Paris from the Earliest Period to the Present Day. William Walton

des Francs-Bourgeois and des Blancs-Manteaux, opposite to the Palais des Archives. Remains of this tower were discovered in 1878, in demolishing some old houses to make way for the enlargement of the Mont-de-Piété; it served to enclose a circular staircase. The wall continued to follow the Rue Francs-Bourgeois to another gate, the Porte Barbette, at the intersection of the Rue Vieille-du-Temple with the Rue des Rosiers; then, beginning to trend south, it followed nearly the Rue Malher to the Place Birague, not far from where the Rue de Rivoli becomes the Rue Saint-Antoine. Here was another gate, the Porte Baudet or Baudoyer. Thence the line of fortification, crossing the locality of the present church Saint-Paul-Saint-Louis, descended to the river in the direction of the Rue des Barres, and ended on the quai, at the Porte Barbel-sur-l'Yeau. Vestiges of this tower were also found in 1878.

      On the south side of the river the wall was not commenced till 1208, when that on the northern side was completely terminated. Instead of making a close junction with that on the other shore, it took its start somewhat to the eastward of the "corner tower," at the famous Tour de Nesle, on the locality now occupied by the right wing of the Bibliothèque Mazarine and the Hôtel des Monnaies. It crossed the Rue Dauphine and halted on the Rue Saint-André-des-Arts at the Porte Buci; crossed the Boulevard Saint-Germain, where was another gate, the Porte des Cordeliers, afterward Porte Saint-Germain; descended the Rue Monsieur-le-Prince to the Boulevard Saint-Michel, where was the Porte de Fert or d'Enfer, which became the Porte Saint-Michel under Charles VI. From this gateway the wall continued southeasterly to that of Notre-Dame-des-Champs, between the Rue Soufflot and the Rue des Fossés-Saint-Jacques, just south of it, enclosed the Place du Panthéon, crossed the Rue Descartes at the Porte Bordet or Bordel, crossed the Rue Clovis, and traversed the locality at present occupied by the buildings of the École Polytechnique. Continuing in a northerly direction, it reached the Porte Saint-Victor near the present junction of the Rue Saint-Victor and the Rue des Écoles, and finally arrived at the Quai de la Tournelle by following a direction parallel to that of the Rue des Fossés-Saint-Bernard.

      It was to Philippe-Auguste also that the city of Paris was indebted for its first paved streets. In 1185, five years before the wall of fortification was begun, he was in one of the great halls of his palace in the Cité, and approached a window whence he was in the habit of watching the traffic on the Seine. Some heavy wagons or carts were being drawn through the streets at the time, says the historian Rigord, and such an insupportable odor was stirred up from the mud and filth that the king was obliged to leave the window, and was even pursued by it into his palace. From this occurrence came his resolve to carry out a work from which all his predecessors had shrunk because of the great expense involved, and which, indeed, discouraged the bourgeois and the prevost of the city when the royal commands were laid upon them. Instead of carrying it out for all the streets and by-ways of the capital, they appear to have contented themselves with paving the environs of the palace, and the two streets which traversed the Cité from north to south and from east to west, and which were called the croisée de Paris. This paving was effected by means of square stones fifteen centimètres long and fifteen to eighteen thick. The bourgeoisie found the expense so heavy that under Louis XIII half of the streets of Paris were still unpaved.

      In 1204, the king charged the prévôté of Paris to pay to the prior and the monks of Saint-Denis de la Chartre thirty sous parisis for the privilege of building on their land, and he commenced the construction of the Louvre. The site had long been occupied by a sort of suburban house of entertainment, and the king resolved to erect a strong château, commanding the Seine. This château was square, the thick walls pierced with small windows and loopholes arranged without order, surrounded by wide and deep ditches, and completed by a great tower rising in the middle. Over the pointed roof floated the royal banner, and within were confined the State prisoners, and the royal treasures, crown-jewels, and Trésor des Chartres. In 1200, this indefatigable monarch conceived the idea of uniting all the different schools established in Paris under one head, but the corporation of the Université was not constituted until twelve years later.

