The Parts Men Play. Beverley Baxter

terrific paper-knife.

      '8 CHELMSFORD GARDENS.

      'DEAR MRS LE ROY JENNINGS—An American author is coming to dinner next Friday. There will just be a few unusual people, and I have asked them for 8.30. I want him to meet one of England's intellectual women, and I know he will be interested to hear of your ideas on the New Home.

      'My daughter joins with me in wishing you every success.—Until Friday, dear,

      'SYBIL DURWENT.'

      Mrs. Jennings, who had made a complete failure of her own home, and consequently felt qualified to interfere with all others, scribbled a hasty note of acceptance in a handwriting so forceful that on some words the pen slid off the paper completely.

      Then, with a look of profundity, she resumed the Resolution.

      VI.

      And so, by the medium of His Majesty's mail, a little group of actors were warned for a performance at Lady Durwent's house, No. 8 Chelmsford Gardens.

      Through the November fog the endless traffic of the streets was cautiously feeling its way along the diverging channels of the Metropolis—a snorting, sliding, impatient fleet of vehicles perpetually on their way, yet never seeming to get there. Taxi-cabs hugged the pavements, trying to penetrate the gloom with their meagre lights; omnibuses fretted and bullied their way, avoiding collision by inches, but struggling on and on as though their very existence depended on their reaching some place immediately or being interned for failure. Hansom-cabs, with ancient, glistening horses driven by ancient, glistening cabbies, felt for elbow-space in the throng of motor-vehicles. And on all sides the badinage of the streets, the eternal wordy conflict of London's mariners of traffic, rose in cheerful, insulting abundance.

      On the pavements pedestrians jostled each other—men with hands in their pockets and arms tight to their sides, women with piqued noses and hurrying steps; while sulky lamps offered half-hearted resistance to the conquering fog that settled over palaces, parks, and motley streets until it hugged the very Thames itself in unholy glee.

      And through the impenetrable mist of circumstance, the millions of souls that make up the great city pursued their millions of destinies, undeterred by biting cold and grisly fog. For it was a day in the life of England's capital; and every day there is a great human drama that must be played—a drama mingling tragedy and humour with no regard to values or proportion; a drama that does not end with death, but renews its plot with the breaking of every dawn; a drama knowing neither intermezzo nor respite: and the name of it is—LONDON.

CHAPTER II

       Table of Contents

      CONCERNING LADY DURWENT'S FAMILY.

      I.

      Lady Durwent was rather a large woman, of middle age, with a high forehead unruffled by thought, and a clear skin unmarred by wrinkles. She had a cheerfulness that obtruded itself, like a creditor, at unpropitious moments; and her voice, though not displeasing, gave the impression that it might become volcanic at any moment. She also possessed a considerable theatrical instinct, with which she would frequently manoeuvre to the centre of the stage, to find, as often as not, that she had neglected the trifling matter of learning any lines.

      She was the daughter of an ironmonger in the north of England, whose father had been one of the last and most famous of a long line of smugglers. It was perhaps the inherited love of adventure that prompted the ironmonger, against his wife's violent protest, to invest the savings of a lifetime in an obscure Canadian silver-mine. To the surprise of every one (including its promoters), the mine produced high-grade ore in such abundance that the ironmonger became a man of means. Thereupon, at the instigation of his wife, they moved from their little town into the city of York, where he purchased a large, stuffily furnished house, sat on Boards, became a councillor, wore evening-dress for dinner, and died a death of absolute respectability.

      Before the final event he had the satisfaction of seeing his only child Sybil married to Arthur, Lord Durwent. (The evening-clothes for dinner were a direct result.) Lord Durwent was a well-behaved young man of unimpeachable character and family, and he was sincerely attracted by the agreeable expanse of lively femininity found in the fair Sybil. After a wedding that left her mother a triumphant wreck and appreciably hastened her father's demise, she was duly installed as the mistress of Roselawn, the Durwent family seat, and its tributary farms. The tenants gave her an address of welcome; her husband's mother gracefully retired to a villa in Sussex; the rector called and expressed gratification; the county families left their cards and inquired after her father, the ironmonger.

      Unfortunately the new Lady Durwent had the temperament neither of a poet nor of a lady of the aristocracy. She failed to hear the tongues in trees, and her dramatic sense was not satisfied with the little stage of curtsying tenantry and of gentlefolk who abhorred the very thought of anything theatrical in life.

      On the other hand, her husband was a man who was unhappy except on his estate. He thought along orthodox lines, and read with caution. He loved his lawns, his gardens, his horses, and his habits. He was a pillar of the church, and always read a portion of Scripture from the reading-desk on Sunday mornings. His wife he treated with simple courtesy as the woman who would give him an heir. If his mind had been a little more sensitive, Lord Durwent would have realised that he was asking a hurricane to be satisfied with the task of a zephyr.

      They had a son.

      The tenants presented him with a silver bowl; Lord Durwent presented them with a garden fête; and the parents presented the boy with the name of Malcolm.

      Two years later there came a daughter.

      The tenants gave her a silver plate; Lord Durwent gave them a garden fête; and he and his wife gave the girl the name of Elise.

      Three years later a second son appeared.

      There was a presentation, followed by a garden fête and a christening.

       The name was Richard.

      In course of time the elder son grew to that mental stature when the English parent feels the time is ripe to send him away to school. The ironmonger's daughter had the idea that Malcolm, being her son, was hers to mould.

      'My dear,' said Lord Durwent, exerting his authority almost for the first time, 'the boy is eight years of age, and no time must be lost in preparing him for Eton and inculcating into him those qualities which mark'——

      'But,' cried his wife with theatrical unrestraint, 'why send him to

       Eton? Why not wait until you see what he wants to be in the world?'

      Lord Durwent's face bore a look of unperturbed calm. 'When he is old enough, he must go to Eton, my dear, and acquire the qualities which will enable him to take over Roselawn at my death'——

      At this point Lady Durwent interrupted him with a tirade which, in common with a good many domestic unpleasantries, was born of much that was irrelevant, springing from sources not readily apparent. She abused the public-school system of England, and sneered at the county families which blessed the neighbourhood with their presence. She reviled Lord Durwent's habits, principally because they were habits, and thought it was high time some Durwent grew up who wasn't just a 'sticky, stuffy, starched, and bored porpoise—yes, PORPOISE!' (shaking her head as if to establish the metaphor against the whole of the English aristocracy). In short, it was the spirit of the Ironmonger castigating the Peerage, and at its conclusion Lady Durwent felt much abused, and quite pleased with her own rhetoric.

      Lord Durwent glanced for courage at an ancestor who looked magnificently down at him over a ruffle. He adjusted his own cravat and spoke in nicely modulated accents: 'Sybil, nothing can change me on this point. In spite of what you say, it is my intention to keep to the