Ethelyn's Mistake. Mary Jane Holmes

but the setting was old, so old that a connoisseur in such matters might wonder why Judge Markham had chosen such a ring as the seal of his betrothal. Ethelyn knew why, and the softest, kindliest feeling she had experienced for her promised husband was awakened when he told her of the fair young sister whose name was Daisy, and who for many years had slept on the Western prairie beneath the blossoms whose name she bore. This young girl, loving God with all her soul, loved too all the beautiful things he had made, and rejoiced in them as so much given her to enjoy. Brought up in the far West, where the tastes of the people were simpler than those of our Eastern neighbors, it was strange, he said, how strong a passion she possessed for gems and precious stones, especially the diamond. To have for her own a ring like one she once saw upon a grand Chicago lady was her great ambition, and knowing this the brother hoarded carefully his own earnings, until enough was saved to buy the coveted ring, which he brought to his young sister on her fourteenth birthday. But death even then had cast its shadow around her, and the slender fingers soon grew too small for the ring, which she nevertheless kept constantly by her, admiring its brilliancy, and flashing it in the sunlight for the sake of the rainbow hues it gave. And when, at last, she lay dying in her brother's arms, with her golden head upon his breast, she had given back the ring, and said, "I am going, Richard, where there are far more beautiful things than this: 'for eye hath not seen, neither hath it entered into the heart of man, the things prepared for those who love Him,' and I do love Him, brother, oh! so much, and feel His arms around me now as sensibly as I feel yours. His will stay after yours are removed, and I am done with earth; but keep the ring, Brother Dick, and when in after years you love some pure young girl as well as you love me, only different--some girl who will prize such things, and is worthy of it--give it to her, and tell her it was Daisy's; tell her for me, and that I bade her love you, as you deserve to be loved."

      All this Richard Markham had said to Ethelyn as they stood for a few minutes upon the beach of the pond, with its waters breaking softly upon the sands at their feet, and the young spring moon shining down upon them like Daisy's eyes, as the brother described them when they last looked on him. There was a picture of Daisy in their best room at home, an oil painting made by a traveling artist, Richard said, and some day Ethelyn would see it, for she had promised to be his wife, and the engagement ring--Daisy's ring--was on her finger, sparkling in the moonbeam, just as it used to sparkle when the dead girl held it in the light. It was a superb diamond--even Frank, with all his fastidiousness, would admit that, Ethelyn thought, her mind more, alas! on Frank and his opinion than on what her lover was saying to her, of his believing that she was pure and good as Daisy could have desired, that Daisy would approve his choice, if she only knew, as perhaps she did; he could not help feeling that she was there with them, looking into their hearts--that the silvery light resting so calmly on the silent water was the halo of her invisible presence blessing their betrothal. This was a good deal for Richard Markham to say, for he was not given to poetry, or sentiment, or imagery, but Ethelyn's face and Ethelyn's eyes had played strange antics with the staid, matter-of-fact man of Western Iowa, and stirred his blood as it had never been stirred before. He did fancy his angel-sister was there; but when he said so to Ethelyn she started with a shiver, and asked to be driven home, for she did not care to have even dead eyes looking into her heart, where the fires of passion were surging and swelling, like some hidden volcano, struggling to be free. She knew she was doing wrong--knew she was not the pure maiden whom Daisy would have chosen--was not worthy to be the bride of Daisy's brother; but she must do something or die, and as she did not care to die, she pledged her hand with no heart in it, and hushing the voice of conscience clamoring so loudly against what she was doing, walked back across the yellow sand, beneath the spring moonlight, to where the carriage waited, and, in comparative silence, was driven to Aunt Barbara's gate.