      The life and reign of Louis VIII, son of Philippe-Auguste and father of Saint-Louis, have recently been made the subject of special research by M. Petit-Dutaillis, whose history may serve to give his short reign of three years a greater importance in the eyes of subsequent students than it has received. He surrounded himself with the same political advisers that had served his father, and was inspired by the same political and administrative principles: the death of King John and the birth of the infant Henry III caused his expedition to England, while still Dauphin, to fail, and in his attempt to unite the crowns of Hugues Capet and of William the Conqueror he had against him the influence of the Pope. His energetic and persevering obstinacy won for him the surname of "the Lion;" and, moreover, he was haunted "by those visions of sanctity and of power to which the clerical and classical education gave birth, the sole general ideas which enlightened and enlarged the darkened and narrow brains of the men of the Middle Ages." The French historians are of the opinion that it was to his father's victory of Bouvines that England was indebted for her Magna Charta.

      His entry into Paris after his coronation at Reims is described enthusiastically by the chroniclers of the times. "The whole city turned out before him; the poets chanted odes in his praise, the musicians filled the air with the sound of the vielle [hurdy-gurdy!], of fifes, of tambours, of the psalterion and of the harp." Another admires the richness of the garments: "It is a pleasure to see the embroideries of gold and the coats of jewelled silk sparkle on all the public places, in the streets, in the squares. Old age, the flower of life, petulant youth, all stoop under the weight of the purple. The servitors and the domestics abandon themselves to the joy of being covered with adornments, and forget their condition of servitude on seeing the splendid stuffs which they display on their persons. Those who had not garments worthy of figuring in such a festival procured them by borrowing."

      On the occasion of another procession which took place during this reign, and in which, as in so many other mediæval demonstrations, the devout participants walked barefoot, the religious zeal of these latter was so great that they appeared, most of them, in their shirts, and very many quite naked. This did not prevent the three queens, Isemberge, widow of Philippe-Auguste; Blanche, wife of Louis VIII, and Bérengère, Queen of Jerusalem, from watching the procession with great interest. This chronicler, Guillaume Guiart, records another instance of the manners and customs of the period, in which Queen Blanche again appears. It was the custom, at mass, when the officiating priest pronounced the words: "The peace of the Lord be with you!" for each worshipper to turn to his neighbor on the left and give him the kiss of peace. On one occasion, the queen, having received this chaste salutation, bestowed it in her turn upon a girl of the town who was kneeling next her, but whose dress was that of a respectable married woman. Greatly offended, she procured from her royal husband an edict that, in future, these coureuses d'aiguillettes should be forbidden to appear in robes with trains, in falling collars and gilded girdles. Saint-Louis, Queen Blanche's son, for all his sanctity, appears to have been the first king of France to introduce a royal falconer into his court.

       A LADY AT PLAY; EIGHTEENTH CENTURY. From a water-color by F. Bac.

      Concerning this monarch, "in whose grand figure," says M. Henri Martin, "is summed up all that there is of pure and elevated in the Catholicism of the Middle Ages," we have, fortunately, abundant information in the chronicles of the Sire de Joinville, his secretary and intimate friend, who, with Villehardouin, is one of the first in date and in merit of these national historians. The piety of the king—like that of most other truly sincere mortals—had about it something simple and ingenuous which Joinville records with equal frankness. When they first embarked on their voyage to the Crusade, the clerks and the seigneurs were fearfully seasick and much repented themselves; when they had somewhat recovered, the king would draw them into serious conversation. On one day, says Joinville:

      "'Sénéchal,' said the king, 'what is it that is God?' 'Sire, it is so sovereign and so good a thing that nothing could be better.' 'Truly, that is very well replied, for this response is written in this little book which I hold in my hand. Another question I will put to you, that is to say: 'Which would you prefer, to be leprous and ugly, or to have committed a mortal sin?' And I," says Joinville, "who never wished