Letters of a Soldier, 1914-1915. Eugène Emmanuel Lemercier

and there is none in the understatement of this Frenchman. He has no desire for revenge; his only wish is that his duty were done and that he could return home to his art and his mother. To the philosophy I have spoken of that would seem a pitiable state of mind. No one could be less like a Germanic hero than this French artist; and yet the Germans were in error when they counted on an easy victory over him and his like, when they made sure that a conscious barbarism must prevail over an unconscious civilisation.

      These letters reveal to us a new type of soldier, a new type of hero, almost a new type of man; one who can be brave without any animal consolations, who can endure without any romantic illusions, and, what is more, one who can have faith without any formal revelation. For there is nothing in the letters more interesting than the religion constantly expressed or implied in them. The writer is not a Catholic. Catholic fervour on its figurative side, he says, will always leave him cold. He finds the fervour of Verlaine almost gross. He seems afraid to give any artistic expression to his own faith, lest he should falsify it by over-expression, lest it should seem to be more accomplished than it is. He will not even try to take delight in it; he is almost fanatically an intellectual ascetic; and yet again and again he affirms a faith which he will hardly consent to specify by uttering the name of God. He is shy about it, as if it might be refuted if it were expressed in any dogmatic terms. So many victories seem to have been won over faith in the modern world that his will not throw down any challenge. If it is to live, it must escape the notice of the vulgar triumphing sceptics, and even of the doubting habits of his own mind. Yet it does live its own humble and hesitating life; and in its hesitations and its humility is its strength. He could not be acclaimed by any eager bishop as a lost sheep returning repentant to the fold; but he is not lost, nor is the universe to him anything but a home and the dear city of God even in the trenches.

      His expression of this faith is always vague, tentative, and inconclusive. He is certain of something, but he cannot say what; yet he knows that he is certain, although, if he were to try to express his certainty in any old terms, he would reject it himself. He knows; but he cannot tell us or himself what he knows. There are sentences in which, as M. Chevrillon says, he speaks like an Indian sage; but I do not think that Indian philosophy would have satisfied him, because it is itself satisfied. For he is in this matter of faith a primitive, beginning to build a very small and humble temple out of the ruins of the past. He has no science of theology, nothing but emotions and values, and a trust in them. They are for a reality that he can scarcely express at all; and yet he is the more sure of its existence because of the torment through which he is passing. He uses that word torment more than once. The war is to him a martyrdom in which he bears witness to his love, not only for France, but also for that larger country which is the universe. The torment makes him more sure of it than ever before; it heightens his sense of values; and he knows that what matters to a man is not whether he is joyful or sorrowful, but the quality of his joy and his sorrow. There are times when, like an Indian sage, he thinks that all life is contemplation; but this thought is only the last refuge of the spirit against a material storm. He is not one of those who would go into the wilderness and lose themselves in the depths of abstract thought; he is a European, an artist, a lover, one for whom the visible world exists, and to whom the Christian doctrine of love is but the expression of his own experience. For a century or more our world, confident in its strength, its reason, its knowledge, has been undermining that doctrine with every possible heresy. In sheer wilfulness it has tried to empty life of all its values. It has made us ashamed of loving anything; for all love, it has told us, is illusion produced by the will to live, or the will to power, or some other figment of its own perverse thought. And now, as a result of that perversity, the storm breaks upon us when we seem to have stripped ourselves of all shelter against it. The doctrine of the struggle for life becomes a fact in this war; but, if it were true, what creature endowed with reason would find life worth struggling for? Certainly not the writer of these letters. He fought, not only for his country, but to maintain a contrary doctrine; and we see him and a thousand others passing through the fiercest trial of faith at the moment when the mind of man has been by its own perverse activity stripped most bare of faith. So he cannot even express the faith for which he is ready to die; but he is ready to die for it. A few years ago he would have been sneered at for the vagueness of his language, but no one can sneer now. The dead will not spoil the spring, he says No, indeed: for by their death they have brought a new spring of faith into the world.

      A. CLUTTON-BROCK.

LETTERS OF A SOLDIER

       Table of Contents

      August 1914-April 1915

      PREFACE BY ANDRÉ CHEVRILLON

       Table of Contents

PREFACE BY ANDRÉ CHEVRILLON

       Table of Contents

      The letters that follow are those of a young painter who was at the front from September [1914] till the beginning of April [1915]; at the latter date he was missing in one of the battles of the Argonne. Are we to speak of him in the present tense or in the past? We know not: since the day when the last mud-stained paper reached them, announcing the attack in which he was to vanish, what a close weight of silence for those who during eight months lived upon these almost daily letters! But for how many women, how many mothers, is a grief like this to-day a common lot!

      In the studio and amid the canvases upon which the young man had traced the forms of his dreams, I have seen, piously placed in order on a table, all the little papers written by his hand. A silent presence—I was not then aware what manner of mind had there expressed itself—revisiting this hearth: a mind surely made to travel far abroad and cast its lights upon multitudes of men.

      It was the mind of a complete artist, but of a poet as well, that had lurked under the timid reserves of a youth who at thirteen years of age had left school for the studio, and who had taught himself, without help from any other, to translate the thoughts that moved him into such words as the reader will judge of. Here are tenderness of heart, a fervent love of Nature, a mystical sense of her changing moods and of her eternal language: all those things of which the Germans, professing themselves heirs of Goethe and of Beethoven, imagine they have the monopoly, but of which we Frenchmen have the true perception, and which move us in the words written by our young countryman for his most dearly beloved and for himself.

      It is singularly touching to find in the spiritual, grave, and religious temper of these letters an affinity to the spirit of many others written from the front. During those weeks, those endless months of winter in the mud or the frost of the trenches, in the daily sight of death, in the thought of that death coming upon them also, closing upon them to seal their eyes for ever, these boys seem to have faced the things of eternity with a deeper insight and a keener feeling, as each one, in the full strength of life and youth, dwelt upon the thought of beholding the world for the last time:

'Et le monde allait donc mourir

Avec mes yeux, miroir du monde.'

      Solemn thought for the man who has watched through a long night in some advance-post, and who, beyond the grey and silent plain where lurks the enemy, sees a red sun rise yet once more upon the world! 'O splendid sun, I wish I could see you again!' wrote once, on the evening of his advance upon French ground, a young Silesian soldier who fell upon the battlefield of the Marne, and whose Journal has been published. Suddenly breaks in this mysterious cry in the course of methodical German notes on food and drink, stages of the march, blistered feet, the number of villages set on fire. And in how many French letters too have we found it—that abrupt intuition! It is always the same, in many and various words: in those of the agriculturist of the Seine-et-Marne, whom I could name, and who for perhaps the first time in his life takes an interest in the sunset; in