that thing, doing something that is that thing. Any one not knowing anything of any one being one starting that one in doing that thing is one doing that thing completing doing that thing and being then one living in some such thing.

      Some are ones being certain that any one doing a thing and having been started in doing that thing are ones not having been taught to do that thing, are ones who have come to do that thing. Some are certain that not any one has been taught to do a thing