Casa Braccio, Volumes 1 and 2. F. Marion Crawford

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Название Casa Braccio, Volumes 1 and 2
Автор произведения F. Marion Crawford
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 4064066224110



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sky. The October wind drew down in gusts from the mountains above Subiaco, and blew the doctor's long cloak about so that it flapped softly now and then like the wings of a night bird. After descending some distance, he carefully set down his case upon the stones and fumbled in his pockets for his snuffbox, which he found with some difficulty. A gust blew up a grain of snuff into his right eye, and he stamped angrily with the pain, hurting his foot against a rolling stone as he did so. But he succeeded in getting his snuff to his nose at last. Then he bent down in the dark to take up his case, which was close to his feet, though he could hardly see it. The gusty south wind blew the long skirts of his cloak over his head and made them flap about his ears. He groped for the box.

      "Sor Tommaso was lying motionless."—Vol. I., p. 78. "Sor Tommaso was lying motionless."—Vol. I., p. 78.

      Just then the doctor heard light footsteps coming down the path behind him. He called out, warning that he was in the way.

      "O-è, gently, you know!" he cried. "An apoplexy on the wind!" he added vehemently, as his head and hands became entangled more and more in the folds of his cloak.

      "And another on you!" answered a woman's voice, speaking low through clenched teeth.

      In the darkness a hand rose and fell with something in it, three times in quick succession. A man's low cry of pain was stifled in folds of broadcloth. The same light footsteps were heard for a moment again in the narrow, winding way, and Sor Tommaso was lying motionless on his face across his box, with his cloak over his head. The gusty south wind blew up and down between the dark walls, bearing now and then a few withered vine leaves and wisps of straw with it; and the night grew darker still, and no one passed that way for a long time.

       Table of Contents

      When Angus Dalrymple had finished his supper, he produced a book and sat reading by the light of the wicks of the three brass lamps. Annetta had taken away the things and had not come back again. Gigetto strolled in and took his guitar from the peg on the wall, and idled about the room, tuning it and humming to himself. He was a tall young fellow with a woman's face and beautiful velvet-like eyes, as handsome and idle a youth as you might meet in Subiaco on a summer's feast-day. He exchanged a word of greeting with Dalrymple, and, seeing that the place was otherwise deserted, he at last slung his guitar over his shoulder, pulled his broad black felt hat over his eyes, and strolled out through the half-open door, presumably in search of amusement. Gigetto's chief virtue was his perfectly childlike and unaffected taste for amusing himself, on the whole very innocently, whenever he got a chance. It was natural that he and the Scotchman should not care for one another's society. Dalrymple looked after him for a moment and then went back to his book. A big glass measure of wine stood beside him not half empty, and his glass was full.

      He was making a strong effort to concentrate his attention upon the learned treatise, which formed a part of the little library he had brought with him. But Annetta's idle talk about the nuns, and especially about Maria Addolorata and her singing, kept running through his head in spite of his determination to be serious. He had been living the life of a hermit for months, and had almost forgotten the sound of an educated woman's voice. To him Annetta was nothing more than a rather pretty wild animal. It did not enter his head that she might be in love with him. Sora Nanna was simply an older and uglier animal of the same species. To a man of Dalrymple's temperament, and really devoted to the pursuit of a serious object, a woman quite incapable of even understanding what that object is can hardly seem to be a woman at all.

      But the young Scotchman was not wanting in that passionate and fantastic imagination which so often underlies and even directs the hardy northern nature, and the young girl's carelessly spoken words had roused it to sudden activity. In spite of himself, he was already forming plans for listening under the convent wall, if perchance he might catch the sound of the nun's wonderful voice, and from that to the wildest schemes for catching a momentary glimpse of the singer was only a step. At the same time, he was quite aware that such schemes were dangerous if not impracticable, and his reasonable self laughed down his unreasoning romance, only to be confronted by it again as soon as he tried to turn his attention to his book.

      He looked up and saw that he had not finished his wine, though at that hour the measure was usually empty, and he wondered why he was less thirsty than usual. By force of habit he emptied the full glass and poured more into it—by force of that old northern habit of drinking a certain allowance as a sort of duty, more common in those days than it is now. Then he began to read again, never dreaming that his strong head and solid nerves could be in any way affected by his potations. But his imagination this evening worked faster and faster, and his sober reason was recalcitrant and abhorred work.

      The nun had fair hair and dark eyes and a beautiful face. Those were much more interesting facts than he could find in his work. She had a wonderful voice. He tried to recall all the extraordinary voices he had heard in his life, but none of them had ever affected him very much, though he had a good ear and some taste for music. He wondered what sort of voice this could be, and he longed to hear it. He shut up his book impatiently, drank more wine, rose and went to the open door. The gusty south wind fanned his face pleasantly, and he wished he were to sleep out of doors.

      The Sora Nanna, who had been spending the evening with a friend in the neighbourhood, came in, her thin black overskirt drawn over her head to keep the embroidered head-cloth in its place. By and by, as Dalrymple still stood by the door, Stefanone appeared, having been to play a game of cards at a friendly wine-shop. He sat down by Sora Nanna at the table. She was mixing some salad in a big earthenware bowl adorned with green and brown stripes. They talked together in low tones. Dalrymple had nodded to each in turn, but the gusty air pleased him, and he remained standing by the door, letting it blow into his face.

      It was growing late. Italian peasants are not great sleepers, and it is their custom to have supper at a late hour, just before going to bed. By this time it was nearly ten o'clock as we reckon the hours, or about 'four of the night' in October, according to old Italian custom, which reckons from a theoretical moment of darkness, supposed to begin at Ave Maria, half an hour after sunset.

      Suddenly Dalrymple heard Annetta's voice in the room behind him, speaking to her mother. He had no particular reason for supposing that she had been out of the house since she had cleared the table and left him, but unconsciously he had the impression that she had been away, and was surprised to hear her in the room, after expecting that she should pass him, coming in from the street, as the others had done. He turned and walked slowly towards his place at the table.

      "I thought you had gone out," he said carelessly, to Annetta.

      The girl turned her head quickly.

      "I?" she cried. "And alone? Without even Gigetto? When do I ever go out alone at night? Will you have some supper, Signore?"

      "I have just eaten, thank you," answered Dalrymple, seating himself.

      "Three hours ago. It was not yet an hour of the night when you ate. Well—at your pleasure. Do not complain afterwards that we make you die of hunger."

      "Bread, Annetta!" said Stefanone, gruffly but good-naturedly. "And cheese, and salt—wine, too! A thousand things! Quickly, my daughter."

      "Quicker than this?" inquired the girl, who had already placed most of the things he asked for upon the table.

      "I say it to say it," answered her father. "'Hunger makes long jumps,' and I am hungry."

      "Did you win anything?" asked Sora Nanna, with both her elbows on the table.

      "Five baiocchi."

      "It was worth while to pay ten baiocchi for another man's bad wine, for the sake of winning so much!" replied Sora Nanna, who was a careful soul. "Of course you paid for the wine?"

      "Eh—of course. They pay for wine when they come here. One takes a little and one gives