Cleo The Magnificent; Or, The Muse of the Real. Louis Zangwill

and the simplicity of her attire held no suggestion of severity. Morgan's eye was pleased by the quiet harmony of the gray silk dress with its silver girdle and its touches of silver at the throat and wrists.

      Margaret herself was only just nineteen. Taller than her mother by half a head, she was built with a slender grace and a rare purity of outline. A somewhat high forehead lent her distinction, perhaps accentuating the shade of thoughtfulness that was characteristic of her expression, and that never clashed with its sweetness; rather were the two qualities blended into a charming spirituality. Her dark blue, velvety eyes suggested the clear depth of a stream, her cheeks were modelled in a full, soft curve, her nostrils were delicately chiselled, and her mouth was small, red and sweet. The neck showed cool and white above the silver-blue of her girl's soft, silk evening gown that came almost to her throat. Margaret rather affected silver-blue—she knew quite well it made her adorable; for, being a sweet human being, she had just a charming touch of vanity, and would have been less charming without it. The only other note of colour was given by the quaint silver buckle at her waist, for the sash was of the same material as the gown itself.

      At sixty-three, Archibald Druce—for the old fellow's heart was still susceptible—worshipped her almost as much as he had once worshipped her mother. And Morgan had only realised how she had grown into his spirit just when despair had begun to show itself again. The discovery had perhaps given him a fresh spurt of hope, but the charred mass had marked the end of that.

      John Medhurst was somewhat past fifty, and his beard was getting just a little grey. He was of medium height, and wore spectacles himself—a fact which, in view of his profession, had given Archibald endless material for humour. His manner and voice alike were singularly soft and gentle. He possessed both a sense of humour and a quiet humour of his own; and his laugh was always ready to ring out. Sometimes it struck Morgan that Margaret's features were hinted at in his face even more than in Mrs. Medhurst's, but so subtly, that the resemblance would seem to vanish for long stretches of time, and he would only be able to detect it at odd moments.

      Archibald arrived quite half an hour late, so that his ferocious knock and ring caused general rejoicing. His spirits invariably mounted as soon as he set foot on the Medhursts' doorstep, and, once within the house, he overflowed with jest and laughter, extracting fun and merriment from anything and everything, making rather a terrible noise and enjoying every instant.

      "My scamp of a boy and I got talking together," he explained, in high-pitched apology. "Now, Morgan has some ideas in that head-piece of his"—here he tapped his son playfully on the skull—"so that when we two do get talking together, we both find it so fascinating that we lose all count of time. I've had quite a rush to get here, though I see Morgan has raced me. I suppose that, at my age, I mustn't expect——"

      "To keep pace with the youngsters."

      Margaret finished the sentence for him in playful anticipation of his platitudinarianism. Archibald took her in his arms and kissed her on the forehead, with a "No harm at my age, my dear," after which he laughed gleefully, and proceeded to kiss Diana on the lips, adding: "No harm at your age, my dear."

      "I'm thirteen, and I shall really not allow that sort of thing any more," said Diana, severely.

      "Not from me—your sweetheart!" exclaimed Archibald. "Ah! I understand," he went on. "It's the grown-up frock."

      She was in a shaped dress to-day, but he had recalled her as she was in her poke-bonnet days, when she had been wont to accept the same kind of salutation without demur. It did not seem so very long ago since he had seen her bare-kneed, in short, crimson skirts and all sorts of fantastic caps and brilliant turbans; and he now reminded her of the fact, undeterred by the haughtiness of her mien and the arrogantly rippling masses of golden-brown hair, just a shade darker than Margaret's.

      She gave him a withering glance that asked how he dared!

      "Perhaps it's not the frock. It's the poem in the 'Pleiad.' Morgan has turned her head," recommenced Archibald.

      "Morgan, take me down, please," said Diana, majestically ignoring her tormentor, who thereupon offered his arm to Mrs. Medhurst, and Margaret and her father brought up the rear.

      But when they came to take their seats, they somehow got mixed up again, so that Morgan found himself next to Margaret, whilst Diana and Archibald sat opposite. Morgan had more than a suspicion that this was the result of adroit manœuvring on Diana's part. Very soon, however, there arose such a clattering dispute between that young lady and her neighbour, that Morgan could not talk to his, which made him rather angry. Anyhow, it was impossible not to be amused after a while by the altercation, for Diana's tongue was ready and brisk and attacking. Margaret was a far less militant character, and would never strike, were there the slightest chance of wounding. Diana's aim was always to wound, and to wound deeply, provided it was some dear friend she was pitted against.

      In view of the fact that this was the last visit he purposed to the Medhursts, Morgan had been feeling that a close conversation with Margaret would prove too much of an ordeal for him, and he had determined to talk to her as little as possible. But somehow he did not find himself welcoming the practical inhibition from the other side of the table; it gave him a sense of frustrated desire. If his will made him say "I must not talk to her intimately, for I shall lose all the ground I have gained by purposely avoiding this house so long; I shall be drawn back close to her and, as the parting must come nevertheless, the greater will be its anguish," his temperament made reply: "What! you calculating effects, whose business has always been poetry? Let your business still be poetry, but weave it out of life instead of words. Abandon yourself without underthought. Live in that wonderful region which is here, even as it is everywhere, but in which only the souls of poets may wander and rejoice." And his temperament prevailed over his will. He allowed the full flow of love to flood his spirit. Great poems were summed up in one quick flash; in a second he lived through a century of fine words.

      And, as if divining his thought, she turned to him and spoke. Her words seemed softly to ring through the din, and he gave himself up to the full delight of the moment.

      "Do you know, Morgan"—for he was always "Morgan" to everybody there—"a great change has occurred in my dignity the last few days?"

      "You are to marry a peer," he hazarded.

      "I have risen much higher than that."

      "You were at the utmost height."

      "I only moved in yesterday, with my benches and mess and clay and wax and tools. Pa had a hole made in the roof and a top light put in. I feel so pleased with my studio, and, of course, I mean to entertain there. We shall have such gay times, and I've a fine excuse for keeping the company young and select."

      "Too high up for old legs?"

      "How shrewd!" she exclaimed. "I see that for real worldly insight one must go to a poet."

      "Thank you. This is the first time I've been accused of common sense."

      "That is hardly to be wondered at. Your poems have every other quality. You'll come up and see my studio anyhow?"

      "By moonlight?"

      "No, by candle light. And you the bearer, like the Latin motto on one of my old school books."

      Meanwhile the combat opposite still raged, and in the end Archibald and Diana had to be parted almost by force. Diana sent a final shot from the door, and then scampered away.

      "The little rogue!" murmured Archibald, and then broke into one of those unrestrained laughs which he usually reserved for his own witticisms.

      The three men drew near the fire. Medhurst said something about taking Diana in hand. She had been somewhat spoiled at school, being looked upon as a sort of demi-goddess by her classmates. Archibald declared he wouldn't have her any different for the world. What was the good of a girl if she was just the same as any other girl? Thence, proceeding to attack convention, Archibald eventually steered the conversation round to the contribution he himself purposed making to ethical philosophy, for he had been waiting for an opportunity to let Medhurst into the secret.