      This was the history of the ring, and here, as well as elsewhere, we may tell Ethelyn's history up to the time when, on her bridal day, she sat with Aunt Barbara at the breakfast table, idly playing with her spoon and occasionally sipping the fragrant coffee. The child of Aunt Barbara's half-sister, she inherited none of the so-called Bigelow estate which had come to the two daughters, Aunt Barbara and Aunt Sophia, from their mother's family. But the Bigelow blood of which Aunt Sophy Van Buren was so proud was in her veins, and so to this aunt she was an object of interest, and even value, though not enough so to warrant that lady in taking her for her own when, eighteen years before our story opens, her mother, Mrs. Julia Bigelow Grant, had died. This task devolved on Aunt Barbara, whose great motherly heart opened at once to the little orphan who had never felt a mother's loss, so faithful and true had Aunt Barbara been to her trust. Partly because she did not wish to seem more selfish than her sister, and partly because she really liked the bright, handsome child who made Aunt Barbara's home so cheery, Mrs. Dr. Van Buren of Boston, insisted upon superintending the little Ethelyn's education, and so, when only twelve years of age, Ethelyn was taken from the old brick house under the elms, which Mrs. Dr. Van Buren of Boston despised as the "district school where Tom, Dick, and Harry congregated," and transplanted to the highly select and very expensive school taught by Madame--, in plain sight of Beacon Street and Boston Common. And so, as Ethelyn increased in stature, she grew also in wisdom and knowledge, both of books and manners, and the style of the great world around her. Mrs. Dr. Van Buren's house was the resort both of the fashionable and literary people, with a sprinkling of the religious, for the great lady affected everything which could effect her interest. Naturally generous, her name was conspicuous on all subscription lists and charitable associations, while the lady herself owned a pew in ---- Church, where she was a regular attendant, together with her only son, Frank, who was taught to kneel and respond in the right places and bow in the creed, and then, after church, required to give a synopsis of the sermon, by way of proving that his mind had not been running off after the dancing school he attended during the week, under his mother's watchful supervision. Mrs. Van Buren meant to be a model mother, and bring up her boy as a model man, and so she gave him every possible advantage of books and teachers, while far in the future floated the possibility that she might some day reign at the White House, not as the President's wife--this could not be, she knew, for the man who had made her Mrs. Dr. Van Buren of Boston slept in the shadow of a very tall monument out at Mount Auburn, and the turf was growing fresh and green over his head. So if she went to Washington, as she fondly hoped she might, it would be as the President's mother; but when examination after examination found Frank at the foot of his class, and teacher after teacher said he could not learn, she gave up the presidential chair, and contenting herself with a seat in Congress, asked that great pains should be taken to bring out the talent for debate and speech-making which she was sure Frank possessed; but when even this failed, and nineteen times out of twenty Frank could get no farther than "My name is Norval, on the Grampian Hills," she yielded the M.C. too, and set herself to make him a gentleman, polished, refined, and cultivated--one, in short, who was au fait with all that fashionable society required; and here she succeeded better. Frank was perfectly at home on the dancing floor or in the saloons of gaiety, or the establishment of a fashionable tailor, so that when Ethelyn, at twelve, went down to Boston, she found her tall, slender, light-haired cousin of sixteen a perfect dandy, with a capability and a disposition to criticise and laugh at whatever there was of gaucherie in her country manners and country dress. In some things the two were of mutual benefit to each other. Ethelyn, who could conquer any lesson however difficult, helped thick-headed, indolent Frank in his studies, translating his hard passages in Virgil, working out his problems in mathematics, and even writing, or at least revising and correcting, his compositions, while he in return gave her lessons in etiquette as practiced by the Boston girls, teaching her how to polka a waltz gracefully, so he would not be ashamed to introduce her as his cousin, he said, at the children's parties which they attended together. It was not strange that Frank Van Buren should admire a girl as bright and piquant and pretty as his cousin Ethelyn, but it was strange that she should idolize him, bearing patiently with all his criticisms, trying hard to please him, and feeling more than repaid for her exertions by a word of praise or commendation from her exacting teacher, who, viewing her at first as a poor relation, was inclined to be exacting, if not overbearing, in his demands. But as time passed on all this was changed, and the well-developed girl of fifteen, whom so many noticed and admired, would no longer be patronized by the young man Frank, who, finding himself in danger of being snubbed, as he termed Ethelyn's grand way of putting him down, suddenly awoke to the fact that he loved his high-spirited cousin, and he told her so one hazy day, when they were in Chicopee,