A Victor of Salamis. William Stearns Davis

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Название A Victor of Salamis
Автор произведения William Stearns Davis
Жанр Языкознание
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Издательство Языкознание
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isbn 4064066103736



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conquers.”

      The man fell breathless; but in a moment a clear beacon blazed upon the height. From a peak in Salamis another answered. In Eleusis, Hermippus the Noble was running to his daughter. In Peiræus, the harbour-town, the sailor folk were dancing about the market-place. In Athens, archons, generals, and elders were accompanying Conon to the [pg 47]Acropolis to give thanks to Athena. Conon had forgotten how he had disowned his son. Another beacon glittered from the Acropolis. Another flashed from the lordly crest of Pentelicus, telling the news to all Attica. There was singing in the fishers’ boats far out upon the bay. In the goat-herds’ huts on dark Hymethus the pan-pipes blew right merrily. Athens spent the night in almost drunken joy. One name was everywhere:—

      “Glaucon the Beautiful who honours us all! Glaucon the Fortunate whom the High Gods love!”

      [pg 48]

      [pg 49]

       Table of Contents

       Table of Contents

      [pg 50]

      [pg 51]

       Table of Contents

       Table of Contents

      A cluster of white stuccoed houses with a craggy hill behind, and before them a blue bay girt in by the rocky isle of Salamis—that is Eleusis-by-the-Sea. Eastward and westward spreads the teeming Thrasian plain, richest in Attica. Behind the plain the encircling mountain wall fades away into a purple haze. One can look southward toward Salamis; then to the left rises the rounded slope of brown Pœcilon sundering Eleusis from its greater neighbour, Athens. Look behind: there is a glimpse of the long violet crests of Cithæron and Parnes, the barrier mountains against Bœotia. Look to right: beyond the summits of Megara lifts a noble cone. It is an old friend, Acro-Corinthus. The plain within the hills is sprinkled with thriving farmsteads, green vineyards, darker olive groves. The stony hill-slopes are painted red by countless poppies. One hears the tinkling of the bells of roving goats. Thus the more distant view; while at the very foot of the hill of vision rises a temple with proud columns and pediments—the fane of Demeter the “Earth Mother” and the seat of her Mysteries, renowned through Hellas.

      The house of Hermippus the Eumolpid, first citizen of Eleusis, stood to the east of the temple. On three sides gnarled trunks and sombre leaves of the sacred olives almost hid the white low walls of the rambling buildings. On the [pg 52]fourth side, facing the sea, the dusty road wound east toward Megara. Here, by the gate, were gathered a rustic company: brown-faced village lads and lasses, toothless graybeards, cackling old wives. Above the barred gate swung a festoon of ivy, whilst from within the court came the squeaking of pipes, the tuning of citharas, and shouted orders—signs of a mighty bustling. Then even while the company grew, a half-stripped courier flew up the road and into the gate.

      “They come,” ran the wiseacre’s comment; but their buzzing ceased, as again the gate swung back to suffer two ladies to peer forth. Ladies, in the truth, for the twain had little in common with the ogling village maids, and whispers were soon busy with them.

      “Look—his wife and her mother! How would you, Praxinœ, like to marry an Isthmionices?”

      “Excellently well, but your Hermas won’t so honour you.”

      “Eu! see, she lifts her pretty blue veil; I’m glad she’s handsome. Some beautiful men wed regular hags.”

      The two ladies were clearly mother and daughter, of the same noble height, and dressed alike in white. Both faces were framed in a flutter of Amorgos gauze: the mother’s was saffron, crowned with a wreath of golden wheat-ears; the daughter’s blue with a circlet of violets. And now as they stood with arms entwined the younger brushed aside her veil. The gossips were right. The robe and the crown hid all but the face and tress of the lustrous brown hair—but that face! Had not King Hephæstos wrought every line of clear Phœnician glass, then touched them with snow and rose, and shot through all the ichor of life? Perhaps there was a fitful fire in the dark eyes that awaited the husband’s coming, or a slight twitching of the impatient lips. But nothing disturbed the high-born repose of face and figure. Hermione was indeed the worthy daughter of a noble [pg 53]house, and happy the man who was faring homeward to Eleusis!

      Another messenger. Louder bustle in the court, and the voice of Hermippus arraying his musicians. Now a sharp-faced man, who hid his bald pate under a crown of lilies, joined the ladies—Conon, father of the victor. He had ended his life-feud with Hermippus the night the message flashed from Corinth. Then a third runner; this time in his hand a triumphant palm branch, and his one word—“Here!” A crash of music answered from the court, while Hermippus, a stately nobleman, his fine head just sprinkled with gray, led out his unmartial army.

      Single pipes and double pipes, tinkling lyres and many-stringed citharas, not to forget herdsmen’s reed flutes, cymbals, and tambours, all made melody and noise together. An imposing procession that must have crammed the courtyard wound out into the Corinth road.

      Here was the demarch2 of Eleusis, a pompous worthy, who could hardly hold his head erect, thanks to an exceeding heavy myrtle wreath. After him, two by two, the snowy-robed, long-bearded priests of Demeter; behind these the noisy corps of musicians, and then a host of young men and women—bright of eye, graceful of movement—twirling long chains of ivy, laurel, and myrtle in time to the music. Palm branches were everywhere. The procession moved down the road; but even as it left the court a crash of cymbals through the olive groves answered its uproar. Deep now and sonorous sounded manly voices as in some triumphal chant. Hermione, as she stood by the gate, drew closer to her mother. Inflexible Attic custom seemed to hold her fast. No noblewoman might thrust herself boldly under the public eye—save at a sacred festival—[pg 54]no, not when the centre of the gladness was her husband.

      “He comes!” So she cried to her mother; so cried every one. Around the turn in the olive groves swung a car in which Cimon stood proudly erect, and at his side another. Marching before the chariot were Themistocles, Democrates, Simonides; behind followed every Athenian who had visited the Isthmia. The necks of the four horses were wreathed with flowers; flowers hid the reins and bridles, the chariot, and even its wheels. The victor stood aloft, his scarlet cloak flung back, displaying his godlike form. An unhealed scar marred his forehead—Lycon’s handiwork; but who thought of that, when above the scar pressed the wreath of wild parsley? As the two processions met, a cheer went up that shook the red rock of Eleusis. The champion answered with his frankest smile; only his eyes seemed questioning, seeking some one who was not there.

      “Io! Glaucon!” The Eleusinian youths broke from their ranks and fell upon the chariot. The horses were loosed in a twinkling. Fifty arms dragged the car onward. The pipers swelled their cheeks, each trying to outblow his fellow. Then after them sped the maidens. They ringed the chariot round with a maze of flowers chains. As the car moved, they accompanied it with a dance of unspeakable ease, modesty, grace. A local poet—not Simonides, not Pindar, but some humbler bard—had invoked his muse for the grand occasion. Youths and maidens burst forth into singing.

      “Io! Io, pæan! the parsley-wreathed victor hail!

      Io! Io, pæan! sing it out on each breeze, each gale!

      He has triumphed, our own, our beloved,

      Before all the myriad’s ken.