Historic Boyhoods. Rupert Sargent Holland

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Название Historic Boyhoods
Автор произведения Rupert Sargent Holland
Жанр Языкознание
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Издательство Языкознание
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isbn 4064066193010



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      Genoa was a great seaport in those days, one of the greatest ports of the known world, and her fleets sailed forth to trade with Spain and Portugal, France and England, and even with the countries to the north of Europe. The sea had made Genoa rich, had given fortunes to the nobles who lived in the great white marble palaces that shone in the sun, had placed her on an equal footing with that other great Italian sea city, Venice, with whom she was continually at war.

      But all the ships that left her harbor were not trading vessels. Genoa the Superb had many enemies always on the alert to swoop down upon her trade. So she had to maintain a great war-fleet. In addition to this danger, the Mediterranean was then the home of roving pirates, ready to seize any vessel, without regard to its flag, which promised to yield them booty.

      The life of a Genoese boy in those days was packed full of adventures. Most of the boys went to sea as soon as they were old enough to hold an oar or to pull a rope, and they had to be ready at any moment to drop the oar or rope and seize a sword or a pike to repel pirates or other enemies. There was always the chance of a sudden chase or a secret attack on a Christian boat by savage Mussulmen, and so bitter was the endless war of the two religions that in such cases the victors rarely spared the lives of the vanquished, or, if they did, sold them in port as slaves. Moreover the ships were frail, and the Mediterranean storms severe, and many barks that contrived to escape the pirates fell victims to the fury of head winds. The life of a Genoese sailor was about as dangerous a life as could well be imagined.

      On this June morning a large privateer was to set sail from the port, and the families of the men and boys who were outward bound had come down to say good-bye. The centre of one little group was a boy about fifteen, strong and broad for his years, though not very tall, with warm olive skin, bright black eyes, and fair hair that fell to his ears. His name was Christopher Colombo, and he was going to sail with a relative called Colombo the Younger who commanded a ship in the service of Genoa.

      The young Christopher had always loved to be upon the sea. Among the first sights that he remembered were glimpses of the Mediterranean in fair and stormy weather, the first tales he had heard were stories of strange adventures that had befallen sailors. His home had sprung from the waves, its glory had been drawn from the inland sea, the great chain of high mountains at its back cut it off from the land and the pursuits of other cities. Christopher thought of the sea by day, and dreamed of it by night, and was already planning when he grew up to go in search of some of those strange adventures the old bronzed mariners were so fond of describing.

      The boy's mother and father kissed him good-bye, and his younger brothers and sister looked at him enviously as he left them with a wave of his hand and went on board the ship. The latter was very clumsy, according to our ideas. She rode high in the water, with a great deck at the stern set like a small house up in the air, and with a great bow that bore the figurehead of the patron saint of the sea, Saint Christopher. Her sails were hung flat against the masts and were painted in broad stripes of red and yellow. She was very magnificent to look upon, but not very seaworthy.

      The marble of Genoa's palaces dropped astern. The ship was sailing south, and under favoring breezes soon lost sight of land. Constant watch was kept for other vessels; any that might appear was more apt to be an enemy than a friend, because Genoa was at war then with many rivals, chief among them Naples and Aragon. Ships had been sailing constantly of late from Genoa to prey upon the commerce of Naples, in revenge for what the Neapolitans had once done to Genoa.

      Colombo the captain was fond of his young kinsman Christopher, and at the start of the voyage had him in his cabin and told him some of his plans. The captain said he had orders to sail to Tunis to capture the Spanish galley Fernandina. The galley was richly laden, and each sailor would have a large share of booty. The boy listened with sparkling eyes; this would be his first chance to have a hand in a fight at sea.

      The winds of June were favoring, and Colombo's ship soon reached the island of San Pietro off Sardinia. Here the captain went ashore to try and learn news of the Fernandina. He found friendly merchants who had word from all the Mediterranean ports, and they told him that the galley was not alone, but accompanied by two other Spanish ships. Colombo was a born fighter, and this news did not frighten him. The more ships he might capture the greater would be his own share of glory and of prize money.

      When the captain told his news to the sailors on his return from shore, there was great consternation. The men had no liking to attack two fighting ships besides the galley. At first they simply murmured among themselves, but the longer they discussed the desperate nature of the plan the more alarmed they grew. By the time that the ship was ready to sail southward from Sardinia they had determined to go no farther, and sent three of their leaders to speak to Colombo.

      The captain was with Christopher studying a map of the Mediterranean when the men came before him. They told him that they positively refused to sail south and insisted that he put in at Marseilles for more ships and men. Colombo saw that he could not force them to sail farther, so, with what grace he could, he gave his consent to alter the course.

      The men left the cabin, and after a few minutes' thought the captain spoke to the boy. "Christopher," said he, "bring me the great compass from its box near the helmsman's stand. Bring it secretly. The men should all be on the lower deck making ready to sail. Let no one see thee with it."

      The boy left the cabin and climbed the ladder to the great poop-deck at the stern where the helmsman had a view far over the sea. He waited until no one was about, and then quickly took the compass from its box, and hiding it under the loose folds of his cloak, brought it to the captain. He placed it on the table. Then he fastened the door so that none might enter.

      Colombo opened the compass-case, and drew a pot of paint and a brush toward him. The boy watched breathlessly while the captain painted over the marks of the compass with thick white paint, and then on top of that drew in new lines and figures in black. He was changing the compass completely.

      When the work was done Christopher bore the case back to its box as secretly as he had taken it. Then Colombo went out to the sailors and gave them orders to spread sail. It was rapidly growing dark as they left the coast of Sardinia.

      At sunrise, when Christopher came on deck to stand his watch, he knew that their ship must be off the city of Carthagena, although all the crew supposed they well on their way to Marseilles. Not long after, as they were drawing nearer to the shore, the lookout signaled a vessel. She was soon seen to be flying the flag of Naples. Fortunately this ship was alone at the time, and the sailors were not afraid to attack her.

      Orders were quickly given to sail as close to her as possible, and preparations were made to board her. The other ship seemed no less eager to engage in battle, and in a very short time grappling-irons were thrown out and the ships were fastened close together. Then a fierce combat followed between the two crews as each in turn tried to scale the sides of the other vessel.

      A sea-fight in the fifteenth century was fought hand to hand, each ship being like a fort from which small attacking parties rushed out to climb the other's battlements. When men met on the decks they used sword and pike and dagger just as they would have on shore. Fire was thrown from one ship into the rigging and sails of the other, and flames soon caught and greedily devoured the woodwork of the boats. It was wild work; the blazing sails, the broken cheers of the men, the fierce struggle over the two decks.

      Christopher fought bravely whenever chance offered, but the captain kept him close to his hand to carry messages. It soon appeared that the enemy were the stronger, and they bore the Genoese back and back farther from their bulwarks and across their decks. As the enemy gained a foothold they held torches to everything that would burn, and soon Colombo's ship was wrapped in fire and the only choice seemed to be between surrender and jumping into the sea.

      A burning rope fell from a mast and set fire to Christopher's cloak. He tore the cloak from him. He saw that the Neapolitans must win and he had no desire to be carried off to Naples as a prisoner. The flames were gaining fast as he leaped to the rail on the free side of the ship, and dove overboard. He came up free from the wreckage and found a long sweep-oar floating near him. With that support he struck out for the shore of Africa,