The Complete Works. George Orwell

the womb, you lived sixty or seventy years, and then you died and rotted. And in every detail of your life, if no ultimate purpose redeemed it, there was a quality of greyness, of desolation, that could never be described, but which you could feel like a physical pang at your heart. Life, if the grave really ends it, is monstrous and dreadful. No use trying to argue it away. Think of life as it really is, think of the details of life; and then think that there is no meaning in it, no purpose, no goal except the grave. Surely only fools or self-deceivers, or those whose lives are exceptionally fortunate, can face that thought without flinching?

      She shifted her position in her chair. But after all there must be some meaning, some purpose in it all! The world cannot be an accident. Everything that happens must have a cause—ultimately, therefore, a purpose. Since you exist, God must have created you, and since He created you a conscious being, He must be conscious. The greater doesn’t come out of the less. He created you, and He will kill you, for His own purpose. But that purpose is inscrutable. It is in the nature of things that you can never discover it, and perhaps even if you did discover it you would be averse to it. Your life and death, it may be, are a single note in the eternal orchestra that plays for His diversion. And suppose you don’t like the tune? She thought of that dreadful unfrocked clergyman in Trafalgar Square. Had she dreamed the things he said, or had he really said them? “Therefore with Demons and Archdemons and with all the company of Hell.” But that was silly, really. For your not liking the tune was also part of the tune.

      Her mind struggled with the problem, while perceiving that there was no solution. There was, she saw clearly, no possible substitute for faith; no pagan acceptance of life as sufficient to itself, no pantheistic cheer-up stuff, no pseudo-religion of “progress” with visions of glittering Utopias and ant-heaps of steel and concrete. It is all or nothing. Either life on earth is a preparation for something greater and more lasting, or it is meaningless, dark and dreadful.

      Dorothy started. A frizzling sound was coming from the gluepot. She had forgotten to put any water in the saucepan, and the glue was beginning to burn. She took the saucepan, hastened to the scullery sink to replenish it, then brought it back and put it on the oil-stove again. I simply must get that breastplate done before supper! she thought. After Julius Cæsar there was William the Conqueror to be thought of. More armour! And presently she must go along to the kitchen and remind Ellen to boil some potatoes to go with the minced beef for supper; also there was her “memo list” to be written out for to-morrow. She shaped the two halves of the breastplate, cut out the armholes and neckholes, and then stopped again.

      Where had she got to? She had been saying that if death ends all, then there is no hope and no meaning in anything. Well, what then?

      The action of going to the scullery and refilling the saucepan had changed the tenor of her thoughts. She perceived, for a moment at least, that she had allowed herself to fall into exaggeration and self-pity. What a fuss about nothing, after all! As though in reality there were not people beyond number in the same case as herself! All over the world, thousands, millions of them; people who had lost their faith without losing their need of faith. “Half the parsons’ daughters in England,” Mr. Warburton had said. He was probably right. And not only parsons’ daughters; people of every description—people in illness and loneliness and failure, people leading thwarted, discouraging lives—people who needed faith to support them, and who hadn’t got it. Perhaps even nuns in convents, scrubbing floors and singing Ave Marias, secretly unbelieving.

      And how cowardly, after all, to regret a superstition that you had got rid of—to want to believe something that you knew in your bones to be untrue!

      And yet——!

      Dorothy had put down her scissors. Almost from force of habit, as though her return home, which had not restored her faith, had restored the outward habits of piety, she knelt down beside her chair. She buried her face in her hands. She began to pray.

      “Lord, I believe, help Thou my unbelief. Lord, I believe, I believe; help Thou my unbelief.”

      It was useless, absolutely useless. Even as she spoke the words she was aware of their uselessness, and was half ashamed of her action. She raised her head. And at that moment there stole into her nostrils a warm, evil smell, forgotten these eight months but unutterably familiar—the smell of glue. The water in the saucepan was bubbling noisily. Dorothy jumped to her feet and felt the handle of the glue-brush. The glue was softening—would be liquid in another five minutes.

      The grandfather clock in her father’s study struck six. Dorothy started. She realised that she had wasted twenty minutes, and her conscience stabbed her so hard that all the questions that had been worrying her fled out of her mind. What on earth have I been doing all this time? she thought; and at that moment it really seemed to her that she did not know what she had been doing. She admonished herself. Come on, Dorothy! No slacking, please! You’ve got to get that breastplate done before supper. She sat down, filled her mouth with pins and began pinning the two halves of the breastplate together, to get it into shape before the glue should be ready.

      The smell of glue was the answer to her prayer. She did not know this. She did not reflect, consciously, that the solution to her difficulty lay in accepting the fact that there was no solution; that if one gets on with the job that lies to hand, the ultimate purpose of the job fades into insignificance; that faith and no faith are very much the same provided that one is doing what is customary, useful and acceptable. She could not formulate these thoughts as yet, she could only live them. Much later, perhaps, she would formulate them and draw comfort from them.

      There was still a minute or two before the glue would be ready to use. Dorothy finished pinning the breastplate together, and in the same instant began mentally sketching the innumerable costumes that were yet to be made. After William the Conqueror—was it chain mail in William the Conqueror’s day?—there were Robin Hood—Lincoln Green and a bow and arrow—and Thomas à Becket in his cope and mitre, and Queen Elizabeth’s ruff, and a cocked hat for the Duke of Wellington. And I must go and see about those potatoes at half past six, she thought. And there was her “memo list” to be written out for to-morrow. To-morrow was Wednesday—mustn’t forget to set the alarm clock for half past five. She took a slip of paper and began writing out the “memo list”:

      7 oc. H.C.

      Mrs. J. baby next month go and see her.

      Breakfast. Bacon.

      She paused to think of fresh items. Mrs. J. was Mrs. Jowett, the blacksmith’s wife; she came sometimes to be churched after her babies were born, but only if you coaxed her tactfully beforehand. And I must take old Mrs. Frew some paregoric lozenges, Dorothy thought, and then perhaps she’ll speak to Georgie and stop him eating those biscuits during the sermon. She added Mrs. Frew to her list. And then what about to-morrow’s dinner—luncheon? We simply must pay Cargill something! she thought. And to-morrow was the day of the Mothers’ Union tea, and they had finished the novel that Miss Foote had been reading to them. The question was, what to get for them next? There didn’t seem to be any more books by Gene Stratton Porter, their favourite. What about Warwick Deeping? Too highbrow, perhaps? And I must ask Proggett to get us some young cauliflowers to plant out, she thought finally.

      The glue had liquefied. Dorothy took two fresh sheets of brown paper, sliced them into narrow strips, and—rather awkwardly, because of the difficulty of keeping the breastplate convex—pasted the strips horizontally across it, back and front. By degrees it stiffened under her hands. When she had reinforced it all over she set it on end to look at it. It really wasn’t half bad! One more coating of paper and it would be almost like real armour. We must make that pageant a success! she thought. What a pity we can’t borrow a horse from somebody and have Boadicea in her chariot! We might make five pounds if we had a really good chariot, with scythes on the wheels. And what about Hengist and Horsa? Cross-gartering and winged helmets. Dorothy sliced two more sheets of brown paper into strips, and took up the breastplate to give it its final coating. The problem of faith and no faith had vanished utterly from her mind. It was beginning to get dark, but, too busy to stop and light the lamp, she worked on, pasting strip after strip of paper into place, with absorbed, with pious concentration, in the penetrating smell of the gluepot.