The Book-Collector. William Carew Hazlitt

they have, from an auction at Lüneburg in 1767, the C. Merry Tales of 1526; at Cassel, Marlowe's Edward II., 1594; and at Hamburg the Elizabethan edition of Blanchardine and Eglantine, 1597, all unique or most rare; and this is only by way of instance or sample. The Huth copy of Shakespeare's Sonnets, 1609, was obtained from Zürich.

      The private amateur does well if he keeps before him the salient features connected with his pursuit from this point of view. It is to be deeply regretted that the Government of the Netherlands did not take steps to preserve intact the Enscheden collection at Haarlem, in the same manner that that of Belgium did the Plantin heirlooms.

      The late Mr. Quaritch narrated an amusing and characteristic anecdote, commemorative of his participation in the Enscheden sale, where the agent of the British Museum waited till the morning to bid at the table for the Troy-Book, printed by Wynkyn de Worde in 1502, and he bought it privately over-night of the auctioneer.

      There is, it must be noted, a fundamental difference in the constitution of public libraries in Great Britain and America as compared with those on the Continent. The latter, if they do not restrict themselves, in principal measure, to the literature of their own country, or at least tongue, very seldom go far outside those limits otherwise than by accident or for works of reference. On the contrary, the English and American collections are cosmopolitan, like those who have formed them. At the British Museum a volume in Icelandic, Chinese, Hawaian, or any other character is welcomed nearly as much as one in the vernacular. In Germany, at all events at Berlin and Vienna, English books of importance are recognised. But at the Bibliothèque in Paris it is not so. The French collect only the classics and their own literature, just as they ignore in coins all but the Greek and Roman and national series.

      Within their own lines, however, it is wonderful, looking at all the political convulsions which the country and capital have undergone, what vast treasures remain in France—treasures of all epochs and in every class, from the rise to the fall of the monarchy, from volumes written for the Carolingian, if not Merovingian kings, to volumes bound for Marie Antoinette.

      Some interesting and instructive notices of our own public libraries, and of a few private collections of former times, may be found in the later volumes of the Retrospective Review.

      The two Rolls of Collectors before mentioned are capable of making a not inconsiderable volume; but they are classifiable in groups and periods, and certain individuals may be taken as the central figures in the successive onward movements. Our immediate concern is with printed monuments, and consequently we do not hearken back beyond the men who witnessed the introduction of typography. Nor does there appear, while the purchasing power of money for literary possessions or the book-closet was high, to have been any esprit de corps or emulation tending to constitute schools or côteries, and to raise certain books or series to an artificial standard. Men at first acquired at random what happened to fall in their way; booksellers there were few or (except at London or in the Universities) next to none; and auctions were long unknown. Except for topography and the classics, there was, down to the middle of the eighteenth century, no active competition. The bulk of the Harleian Library was probably obtained without extravagant outlay, though not without labour and time; not those divisions which we should now prize would be the most expensive, unless we include the manuscripts for which Lord Oxford had even then to pay a price.

      We have drawn the line where it appears that the principle of forming libraries, in the modern sense of the word, commenced in this country. Down to the Harleian epoch, when the Continental system began to influence us, the shelf of books which we observe in many old prints was the limit of nearly all collectors: not necessarily of their resources, but of their views and of the feeling of the time. Men acquired a handful or so of volumes, which came into their hands by gift or otherwise; from the absence or paucity of public institutions there were few individuals of any culture whatever without a few books besides the family Bible and Pilgrim's Progress; but such a colossal accumulation as was formed under the auspices of the second Lord Oxford, and still more that of Richard Heber, was as undreamt of as the vast and multifarious contents of the building in Great Russell Street as it now exists. A study of early correspondence and other sources of original information on the present point will be found to corroborate such a view of the average private collection in these islands anterior to the last century.

      It was not till many years after the dispersion of that noble Harleian memorial of generous ardour among the public and private collections of England and the Continent (Dr. Johnson in his letter to Sir F. Barnard, 1768, says that many books passed direct into the Bibliothèque du Roi at Paris), that the Shakespeare revival led to an inquiry, on the one hand, into the literature connected with the Elizabethan period, and on the other to a partial discovery of how much of it had perished. That epoch may be regarded as the true Hegira from which we have to date the modern annals of collecting; the antecedent time was in a sense pre-historic, for the most precious remains of our national literature were unheeded and uncalendared; the means of forming a comprehensive estimate of the printed stores in actual existence were yet latent or unknown, and the almost undivided attention of students and purchasers was directed to the ancient classics and foreign typography. It must be conceded, we think, that whatever the importance of those branches of inquiry may be, the cause of British letters is more closely and permanently bound up with our own classics and the products of our own soil; and we repeat that the movement which first gave a stimulus to a sort of revolt from the Continental school and to the formation of a native one was the persuasion, on the part of a few scholars, that something more was to be done towards popularising the plays of Shakespeare and his more eminent contemporaries, and elucidating their writings by the help of those who lived amid the same scenes and habits of thought and under the same institutions.

      Leigh Hunt used to speak to me of having attended the great Roxburghe sale in 1812 just for the sake of gaining an idea of what such an affair was. It was, no doubt, a fine collection which the noble owner and his predecessors (particularly John, Earl of Roxburghe in the time of Queen Anne) had acquired, mainly in the preceding century, at very moderate prices; and the result must have been highly satisfactory to the estate. But many things have happened since then; the Heber Library, the most extensive, most valuable, and most ill-fated in its realisation: the grandest and proudest bibliographical monument of the nineteenth or any other century, has been completed and scattered; and yet to-day, if the general reader were asked, he would probably be of the belief that the first rank was due to the earlier personage and collection. There is somehow a prestige about the Roxburghe sale which time seems incapable of weakening; yet in comparison with its successor it was a mere handful; and in fact the accumulations even of Harley, the second Earl of Oxford, vast and precious as they may have been, were not equal in magnitude or in value to those of Heber, of whom the most surprising and most interesting trait is his conversance with the interiors of so many of his treasures; nor should we ever forget his generosity in lending them to literary workers. The Rev. Alexander Dyce, who so ably edited our elder dramatists and poets, could never have accomplished his projects, if Heber had not come to his assistance with the rare, or even unique, original editions.

      We have taken elsewhere an opportunity of recording the probable obligation under which we all lie to Heber for his offices in prevailing on the Government under the Regency to arrange the so-called gift to the country of the library of George III. What an inestimable boon and advantage it would have been, had he left us his own magnificent gatherings, with the liberty of exchanging duplicates! To how many a subsequent collection would such a step have been the deathblow or rather an insuperable bar! The Britwell and Huth libraries would have been robbed of half their gems, and the Daniel sale could not have proved the singular coup and sensation which it was, had the Heber element been absent.

      The flyleaves of an enormous proportion of Heber's books are found enriched by his scholarly and often very interesting memoranda; they usually bear a stamp with BIBLIOTHECA HEBERIANA, but never an ex libris. That distinction the accomplished owner resigned to minor luminaries. The notes are always pertinent and occasionally numerous; and the pages of the sale catalogue, of which we have no fewer than thirteen parts, are lifted above mechanical common-place by the curious and varied matter interspersed from this source, as well as to a certain extent from the pen of John Payne